Juggling angry Russians, the British Mi5, and an international terrorist, debonair art dealer and part time rogue Charlie Mortdecai races to recover a stolen painting rumored to contain a code that leads to lost gold.
Hard-drinking journalist Paul Kemp takes a job at a besieged newspaper in San Juan, Puerto Rico. His volatile editor, Lotterman, assigns him to tourist pieces and horoscopes, but promises more. Paul rooms with Sala, an aging and equally alcoholic reporter, in a rundown flat. Sanderson, a wealthy entrepreneur, hires Paul to flack for a group of investors who plan to buy an island near the capital and build a resort. Sanderson's girl-friend, the beguiling Chenault, bats her eyes at Paul. His loyalties face challenges when he and Sala get in trouble with locals, when a Carnival dance enrages Sanderson, and when the paper hits the skids. Is the solution always alcohol?Written by
When Kemp and Sanderson talk at the dock the morning after Sanderson's fiancée refused to leave the nightclub, Kemp's hair is frizzy, unkempt, and blowing in the breeze. Sanderson says, "You blew it, Kemp." When the camera cuts back to Kemp, moments later, his hair is styled neatly. See more »
I adored the novel, The Rum Diary and as an aid worker I related to many of the character's struggles. Although the film does stray quite a bit from the book itself, I think it's a perfect homage to Hunter S Thompson. The language still reeks of his Gonzo fury writing and manages to transport the audience into a drunken rant, as well as secretly educating them on the struggles of a free press. It had me laughing out loud on more than one occasion, as well as the packed out cinema that I viewed it with.
I rated this movie a 9 and the last film I rated that high was The Shining. I personally think this film was perfect. The leading actress/actors were perfect and the supporting cast phenomenal, especially Giovanni Ribisi. The only problem with this film in my opinion is that if you are not a fan of the gibbering, artistically nervous tone of most of Thompson's work, this film may be too heavy for you. Although it's easier to follow that Fear and Loathing (which scrupulously stuck to the dialogue from the novel Fear and loathing), many would find the dialogue bizarre.
Personally I loved every minute of this film and think it's already truly underrated.
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