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Los Angeles citizens with vastly separate lives collide in interweaving stories of race, loss and redemption.

Director:

Paul Haggis

Writers:

Paul Haggis (story), Paul Haggis (screenplay) | 1 more credit »
Popularity
1,012 ( 120)
Won 3 Oscars. Another 64 wins & 111 nominations. See more awards »

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Cast

Cast overview, first billed only:
Karina Arroyave ... Elizabeth
Dato Bakhtadze Dato Bakhtadze ... Lucien
Sandra Bullock ... Jean
Don Cheadle ... Graham
Art Chudabala ... Ken Ho
Sean Cory Cooper ... Motorcycle Cop (as Sean Cory)
Tony Danza ... Fred
Keith David ... Lt. Dixon
Loretta Devine ... Shaniqua
Matt Dillon ... Officer Ryan
Jennifer Esposito ... Ria
Ime Etuk ... Georgie (as Ime N. Etuk)
Eddie J. Fernandez ... Officer Gomez (as Eddie Fernandez)
William Fichtner ... Flanagan
Howard Fong Howard Fong ... Store Owner
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Storyline

Over a thirty-six hour period in Los Angeles, a handful of disparate people's lives intertwine as they deal with the tense race relations that belie life in the city. Among the players are: the Caucasian district attorney, who uses race as a political card; his Caucasian wife, who, having recently been carjacked by two black men, believes that her stereotypical views of non-whites is justified and cannot be considered racism; the two black carjackers who use their race both to their advantage and as an excuse; partnered Caucasian police constables, one who is a racist and uses his authority to harass non-whites, and the other who hates his partner because of those racist views, but who may have the same underlying values in his subconscious; a black film director and his black wife, who believes her husband doesn't support their black background enough, especially in light of an incident with the racist white cop; partnered police detectives and sometimes lovers, one Hispanic female ... Written by Huggo

Plot Summary | Plot Synopsis

Taglines:

It's not like things are black and white. See more »

Genres:

Crime | Drama | Thriller

Motion Picture Rating (MPAA)

Rated R for language, sexual content and some violence | See all certifications »

Parents Guide:

View content advisory »
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Details

Official Sites:

Official Facebook

Country:

USA | Germany

Language:

English | Persian | Spanish | Mandarin | Korean

Release Date:

6 May 2005 (USA) See more »

Also Known As:

Alto impacto See more »

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Box Office

Budget:

$6,500,000 (estimated)

Opening Weekend USA:

$9,107,071, 8 May 2005, Wide Release

Gross USA:

$54,580,300, 6 April 2006

Cumulative Worldwide Gross:

$98,410,061, 12 July 2006
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

| (director's cut)

Sound Mix:

Dolby Digital

Color:

Color

Aspect Ratio:

2.35 : 1
See full technical specs »
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Did You Know?

Trivia

Martin Norseman, who plays Detective Conklin (a non-speaking part), is Paul Haggis' next-door neighbor. See more »

Goofs

Since Daniel already knew Farhad isn't fluent in English, instead of constantly saying he "replaced the lock", why didn't he just say "he fixed the lock", he would've Farhad satisfied as a customer and therefore resolving the misunderstanding and Daniel would be paid for his services. See more »

Quotes

[first lines]
Graham: It's the sense of touch. In any real city, you walk, you know? You brush past people, people bump into you. In L.A., nobody touches you. We're always behind this metal and glass. I think we miss that touch so much, that we crash into each other, just so we can feel something.
See more »

Crazy Credits

The film's title isn't shown until all of the opening credits are completed. See more »

Alternate Versions

The two-disc director's cut DVD features an additional two minutes of dialogue and footage See more »

Connections

Referenced in Castle: The Double Down (2009) See more »

Soundtracks

In the Deep
(2004)
Written by Kathleen York (as Bird York) & Michael Becker
Performed by Kathleen York (as Bird York)
Courtesy of Sugaroo! o/b/o Blissed Out Records
See more »

Frequently Asked Questions

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User Reviews

 
Lives in change
25 April 2005 | by mmcneil007See all my reviews

The film does not allow any character to fall into a stereotype despite the initial appearances. Everyone is redeeming, in a greater or lessor degree, in their own world, despite their frailties and prejudices. The writing is crisp and no easy turns are taken. The film has unexpected twists but none of them are contrived. Each character is developed just enough for us to develop our opinions of them and then things change. Those of us familiar with LA will recognize the icons of the city and the mix of cultures. Each character has enough prejudice or hate in his/her repertoire of life to demonstrate we had better not be too quick to judge without exploring what might in us be similar to the characters' flaws. A must see just for the pacing and script. Malcolm


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