Crash (2004)

Los Angeles citizens with vastly separate lives collide in interweaving stories of race, loss and redemption.

Director:

Paul Haggis

Writers:

Paul Haggis (story), Paul Haggis (screenplay)

Stars:

Don Cheadle, Sandra Bullock, Thandie Newton

Won 3 Oscars. Another 64 wins & 111 nominations.

Cast

Cast overview, first billed only:
Karina Arroyave	...	Elizabeth
Dato Bakhtadze	...	Lucien
Sandra Bullock	...	Jean
Don Cheadle	...	Graham
Art Chudabala	...	Ken Ho
Sean Cory Cooper	...	Motorcycle Cop (as Sean Cory)
Tony Danza	...	Fred
Keith David	...	Lt. Dixon
Loretta Devine	...	Shaniqua
Matt Dillon	...	Officer Ryan
Jennifer Esposito	...	Ria
Ime Etuk	...	Georgie (as Ime N. Etuk)
Eddie J. Fernandez	...	Officer Gomez (as Eddie Fernandez)
William Fichtner	...	Flanagan
Howard Fong	...	Store Owner

Storyline

Over a thirty-six hour period in Los Angeles, a handful of disparate people's lives intertwine as they deal with the tense race relations that belie life in the city. Among the players are: the Caucasian district attorney, who uses race as a political card; his Caucasian wife, who, having recently been carjacked by two black men, believes that her stereotypical views of non-whites is justified and cannot be considered racism; the two black carjackers who use their race both to their advantage and as an excuse; partnered Caucasian police constables, one who is a racist and uses his authority to harass non-whites, and the other who hates his partner because of those racist views, but who may have the same underlying values in his subconscious; a black film director and his black wife, who believes her husband doesn't support their black background enough, especially in light of an incident with the racist white cop; partnered police detectives and sometimes lovers, one Hispanic female ...

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Plot Keywords:

racist | racism | race relations | stereotype | social problem | 

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Taglines:

Live your life at the point of impact

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Genres:

Crime | Drama | Thriller

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Motion Picture Rating (MPAA)

Rated R for language, sexual content and some violence

Details

Official Sites:

Official Facebook

Country:

USA Germany

Language:

English Persian Spanish Mandarin Korean

Release Date:

6 May 2005 (USA)

Also Known As:

Crash

Filming Locations:

Westwood Village, Westwood, Los Angeles, California, USA

Box Office

Budget:

$6,500,000 (estimated)

Opening Weekend USA:

$9,107,071, 8 May 2005

Gross USA:

$54,580,300

Cumulative Worldwide Gross:

$98,410,061

Company Credits

Production Co:

Bob Yari Productions, DEJ Productions, Blackfriars Bridge Films

Technical Specs

Runtime:

112 min 115 min (director's cut)

Sound Mix:

Dolby Digital

Color:

Color

Aspect Ratio:

2.35 : 1

Did You Know?

Trivia

The role of the TV director was originally offered to Forest Whitaker, who turned it down to finish First Daughter (2004).

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Goofs

Kim Lee is not a Korean name. It is just a mixture of two family names. When Koreans use the two words for a name, they use different pronunciations. Common pronunciation of the words are Geum and Yi.

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Quotes

[first lines]
Graham: It's the sense of touch. In any real city, you walk, you know? You brush past people, people bump into you. In L.A., nobody touches you. We're always behind this metal and glass. I think we miss that touch so much, that we crash into each other, just so we can feel something.

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Crazy Credits

Producers gratefully acknowledge the valuable assistance of The Culbert Family; Members of the Actors Gym, Hollywood, California.

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Alternate Versions

The two-disc director's cut DVD features an additional two minutes of dialogue and footage

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Connections

References It's a Wonderful Life (1946)

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Soundtracks

Jingle Bells
(1857)
Traditional
Music by James Pierpont (uncredited)
Arrangement by Ronald A. Mendelsohn and John Carlo Dwyer
Published by JRM Music (ASCAP)
Courtesy of Megatrax Production Music, Inc.

User Reviews

Bold and Compelling Treatise on Racism in Modern Society

Take the pop-cultured infused socio-political discourse of a Spike Lee movie, the glossy grit of a Michael Mann LA crime story, and the compelling mosaic story-telling technique of a Paul Thomas Anderson film, and you'll get the "feel" for Paul Haggis' stunning directorial debut. To boil a film like "Crash" down to such terms, however, would do it severe injustice. Powerful and thought provoking, this is the most accomplished and compelling film since "21 Grams" premiered back at the end of 2003.

"Crash" brilliantly shows through intertwining vignettes, that are often blazingly funny in their brutal honesty and fascinatingly gut-wrenching in their melodrama, how subtle racism (often guised in nervous humor) and overt prejudice (often exasperated by sudden irrational violence and an overabundance of readily available firearms) completely permeate our culture and everyday interactions within society. A hyper intelligent script showcases not characters, but brilliant representations of real people, people we know and pass in the street every day, people not unlike us. People who at first seem to be lost causes in the war against racism (witnessed in Matt Dillon's harried beat cop and Sandra Bulluck's spoiled District Attorney's wife) can often become the most unlikely solutions to the problem, while people who ride in on their high horse (witnessed in Ryan Phillipe's noble young police officer) can turn against the tide in the blink of an eye. No one is immune to it no matter how hard they try to rise above it (witnessed in Don Cheadle's quietly tragic detective).

In the end, everyone is flawed, the racism is inescapable, and the audience feels a twinge of sympathy for just about everyone. Perhaps that is what Haggis is hinting at to be our answer. Showing empathy and being able to relate even on the most remote level to every human being out there is the first step to that true brotherhood of man. Because the film offers no real solution, the discussion and discourse it creates in the minds of the viewers is the first step in solving society's ills. We can't tackle everything at once, but we can open a dialogue, and hopefully, one person conversing with another will be the first step to our salvation. It takes a bold film to raise such questions, and an even greater one to compel an audience to talk about the potential answers, and that is exactly what "Crash" accomplishes.