5.5/10
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405 user 175 critic

White Noise (2005)

PG-13 | | Drama, Horror, Mystery | 7 January 2005 (USA)
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An architect's desire to speak with his wife from beyond the grave becomes an obsession with supernatural repercussions.

Director:

Geoffrey Sax

Writer:

Niall Johnson
1 win & 2 nominations. See more awards »

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Cast

Cast overview, first billed only:
Michael Keaton ... Jonathan Rivers
Chandra West ... Anna Rivers
Deborah Kara Unger ... Sarah Tate
Ian McNeice ... Raymond Price
Sarah Strange ... Jane
Nicholas Elia ... Mike Rivers
Mike Dopud ... Detective Smits
Marsha Regis ... Police Woman
Brad Sihvon Brad Sihvon ... Minister
Mitchell Kosterman ... Work Man
L. Harvey Gold ... Business Man
Amber Rothwell ... Susie Tomlinson
Suzanne Ristic Suzanne Ristic ... Mary Freeman
Keegan Connor Tracy ... Mirabelle
Miranda Frigon ... Car Crash Woman
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Storyline

The car of successful author Anna Rivers is found disabled next to the river, the thought being that she accidentally fell into the river while trying to change a flat tire. Her dead body is found upstream several weeks later, consistent with the accidental death theory. Based on incidents around him, her grieving husband, architect Jonathan Rivers, decides several months later to visit with Raymond Price, who approached John prior to Anna's body being found with news that she was trying to contact him from beyond. At that time, John was skeptical of Raymond's claims of electronic voice phenomena (EVP): that he is contacted from the beyond through electronic means - radio, television - which he is able to record. Along with Sarah Tate, another of Raymond's "clients" whose fiancé passed away, John becomes obsessed with EVP as he gets more and more audio and video messages, however fuzzy, from Anna from beyond. That obsession takes a slight change in focus when John believes that Anna ... Written by Huggo

Plot Summary | Plot Synopsis

Taglines:

TV, radio, even telephone... new door of the spirits See more »


Motion Picture Rating (MPAA)

Rated PG-13 for violence, disturbing images and language | See all certifications »

Parents Guide:

View content advisory »
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Details

Official Sites:

Official site [Russia] | UIP [France] | See more »

Country:

UK | Canada | USA

Language:

English

Release Date:

7 January 2005 (USA) See more »

Also Known As:

Voces del más allá See more »

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Box Office

Budget:

$10,000,000 (estimated)

Opening Weekend:

£1,787,478 (United Kingdom), 9 January 2005, Limited Release

Opening Weekend USA:

$24,113,565, 9 January 2005, Wide Release

Gross USA:

$56,386,759

Cumulative Worldwide Gross:

$91,196,419
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

DTS | Dolby Digital | SDDS

Color:

Color

Aspect Ratio:

2.35 : 1
See full technical specs »
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Did You Know?

Trivia

On the DVD Commentary, Michael Keaton admitted to "phoning in" some of his scenes, and apologized to Director Geoffrey Sax. See more »

Goofs

When the news crews report about finding Anna's body, they say it was found upstream. Upstream would mean that her body floated against the current. See more »

Quotes

Jonathan Rivers: I'm sorry Mikey.
See more »

Crazy Credits

The Universal logo seems to shrink in size. See more »

Connections

Spoofed in The Recycled Movie (2009) See more »

Soundtracks

Wear You Down
Written by Walt Vincent (as R. Walt Vincent)
Courtesy of Associated Production Music LLC
See more »

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User Reviews

 
Totally Believable
14 December 2004 | by trieditSee all my reviews

I recently was allowed to view this movie at a press screening. I can tell you as a professional ghost researcher, the portrayals are quite realistic and believable. The characters are accurate and the subject of Electronic Voice Phenomena is well represented.

It is a Hollywood-esquire movie in that some things are portrayed a little bigger than real life, but that in no way detracts from the believability of the movie. It has none of the fantasy that things like "Ghostbusters" bestowed upon a naive audience.

I loved this movie. Truly. It touched me on a personal level. It made me think about some of the more risky possibilities of my profession. And some parts really made me jump in my seat!

See it. At least twice.


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