In late 1950s New York, Tom Ripley, a young underachiever, is sent to Italy to retrieve Dickie Greenleaf, a rich and spoiled millionaire playboy. But when the errand fails, Ripley takes extreme measures.
Finding it hard to finally settle down and commit himself to only one woman, the unrepentant philanderer and undeniable ladies' man, Alfie, is a charming British who cruises the streets of New York as a limousine chauffeur. In his impeccable suits, the silver-tongued Casanova is simply irresistible; however, things will take an unexpected turn, when a night of unrestrained passion seriously tests Alfie's frivolous approach to life. In the end, is Alfie happy, and above all, what's it all about, then?Written by
I saw Jude Law for the first time on Broadway on an adaptation of a Jean Cocteau play. He was a stunner. You could see his future even from where I was sitting, one of the cheapest sits at the back of the theatre. Then "Gattaca" a poor film that Jude Law's presence alone awarded some sort of cult status. Other films with the likes of Jeanne Moreau, David Cronnenberg, Jenifer Jason Leigh. All good stuff, all seem to confirm my original impression. Then, "Wilde" and "The Talented Mr. Ripley" and I thought -- Amazing, we haven't had an actor like this, ever. Forget about his beauty, if you can, and concentrate in his mind boggling range. In Mr. Ripley the film never recovers from his death and in "Wilde" you understand, you actually understand Oscar Wilde, losing absolutely everything for him. He introduced the only entertaining moments in "Artificial Intelligence" and then, something happened, too many films and not too much judgement. In "Cold Mountain" he didn't have the epic scope that, in my modest opinion, the character required. In "Road to Perdition" he indulges in a shallow show off performance overshadowed by a theatrical costume and rotten teeth. But "Alfie" is, quite simply, unforgivable. Not a moment of truth, not a moment of charm, not a moment of beauty. The three elements that brought Jude Law up this moment. I left the theatre more than disappointed, I left angry because I recognised the symptoms of a potentially, mythological career, in real danger. I hope Jude Law sees the light, unless he is satisfied with the Troy Donohue award. If that's the case, well, he already got it. "Alfie" got it for him.
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