A listless and alienated teenager decides to help his new friend win the class presidency in their small western high school, while he must deal with his bizarre family life back home.
After being kicked out of his rock band, Dewey Finn becomes a substitute teacher of an uptight elementary private school, only to try and turn them into a rock band.
Upon learning that his father has been kidnapped, Austin Powers must travel to 1975 and defeat the aptly named villain Goldmember, who is working with Dr. Evil.
In 2002, two rival Olympic ice skaters were stripped of their gold medals and permanently banned from men's single competition. Presently, however, they've found a loophole that will allow them to qualify as a pairs team.
Ron Burgundy is San Diego's top-rated newsman in the male-dominated broadcasting of the 1970s, but that's all about to change for Ron and his cronies when an ambitious woman is hired as a new anchor.
Director:
Adam McKay
Stars:
Will Ferrell,
Christina Applegate,
Steve Carell
Preston, Idaho's most curious resident, Napoleon Dynamite, lives with his grandma and his 32-year-old brother (who cruises chat rooms for ladies) and works to help his best friend, Pedro, snatch the Student Body President title from mean teen Summer Wheatley.Written by
Anonymous
Jon Heder's big dance scene at the end was the last scene scheduled, but film ran out while shooting it. The sequence was edited together from less than ten minutes of his dancing. See more »
Goofs
When Kip and Uncle Rico are sitting at Big J's for the first time, the straw in Uncle Rico's milkshake switches sides repeatedly between shots. See more »
Quotes
[first lines]
Kid on Bus:
What are you gonna do today, Napoleon?
Napoleon Dynamite:
Whatever I feel like I wanna do. Gosh!
See more »
Crazy Credits
There is a 5 minute scene with Kip and LaFawnduh's wedding after the end credits. See more »
Alternate Versions
For wide release and all showings after the limited release, a scene was filmed featuring an additional five-minutes after the credits. See more »
Jared Hess's first film is more clever than it is funny, but it could grow on you, and it'll have a chance to if it gains cult status. Napoleon is a new idea: a nerd with confidence. It helps that the actor, Jon Heder, despite style-blind clothing and Seventies eyeglasses, is tall and thin and pretty muscular. He moves with such long-legged nerdy swaggering authority that when school bullies bash him into his locker you wonder how they manage it. Napoleon's final triumph may not be believable, but he's an excellent physical comic and when he does his fast dancing it's as awesome as it is silly.
Other characters in the film -- Napoleon's uncle Rio (Jon Gries), a sleazy ne'er-do-well who wishes he could go back to 1982 when he believes his high school football team would have won the championship if they'd put him in the game; the older brother, Kip (Afron Ruell), who hooks up with a black babe named LaFawnDa (Shondrella Avery) via Internet are creations as sharp and clear as Napoleon. This movie knows where it's going from the first frame. Like Napoleon, it's confident in its nerdiness. In a way, nerdiness isn't even an issue: Napoleon isn't going to change and doesn't want to.
The humor is deadpan; hence the success of conversations between Napoleon and his new Mexican friend Pedro Sanchez (Efren Ramirez), when both stand facing forward exchanging monosyllables.
Napoleon owns power because of his height and agility, but also because of the way he can use buzz words like 'sweet,' 'gross,' and 'idiot' as forcefully as anybody else. What's nerdy about him? He's nowhere, man. He's an out-there geek. His eyes, half hidden behind those big glasses, look blankly into space as he speaks. When have darty unseeing eyes in a movie character been so memorable? He has contempt for the world he inhabits, a rural Midwestern place so remote it doesn't have a big box store, but he inhabits this world and isn't about to leave it.
Because he's not really all that vulnerable, Napoleon Dynamite nurses no lasting resentments, so there can be no revenge or retribution or downfall, and the movie doesn't 'build.' The succession of skits that comprise much of the film often end unfinished, thus giving a hip postmodern illogic to the story that may make this a favorite for young people that is, twenty-somethings in months and years to come.
Napoleon Dynamite isn't 'about' anything and doesn't have much of a plot, but it deals with such themes as sexual frustration, get-rich salesman scams (which is where Uncle Rio comes in), and high school popularity contests (the alpha girl, Summer, played by Haylie Duff, vs. Pedro for class president).
The charm of Napoleon Dynamite also lies in the fact that it just focuses on the characters (the actors) and the short skits and doesn't try too hard. Less is more. There is a Zen consciousness at work here in the way each silly, daily detail is lovingly, patiently looked at and passed on. The unexamined life is not worth living: hence could it not be that the silliest, dorkiest life, lovingly examined, is meaningful and potentially hilarious? This is a winner, not a forgettable summer movie. It must be left to future scholars to analyze fully its myriad details.
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Jared Hess's first film is more clever than it is funny, but it could grow on you, and it'll have a chance to if it gains cult status. Napoleon is a new idea: a nerd with confidence. It helps that the actor, Jon Heder, despite style-blind clothing and Seventies eyeglasses, is tall and thin and pretty muscular. He moves with such long-legged nerdy swaggering authority that when school bullies bash him into his locker you wonder how they manage it. Napoleon's final triumph may not be believable, but he's an excellent physical comic and when he does his fast dancing it's as awesome as it is silly.
Other characters in the film -- Napoleon's uncle Rio (Jon Gries), a sleazy ne'er-do-well who wishes he could go back to 1982 when he believes his high school football team would have won the championship if they'd put him in the game; the older brother, Kip (Afron Ruell), who hooks up with a black babe named LaFawnDa (Shondrella Avery) via Internet are creations as sharp and clear as Napoleon. This movie knows where it's going from the first frame. Like Napoleon, it's confident in its nerdiness. In a way, nerdiness isn't even an issue: Napoleon isn't going to change and doesn't want to.
The humor is deadpan; hence the success of conversations between Napoleon and his new Mexican friend Pedro Sanchez (Efren Ramirez), when both stand facing forward exchanging monosyllables.
Napoleon owns power because of his height and agility, but also because of the way he can use buzz words like 'sweet,' 'gross,' and 'idiot' as forcefully as anybody else. What's nerdy about him? He's nowhere, man. He's an out-there geek. His eyes, half hidden behind those big glasses, look blankly into space as he speaks. When have darty unseeing eyes in a movie character been so memorable? He has contempt for the world he inhabits, a rural Midwestern place so remote it doesn't have a big box store, but he inhabits this world and isn't about to leave it.
Because he's not really all that vulnerable, Napoleon Dynamite nurses no lasting resentments, so there can be no revenge or retribution or downfall, and the movie doesn't 'build.' The succession of skits that comprise much of the film often end unfinished, thus giving a hip postmodern illogic to the story that may make this a favorite for young people that is, twenty-somethings in months and years to come.
Napoleon Dynamite isn't 'about' anything and doesn't have much of a plot, but it deals with such themes as sexual frustration, get-rich salesman scams (which is where Uncle Rio comes in), and high school popularity contests (the alpha girl, Summer, played by Haylie Duff, vs. Pedro for class president).
The charm of Napoleon Dynamite also lies in the fact that it just focuses on the characters (the actors) and the short skits and doesn't try too hard. Less is more. There is a Zen consciousness at work here in the way each silly, daily detail is lovingly, patiently looked at and passed on. The unexamined life is not worth living: hence could it not be that the silliest, dorkiest life, lovingly examined, is meaningful and potentially hilarious? This is a winner, not a forgettable summer movie. It must be left to future scholars to analyze fully its myriad details.