5.2/10
283
2 user 3 critic

L'incruste (2004)

A small crook manages to crash at a musician's apartment and turns his life upside down.

Writers:

Corentin Julius (script and dialogue), Alexandre Castagnetti (script and dialogue)
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Cast

Cast overview, first billed only:
Titoff ... Paul
Frédéric Diefenthal ... Alexandre
Zoé Félix ... Cécilia
Agnès Soral ... Josiane
Zinedine Soualem ... Mickey
Féodor Atkine ... Le père d'Alexandre
Patrick Mille ... Christophe
Philippe Maymat Philippe Maymat ... Zoran
Sacha Bourdo ... Marco
Brigitte Bémol ... Céline
Stéphane Debac ... Sandra
Gwendoline Hamon ... L'ex d'Alexandre
Victor Esteves Victor Esteves ... David
Frédérique Bel ... La copine de Céline
Manu Layotte Manu Layotte ... Le voisin
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Storyline

A small crook manages to crash at a musician's apartment and turns his life upside down.

Plot Summary | Add Synopsis

Genres:

Comedy

Certificate:

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Details

Country:

France

Language:

French

Release Date:

31 March 2004 (France) See more »

Also Known As:

A kullancs See more »

Filming Locations:

Paris, France

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Box Office

Opening Weekend:

$1,077,034 (France), 2 April 2004
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Company Credits

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Technical Specs

Runtime:

Color:

Color

Aspect Ratio:

2.35 : 1
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Did You Know?

Soundtracks

DIS DONC L'AMI
Lyrics by Clément Marchand, Alexandre Castagnetti, Yves Capion
Music by Clément Marchand, Jérôme Germond and Yves Capion
Arranged by Jean-Yves d'Angelo
Performed by BEAUBOURG
© and (P) 2004 Films Christian Fechner
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User Reviews

The Klutz Who Came To Dinner
15 April 2004 | by writers_reignSee all my reviews

Titoff is yet qnother self-styled 'comique' who plays the clubs in Paris and thinks (or his management thinks) that he's ready for the Big Leagues. L'Incruste (the word is virtually untranslateable, the man who came to dinner is close except that Sheridan Whiteside stayed on only because he broke his ankle or whatever while Titoff invites himself but even 'freeloader' doesn't quite hit it, probably the best we can hope for is 'to wear out one's welcome' and leave it at that) is nevertheless a non-demanding divertissment. Titoff may have invented the phrase 'accident prone'; if you have a priceless Ming vase in the attic and you give this guy a bed in the BASEMENT you can kiss that vase goodbye because somehow, if only by osmosis, he is going to smash it even indirectly. The film falls naturally into two halves, one setting up Titoff as a jerk and then the 'caper'. In its favor is the locale, Menilmontent and Bastille, areas of North East Paris not explored too often by moviemakers in love with Montparnass and Montmartre. It's hard to say if it will make it outside the borders of France but if not you haven't missed all that much. 5/10


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