Home Sick

If it's a dose of graphic old school gore you're after then Home Sick, with its regular and excessive scenes of non-CGI carnage, definitely delivers the goods: feet are sliced, heads are crushed, fingernails are torn out, teeth are smashed in, bodies are cleaved in two.

It's the stuff between the splatter that takes the film down a notch or two.

Writer E.L. Katz and director Adam Wingard have taken an offbeat approach with their storytelling, and the cast perform accordingly, putting in some decidedly strange performances; the result is a head-scratchingly bizarre movie at times, equal parts sadistic horror, wacky splat-stick, low-brow comedy, and avant-garde art-house weirdness, an awkward mixture that is certainly memorable, but not always that easy to digest.

Bill Moseley hams it up as a creepy stranger with a suitcase full of razor blades; Tiffany Shepis rolls around manically in her dead mother's blood; Tom Towles slaps his thighs as his son and his friends play with an assortment of firearms: occasionally the silliness works, but at other times it's just too eccentric for its own good.

Home Sick is worth watching simply for all the lovely red stuff—and Shepis getting her norks out (again)—but it's certainly not for everyone.