Following the unexpected death of her father, a deaf and mute teenager moves in with her godparents, where she discovers the cruel behavior of their daughter may be indicative of a dark secret within the family.
After discovering an urban legend of a demented serial killer, who has nothing but a carved "smiley" on his face, a mentally fragile teenager must figure out if she is going insane - or if she could be the next victim.
Top cover girl and fashion model, Jennifer Tree has it all - beauty, fame, money and power. Her face appears on covers of hundreds of magazines. At the top of her game, Jennifer is America's sweetheart. She is loved and adored and sought after. Everyone wants her. But someone out there has been watching and waiting. Someone wants her in the worst way. Out alone at a charity event in Soho, Jennifer is drugged and taken. Held captive in a cell, Jennifer is subjected to a series of terrifying, life-threatening tortures that could only be conceived by a twisted, sadistic mind. It follows the story of one woman who is abducted and tortured, held against her will in a place where days turn into weeks.Written by
After Dark Films
Despite the fact that this was filmed in Super 35, "Filmed in Panavision" is listed in the end credits. See more »
In the end after Jennifer shoots out the large picture of herself, a flash light appears in her hand in the next shot. ( This is explained in an alternate ending. In which she shoots out the picture, stands for a moment, picks up the flash light and leaves. The final product is most likely edited for time, however, still magically puts a flashlight into her hand.) See more »
[to his younger brother]
You're the insider, I'm the outsider.
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Michael Harney's name is misspelled in the end credits. See more »
Much of the gore has been edited out to get an R-rating in the United States and also for the UK release. The Spanish release is uncut. See more »
Adds nothing new, but it's a hell of a lot better than the Saw sequels!
I have to admit that I probably wouldn't have gone to cinema to see this film if it wasn't for all the unneeded controversy surrounding it's marketing campaign in the USA, but I guess that's a good thing as it shows that the people who initiate that sort of thing usually just end up helping the film in question to reach a wider audience. I have to say that whoever it was that made such a fuss about the posters did me a favour, as while Captivity isn't exactly a modern masterpiece; it's certainly a decent little horror thriller, and I'm glad I went to see it. The film focuses solely around Jennifer Tree, an actress who is abducted and thrown into a basement dungeon from which there is no escape and she is continually watched over by the psychopath who abducted her; a man who also enjoys putting her through all manner of sadistic and brutal torturing. Hope arises when she finds a man in the cell next to her, and together they attempt to escape from the dungeon. But as they face more sadism and torture, it turns out that the situation isn't all it seems.
This film is obviously catching on to the 'torture porn' film type that seems to be dominating the horror genre recently (films such as Hostel and Saw being at the forefront), but while this doesn't add anything new; it is entertaining to watch, and that is really all that is important from this sort of film. The film is, surprisingly, directed by experienced director Roland Joffé, whose only other film I've seen is the Oscar nominated "The Killing Fields" - and this is nothing like it! (Though I'd say that's a good thing...). The screenplay was written by the great Larry Cohen, who you can always count on for an entertaining thrill ride, and while this isn't one of his best attempts; I'd pretty much say he delivered (it's better than Cellular, too). The twist in the middle can be seen coming a mile off, but that's not important either as the handling after the twist is good and with this, Cohen succeed in racketing the film up a notch. Captivity is very short at just 85 minutes, but I'd rather it be on the short side than feature a bucket load of filler like many films these days do. Overall, I won't say this is brilliant or a classic; but it's a more than decent horror thriller and I definitely recommend seeing it.
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