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IMDbPro

Touch of Pink

  • 20042004
  • RR
  • 1h 31m
IMDb RATING
6.4/10
4.4K
YOUR RATING
Kyle MacLachlan, Kris Holden-Ried, and Jimi Mistry in Touch of Pink (2004)
Theatrical Trailer from Sony Pictures Classics
Play trailer1:59
2 Videos
28 Photos
DramaComedyRomance
A gay Canadian living in London has his perfectly crafted life upset when his devoutly Muslim mother comes to visit.A gay Canadian living in London has his perfectly crafted life upset when his devoutly Muslim mother comes to visit.A gay Canadian living in London has his perfectly crafted life upset when his devoutly Muslim mother comes to visit.
IMDb RATING
6.4/10
4.4K
YOUR RATING
    • Ian Iqbal Rashid
    • Ian Iqbal Rashid
    • Ken Chubb(story editor)
  • Stars
    • Jimi Mistry
    • Kris Holden-Ried
    • Suleka Mathew
    • Ian Iqbal Rashid
    • Ian Iqbal Rashid
    • Ken Chubb(story editor)
  • Stars
    • Jimi Mistry
    • Kris Holden-Ried
    • Suleka Mathew
  • See production, box office & company info
    • 53User reviews
    • 31Critic reviews
    • 46Metascore
  • See more at IMDbPro
    • Awards

    Videos2

    Touch of Pink
    Trailer 1:59
    Watch Touch of Pink
    Touch of Pink
    Trailer 2:01
    Watch Touch of Pink

    Photos28

    Kyle MacLachlan and Jimi Mistry in Touch of Pink (2004)
    Kyle MacLachlan and Jimi Mistry in Touch of Pink (2004)
    Suleka Mathew and Veena Sood in Touch of Pink (2004)
    Suleka Mathew in Touch of Pink (2004)
    Jimi Mistry in Touch of Pink (2004)
    Kyle MacLachlan in Touch of Pink (2004)
    Kyle MacLachlan and Suleka Mathew in Touch of Pink (2004)
    Kyle MacLachlan in Touch of Pink (2004)
    Jimi Mistry in Touch of Pink (2004)
    Kyle MacLachlan and Jimi Mistry in Touch of Pink (2004)
    Kyle MacLachlan and Jimi Mistry in Touch of Pink (2004)
    Kyle MacLachlan in Touch of Pink (2004)

    Top cast

    Edit
    Jimi Mistry
    Jimi Mistry
    • Alim
    Kris Holden-Ried
    Kris Holden-Ried
    • Giles
    • (as Kristen Holden-Ried)
    Suleka Mathew
    Suleka Mathew
    • Nuru Jahan
    Kyle MacLachlan
    Kyle MacLachlan
    • Spirit of Cary Grant
    Veena Sood
    Veena Sood
    • Dolly
    Brian George
    Brian George
    • Hassan
    Liisa Repo-Martell
    Liisa Repo-Martell
    • Delia
    Raoul Bhaneja
    Raoul Bhaneja
    • Khaled
    Malika Mendez
    Malika Mendez
    • Sherubai
    Linda Thorson
    Linda Thorson
    • Giles' Mother
    Andrew Gillies
    Andrew Gillies
    • Raymond
    Barna Moricz
    Barna Moricz
    • Alex
    Sam Moses
    Sam Moses
    • Vendor
    Dean McDermott
    Dean McDermott
    • Alisdair Keith
    Les Porter
    • Caterer
    Quancetia Hamilton
    • Airplane Woman
    Sanjay Talwar
    • Karim
    Mellanie Hubert
    Mellanie Hubert
    • Nora
      • Ian Iqbal Rashid
      • Ian Iqbal Rashid
      • Ken Chubb(story editor)
    • All cast & crew
    • Production, box office & more at IMDbPro

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    Storyline

    Edit

    Did you know

    Edit
    • Trivia
      The title "Touch of Pink" is a play on the old Cary Grant movie That Touch of Mink (1962).
    • Quotes

      Alim: She still keeps plastic on the furniture.

      Cary Grant: It keeps the evil fresh.

    • Connections
      Featured in 2005 Glitter Awards (2005)
    • Soundtracks
      Sailing on the Real True Love
      Lyrics by Andrew Lockington and Ian Iqbal Rashid

      Music by Andrew Lockington

      Performed by Emilie-Claire Barlow

    User reviews53

    Review
    Review
    Featured review
    7/10
    A very interesting movie ... mixed feelings about it though
    WARNING: Not only spoilers but some personal comments/rants

    Yeah, the premise is stale - multicultural (white/non-american) gay couple, homophobic mother, coming out etc. For most people, Cary Grant/Kyle Maclahan was the best aspect of the movie. Kyle Maclahan has clearly enjoyed himself, and it is a delight to watch him perform. But there is more to the movie. It is surprisingly realistic! Now reviewers I have a lot of respect for, including NY Times, have been harsh on the movie and that is understandable even though it's surprising. In my humble opinion, based on living in the South Asian culture for 27+ years of my life, I beg to differ.

    The fundamental difference between the "Western" culture and the "Asian" culture, as I can see, is the disproportionate emphasis on family in Asian culture as opposed to individuality, privacy, and personal space. To give you an example, in all the time I lived in India (the first 22 years of my life), I never had my "own" room. Even my parents didn't have their bedroom. Everyone slept in the living room. We shared closets for keeping clothes, shelves for books etc. People grow up differently under such circumstances. You learn to "sacrifice" for the sake of family. A tremendous amount of the individual pride in the Western culture - all that living your life to the fullest extent, being what you want to be in life, making your own choices and learning to take responsibility for them - is lost. It resurfaces as family pride. You do everything for your family. Your family has to be the best it can be. Your choices are guided by the ultimate prestige of the family. The elders (the heads of the family) make the choices for the younger ones. You would live at your parents' house till you are married to a person of opposite sex and once your parents retire, you and your spouse become heads of the family. Then its your turn. Even then you can't make decisions based on your preferences but based on what is "appropriate" to maintain and build the prestige of the family.

    I am probably saying stuff people think they know. You really don't until you experience it. I've found my American friends find all the Indian movies (Bollywood) very amusing with all its over-the-top melodrama. Having lived in US for 5+ years, I find it over-the-top and am turned off by it most of the time. But when I do sit and watch an Indian movie, I'm sucked into it at some point. I've always wondered why. The reason is this: in India, people actually live like that. My parents are living proofs for this fact. Everything is turned into an emotional blackmail so that I uphold the prestige of the family and help my parents "win" in their social life. Yes, parents actually consider arranged marriages of their children as personal victories in upholding family prestige and "love" marriages of their children as personal failures. Oh, the fact that I'm gay doesn't even enter the picture! So, for all its unbelievability and over-the-top amateur production values, this movie is indeed believable, simply because I have heard this very dialog from my own mother about plunging a knife in her heart for something much less trivial than falling in love with a "phirangi" - a foreign (different skin-colored) woman. Is my mom a selfish controlling monster? She probably is, according to Western culture, because she wants me to marry a South Indian, Iyengar Brahmin girl of good heritage despite the fact that I am gay, and that she'd throw much worse tantrums than Nuru ever did in the movie. But then, I know my mom better. I know the kind of personal sacrifices she did for the sake of her family, sacrifices that would have been called foolish, stupid, and naiveté by Western culture. Now I won't marry a girl and "sacrifice" like her, but I do understand that in my mom is a manipulator and a victim. I completely understand why Alim went to Toronto after his mom than stay in London and go after Giles.

    The movie touched me personally despite being flawed in many ways. Jimi Mistry's performance was horrible and Giles and Alim had almost no chemistry. The production values were amateurish. The biggest problem for me with the movie was that Alim's character was not fleshed out at all even in the screenplay level. Despite all that, the movie rang true in a number of levels for me and did not stereotype or reduce the issue of a gay man coming out in an Indian culture to a caricature. I applaud Ian Iqbal Rashid for that.

    7 out of 10
    helpful•44
    9
    • film_am_03
    • Jan 14, 2005

    Details

    Edit
    • Release date
      • July 16, 2004 (United States)
      • Canada
      • United Kingdom
      • English
    • Also known as
    • Filming locations
      • Toronto, Ontario, Canada
    • Production companies
      • Martin Pope Productions
      • Sienna Films
    • See more company credits at IMDbPro

    Box office

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    See detailed box office info on IMDbPro

    Technical specs

    Edit
    • 1 hour 31 minutes
      • Color
      • Dolby Digital

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