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Johanna, a young drug addict, falls into a deep coma after an accident. Doctors miraculously manage to save her from death's doorstep. Touched by grace, Johanna cures patients by offering ... See full summary »
A young man lives in rural Hungary with his girlfriend Mari. Also on the scene is her homosexual brother. Mari doesn't know that when the two men go to work in the city they raise cash by ... See full summary »
Peter returned from prison in his native city, in the hope that it will begin happy days. With surprise he learns that his sister became a foster mother to the newborn boy, but a real ... See full summary »
"Lost and Found" is a film project for which six young filmmakers from Central and Eastern Europe have each developed a short film on the theme of "generation". Together, these six short ... See full summary »
I AM NOT YOUR FRIEND is a film of improvisations - not only from the part of the nine amateur actors, but from the D.O.P, the director and the scriptwriters as well. The story unfolded ... See full summary »
Using almost no dialogue, the film follows a number of residents (both human and animal) of a small rural community in Hungary - an old man with hiccups, a shepherdess and her sheep, an old... See full summary »
Thirteen-year-old Lili fights to protect her dog Hagen. She is devastated when her father eventually sets Hagen free on the streets. Still innocently believing love can conquer any difficulty, Lili sets out to find her dog and save him.
This film was as fascinating and as frustrating as watching someone else's dreams. I saw it at Cinequest 2004 in San Jose, and observed several audience members slink out. Regrettably I was late to the showing and missed the first of five vignettes.
Each of those five and the connecting animation between them were created by different directors. Quite a nice enticement for me to see more Hungarian films. I wonder if working adjacent to colleagues, spurred the directors on to more artistic extremes?
We had fetishistic foot-age (with some great odd camera angles), a comic book myth (and effective split screen use), a peculiar look at formulaic film (and really formulaic human behavior), and lastly a soaring gory opera. I've since read online that the opera smartly ties back to the opening "No Comment" vignette I missed.
The music in that last piece was tremendous, as sung by the walking wounded and waking dead. The screen tricks in the third piece also were very fun, especially if you love similar use of panels in comic books, being a film in motion, they did nice tricks with dissolves as well.
Overall the plot perceptors in your brain will be perplexed by this experience. Even the recipe ingredients in the "formulaic" film are so unpredictable that it feels like a Rube Goldberg contraption set in motion. So turn off those perceptors and let your eyes bask in this often ingenious (and at times infuriating) collection of images and ideas.
Again, this is really not for everyone. But I definitely am glad I saw (most of) it. I'd watch it again (not something I often say...) I'd love to know how this was received in Hungary. Also I'm curious what the budget for it was, it surely was not cobbled together from orange rinds and other cast-off materials.
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