Vera is a cab driver who has been saving up for years to buy a house and settle on No Man-s Island in the Pacific and eventually escape from the world in which she lives. Zoli has what it ... See full summary »
1989 is an important year in the political history of Hungary. However, Petya and his friends couldn't care less. They are about to graduate high school. The only important things to them ... See full summary »
Európa szerte tipikus jelenség, hogy évtizedes házasságok fordulóponthoz érnek a felntt gyermekek kirepülése után. Gyakorta elfordul, hogy a férfiak új házasságot kötnek, s a nk egyedül ... See full synopsis »
Johanna ter Steege,
Three young friends, from the Hungarian countryside, want more sex and excitement in their life. Together they undertake a journey to Lake Balaton, where they hope to find plenty of summer fun as well as a temporary job.
A man comes home to meet his mother and sister after many years away. He finds his mother living with a new boyfriend, and his sister to be grown-up. He begins to settle down in this new ... See full summary »
A young man lives in rural Hungary with his girlfriend Mari. Also on the scene is her homosexual brother. Mari doesn't know that when the two men go to work in the city they raise cash by ... See full summary »
Johanna, a young drug addict, falls into a deep coma after an accident. Doctors miraculously manage to save her from death's doorstep. Touched by grace, Johanna cures patients by offering ... See full summary »
This film was as fascinating and as frustrating as watching someone else's dreams. I saw it at Cinequest 2004 in San Jose, and observed several audience members slink out. Regrettably I was late to the showing and missed the first of five vignettes.
Each of those five and the connecting animation between them were created by different directors. Quite a nice enticement for me to see more Hungarian films. I wonder if working adjacent to colleagues, spurred the directors on to more artistic extremes?
We had fetishistic foot-age (with some great odd camera angles), a comic book myth (and effective split screen use), a peculiar look at formulaic film (and really formulaic human behavior), and lastly a soaring gory opera. I've since read online that the opera smartly ties back to the opening "No Comment" vignette I missed.
The music in that last piece was tremendous, as sung by the walking wounded and waking dead. The screen tricks in the third piece also were very fun, especially if you love similar use of panels in comic books, being a film in motion, they did nice tricks with dissolves as well.
Overall the plot perceptors in your brain will be perplexed by this experience. Even the recipe ingredients in the "formulaic" film are so unpredictable that it feels like a Rube Goldberg contraption set in motion. So turn off those perceptors and let your eyes bask in this often ingenious (and at times infuriating) collection of images and ideas.
Again, this is really not for everyone. But I definitely am glad I saw (most of) it. I'd watch it again (not something I often say...) I'd love to know how this was received in Hungary. Also I'm curious what the budget for it was, it surely was not cobbled together from orange rinds and other cast-off materials.
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