47
Metascore
18 reviews · Provided by Metacritic.com
- 88TV Guide MagazineKen FoxTV Guide MagazineKen FoxZombie delivers a scary horror movie immediately recognizable as his own -- something that will come as a welcome relief to fans who've diligently sat through seven "Halloween" sequels in hopes of one day reliving the original's terrifying magic.
- 80L.A. WeeklyL.A. WeeklyHorrific as it is, Halloween isn’t so much a horror film as a biopic, and a superb one at that.
- 75PremierePremiereHalloween is a real, classic-style horror movie, not an exercise in gross special effects. Oh, and for those who’ve missed Carpenter’s classic, this will scare the candy corn out of you, but the original is still champion.
- As it stands, he made a noble attempt, and it could've been a Hell of a lot worse, but it's not as great a film as its potential hints at.
- 60The Hollywood ReporterKirk HoneycuttThe Hollywood ReporterKirk HoneycuttAs usual, Zombie has added an element of camp fun to the proceedings with his clever casting of B-movie icons in small roles, including Dee Wallace, Brad Dourif, Danny Trejo and Sid Haig.
- 50ReelViewsJames BerardinelliReelViewsJames BerardinelliThis is not a good movie but, considering what Halloween has evolved into over the course of seven sequels, it's perhaps better than it has a right to be.
- It's a more polished, high-fidelity version of a story that's played out on screen many times since 1978, but once Zombie runs out of subtext, he's right back to the same old slasher text: "Blood. Guts. The end."
- 50San Francisco ChroniclePeter HartlaubSan Francisco ChroniclePeter HartlaubFilmgoers looking for copious amounts of mindless violence won't be disappointed.
- 30VarietyDennis HarveyVarietyDennis HarveyLeaves nothing to the imagination: Michael Myers is always right there in plain sight, committing mayhem sans suspenseful buildup or mystique.
- 25Boston GlobeBoston GlobeAs with Zombie's two previous schlock horror features, "House of 1000 Corpses" and "The Devil's Rejects," the atmosphere here isn't so much tense and jolting as unnervingly weird and gory, but it's effective.