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Kiss Kiss Bang Bang (2005)

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A murder mystery brings together a private eye, a struggling actress, and a thief masquerading as an actor.


Shane Black


Brett Halliday (novel), Shane Black (screen story) | 1 more credit »
2,557 ( 396)
5 wins & 16 nominations. See more awards »



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Cast overview, first billed only:
Robert Downey Jr. ... Harry Lockhart
Val Kilmer ... Gay Perry
Michelle Monaghan ... Harmony Faith Lane
Corbin Bernsen ... Harlan Dexter
Dash Mihok ... Mr. Frying Pan
Larry Miller ... Dabney Shaw
Rockmond Dunbar ... Mr. Fire
Shannyn Sossamon ... Pink Hair Girl
Angela Lindvall ... Flicka
Indio Falconer Downey ... Harry Lockhart - Age 9
Ariel Winter ... Harmony Faith Lane - Age 7
Duane Carnahan Duane Carnahan ... Chainsaw Kid
Josh Richman Josh Richman ... Richie
Martha Hackett ... Pistol Woman
Nancy Fish ... N.Y. Casting Woman


A petty thief posing as an actor is brought to Los Angeles for an unlikely audition and finds himself in the middle of a murder investigation along with his high school dream girl and a detective who's been training him for his upcoming role... Written by austin4577@aol.com

Plot Summary | Plot Synopsis


A bad week in a tough town. See more »

Motion Picture Rating (MPAA)

Rated R for language, violence and sexuality/nudity | See all certifications »

Parents Guide:

View content advisory »






Release Date:

18 November 2005 (USA) See more »

Also Known As:

L.A.P.I. See more »


Box Office


$15,000,000 (estimated)

Opening Weekend USA:

$180,660, 23 October 2005, Limited Release

Gross USA:

$4,243,756, 15 January 2006

Cumulative Worldwide Gross:

$15,569,469, 22 January 2006
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs


Sound Mix:

DTS | Dolby Digital | SDDS



Aspect Ratio:

2.35 : 1
See full technical specs »

Did You Know?


Harry's hotel room number is 714. This is also Joe Friday's badge number on Dragnet (1951). See more »


The microsurgery needed to re-attach harry's finger is too complicated and extensive for an emergency room visit and would likely require a hospital stay of days if not weeks. See more »


Harmony: Harmony: Oh, God. No more lies, Harry, no more. Are you a detective? Huh? Are you a detective, Harry?
Harry: Harry: Who told you that?
Harmony: Harmony: Flicka, Flicka. You know? My friend Flicka, she told me. If you are, then I really need your help.
Harry: Harry: Well...
See more »

Crazy Credits

At the end of the movie, Val Kilmer says not to leave; to stay and watch the credits; and if you're wondering who the Best Boy is, he's someone's nephew. (The actual Best Boy credit is Jack Bauer.) See more »


Referenced in CSI: Crime Scene Investigation: Kiss Kiss, Bye Bye (2006) See more »


Written by Leroy Anderson and Mitchell Parish (uncredited)
Performed by Al Caiola & Riz Ortolani
Courtesy of EMI Records
Under License from EMI Film & Television Music
See more »

Frequently Asked Questions

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User Reviews

Funny, stylish, enjoyable self-aware and delivered by a great combination of Downey and Kilmer
14 August 2006 | by bob the mooSee all my reviews

Having stumbled into a casting session, petty thief Harry Lockhart has found himself flown to LA to try out for the lead in a major film. This also involves parties, at one of which he meets "Gay" Perry, a PI who acts as an adviser on such movies. When Harry joins Perry on a stake-out to learn the job they wind up balls-deep in mystery when they recover a dead body from the trunk of a dumped car. They leave the body and go their separate ways, but the body then turns up in Harry's bathroom and Perry realises that it is a setup. Coincidentally Harry's childhood sweetheart (Harmony) has her younger sister turn up in LA before committing suicide. She turns to Harry for help who, in a fit of puppy love, tells her he is a private detective. But with so many bodies all at once, are the cases as separate as they first appear?

Having spent a bit of time in the wilderness since his glory days, Shane Black returned to the screens properly as writer and director with an effective film that works surprisingly well in the genre he dominates while also poking fun at it. The plot is a real strength as it updates the potboilers of the 1940's with a complex string of "unrelated" murders that build together to a relatively satisfying conclusion. Sure it is full of holes at points and lacks some logic in the way it jumps around but it flows really well. However what really makes the film work is the post-ironic and fun delivery throughout. To some viewers I'm sure that it will be a bit too knowing but for me it was tremendously self-effacing fun. This is never done to the detriment of the narrative although some people may be disappointed that it takes precedence over traditional action (which it is quite light on).

Black does well with this though and his dialogue is full of great one-liners (as I expected) but also a lot of knowing references to the genre and the clichés that he helped create (which I didn't expect). What was pretty surprising was how well it all worked together. As director he has injected a lot of style into the film and is well supported by really cool opening credits, some wicked black humour and a strong soundtrack. Of course it wouldn't have worked without a cast that "got" what he was doing and fortunately his casting director got him two great leads. Downey Jr is brilliant. His narration is very natural and convincing and he really brings out the humour in his lines. In the rest of the film he is just as strong and is really fun. Kilmer is equally as good albeit in a smaller role; he is smart, tough and yet able to work well with his genre-busting character. They both work really well together and their chemistry produces a real energy. The support cast are good but not as strong. Monaghan is sexy but has to carry a lot of the narrative; Bernsen is merely a face; Miller has a small turn but generally everyone is in the shadown of Kilmer, Downey and Black.

Overall this is not a perfect film and those that don't like Black or the genre will probably not get it but it is still a lot of fun. Never taking itself seriously is a strong point and Black's writing is sharp and funny while his direction is stylish and cool. Downey Jr and Kilmer are both very strong and take to the material really well, bringing out plenty of energy and laughs. A really fun film that is affectionately mocking towards the genre.

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