Karen O'Connor, a young journalist known for her celebrity profiles, is consumed with discovering the truth behind a long-buried incident that affected the lives and careers of showbiz team Vince Collins and Lanny Morris.
A reflection about what makes everyone's life unique, through the story of Noah's family. Noah is an adjuster, having sex with his customers. His wife Hera watches pornographic movies for ... See full summary »
Awaking from a coma to discover his wife has been killed in a car accident, Ben's world may as well have come to an end. A few weeks later, Ben's out of hospital and, attempting to start a ... See full summary »
A man moves his two daughters to Italy after their mother dies in a car accident, in order to revitalize their lives. Genova changes all three of them as the youngest daughter starts to see the ghost of her mother, while the older one discovers her sexuality.
39-year-old April Epner's childish husband and school teacher colleague Benjamin/Ben leaves her, but with her biological clock ticking ever more loudly. Her dying bossy adoptive mother is ... See full summary »
Karen O'Connor tells the story about two distinct but related periods in her life. In 1972, she is an up-and-coming Los Angeles based journalist who has been given the lucrative assignment of convincing once successful comic Vince Collins, who is at the tail end of his career, to allow her to ghost write his memoirs. Most specifically, she has the task from her publishers of discovering the reason behind two issues in Vince's life from 1957: why he and his former on-stage partner Lanny Morris, who is still active and well known within the entertainment business, broke up their professional partnership shortly after they hosted a successful thirty-nine hour telethon for polio research in Miami, there not having been any indication of problems between the two before that; and how did the dead body of Maureen O'Flaherty end up in the water filled bathtub in Vince and Lanny's New Jersey hotel suite, the opening of that New Jersey hotel owned by mobster Sally Sanmarco which was Lanny and ...Written by
Director Atom Egoyan made cuts to the film, including an orgy scene, in a failed attempt to challenge the NC-17 rating given by the MPAA. ThinkFilm has since announced that the version shown in U.S. theaters, is the same as the one shown at the Cannes Film Festival. See more »
As Lanney signs the bill in the hotel room when Maureen brings him his food, there is a ZIP code visible in the hotel's address. This part of the film is set in 1957, but ZIP codes were not used by the US postal service until 1963. See more »
[beating up a bigot backstage]
Say what you like about any jew in the world... BUT NOBODY CALLS MY PARTNER A *KIKE*
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In the United States, the MPAA cut the film for an R rating. However, the original uncut version was later released unrated on DVD. Some international versions, including the UK version, are the original uncut version. See more »
Theme for Lester Young
Performed by Charles Mingus
Courtesy of The Verve Music Group
Licensed by kind permission from The Universal Film & TV Licensing Division
Written by Charles Mingus
Published by Jazz Workshop, Inc. See more »
Egoyan's weakest film, at least since he came to prominence with Exotica. It's actually a somewhat interesting mystery, but it has a lot of flaws. There is a death, possibly a murder, in the hotel suite of two famous comedians (played by Colin Firth and Kevin Bacon), based on Martin and Lewis. That's the film's biggest flaw, that this completely fictional mystery uses Dean Martin and Jerry Lewis as a model. It's very distracting. The bulk of the story has a young journalist (Alison Lohman) writing the story of the two comedians, trying to solve the mystery. The film-making is pretty good, but Egoyan, except for The Sweet Hereafter, has always been a weak director when it comes to actors. Lohman, who was great in Ridley Scott's Matchstick Men, is awful here (she does get naked and have sex with a woman, though, which makes the film almost worth seeing). Kevin Bacon, who gave his best performance ever last year in the still underseen The Woodsman, isn't especially good, either. Only Firth does a good job. The film is also overscored with some very cliché mystery music. Mychael Danna's scores for Exotica and The Sweet Hereafter were brilliant; this one's a flop.
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