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Mind the Gap (2004)

R | | Comedy, Drama | 13 March 2004 (USA)
Five seemingly unrelated people decide to take huge risks in their personal lives in an effort to find happiness.


Eric Schaeffer


Eric Schaeffer

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Cast overview, first billed only:
Alan King ... Herb Schweitzer
Elizabeth Reaser ... Malissa Zubach
Eric Schaeffer ... Sam Blue
Christopher Kovaleski Christopher Kovaleski ... Rocky Blue
Charles Parnell ... John McCabe
Jill Sobule Jill Sobule ... Jody Buller
Kim Raver ... Vicki Walters
John Heard ... Henry Richards
Todd Weeks ... Doctor Albertson
Mina Badie ... Dana
Deirdre Kingsbury Deirdre Kingsbury ... Mother Zubach
Yolonda Ross ... Deniese
Dolores McDougal Dolores McDougal ... Woman on the Street
Stan Berger Stan Berger ... Morris
Connie Sheppard Connie Sheppard ... Beth


Five seemingly unrelated people decide to take huge risks in their personal lives in an effort to find happiness.

Plot Summary | Add Synopsis


Who will you meet at the crossroads of your life?


Comedy | Drama

Motion Picture Rating (MPAA)

Rated R for language


Official Sites:

Official site





Release Date:

13 March 2004 (USA) See more »

Also Known As:

Вратите се затварят See more »

Filming Locations:

New York, USA See more »


Box Office

Opening Weekend USA:

$5,503, 26 September 2004, Limited Release

Gross USA:

$9,496, 3 October 2004
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Sound Mix:

Dolby Digital


See full technical specs »

Did You Know?


The title comes from a recorded warning, issued to passengers as they get on and off trains, at some London Underground stations. See more »


Sam refers to the speed dating as meeting "20" people for 3 minutes each, but the computer screen from which he is reading says "25" people. See more »


Written and Performed by Matthew Puckett
Published by Booty Rocka Music (ASCAP)
See more »

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User Reviews

An Uplifting Look at the Choices Even Quirky People Can Make
5 October 2004 | by noraleeSee all my reviews

'Mind the Gap' is an enchanting spiritual quest by eccentric characters who by converging from the sylvan north, south, west and east to the gritty sidewalks of the island of Manhattan, face death, their own or a loved one's, in different ways and find salvation in accepting that no person is an island.

While each is as damaged from relationships as the motley crew in 'Italian for Beginners,' this is far more than a romantic quest as these oddballs, who we on a rotating basis very gradually learn how they got so damaged, cannot have real relationships, including between parents and children, until they solve their spiritual malaise to make a positive choice. Their physical health and sensual perceptions are also linked to their emotional and spiritual well-being.

While the film is very long as it leisurely follows these characters' twisted trajectories, the mostly strong acting (particularly by Alan King in what I presume was his last film role) and the intriguing situations and lively conversations keep us curious, though the precocious kids interact with the adults like Gilmore Girls.

Like 'Magnolia,' we gradually find that some of the characters are linked in disturbing ways, others by coincidence (asymptotically cute) of need, time and place, but unpredictably. As brutally frank about the weaknesses, cruelties and foibles of human nature as the former film, writer/director/producer/co-star Eric Schaeffer is less cynical and more hopeful than Paul Thomas Anderson, without resorting to incredible magic realism to restore faith.

While these characters literally face the notorious undertow of the waters of Spuyten Duyvil (spiting the devil, per Dutch folklore about the treacherous waters off the mainland) --and their uniform hatred of the NY Yankees-- to enter Manhattan, I didn't catch all the theological interpretations about the sins of the fathers to discern any particular philosophical consistency about forgiveness, including the Krishna Das tracks on the soundtrack. I do question the meaningfulness of a child granting forgiveness to an adult, but I think it's about the adults growing-up.

Co-star singer/songwriter Jill Sobule's "Bitter" (available both on her CD 'Happy Town' and the compilation 'I Never Learned to Swim: Jill Sobule 1990-2000') serves as the satisfying culmination; five other of her songs, not specifically written for the film, are also featured as commentary, as she plays an isolated busker with a literal broken heart.

Some recurring images I didn't quite get yet, particularly of a dancer in Times Square, perhaps going around and around at the crossroads of the world.

One of the most hopeful and uplifting movies I've seen in a long time, it will bring a smile to "mind the gap" every time I get on and off the subway -- the gap between reach and grasp, between nirvana and humanity.

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