Critic Reviews



Based on 41 critic reviews provided by Metacritic.com
For Christopher Nolan to turn Batman Begins into such a smart, gritty, brooding, visceral experience is astonishing. Truly, Batman does begin again.
Significantly grittier than previous Bat-beginnings, this finds new things to do with, and say about, a character who's been around since 1938.
Of course, a Batman movie is nothing without a Bruce Wayne, and, by a mile, Bale is the best of a lot that has ranged from the square-jawed slapstick of Adam West to the more dedbonair stylings of Michael Keaton, Val Kilmer and George Clooney.
The buildup is steadily engrossing. That's because Nolan keeps the emphasis on character, not gadgets. Gotham looks lived in, not art-directed.
In Batman Begins, Christian Bale gives us the best Bruce Wayne that has ever graced the screen.
Ambitious, well made but not exactly rousing.
Village Voice
Nolan and his co-screenwriter David Goyer can only press the big buttons so hard—it's still an old-school superhero summer movie, the plotting tortuous, the characters relegated to one-scene-one-emotion simplicity, the digitized action a never ending club mix of chases and mano a manos.
New York Magazine (Vulture)
Begins, at two-hours-plus, is a nonstarter.
The young Welsh-born actor Christian Bale is a serious fellow, but the most interesting thing about him--a glinting sense of superiority--gets erased by the dull earnestness of the screenplay, and the filmmakers haven't developed an adequate villain for him to go up against.
Nolan's effort is not dishonorable, but what it needs, and doesn't have, is a Joker in the deck--some antic human antimatter to give it the giddy lift of perversity that a bunch of impersonal explosions, no matter how well managed, can't supply.

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