The Bourne Supremacy

'The Bourne Identity' was a very pleasant surprise, giving a fairly well-worn genre a much needed freshness. It had its imperfections, but was a very solid and even very good film with much to recommend and introduced a cast-against-type Matt Damon in one of his best roles.

It is up for debate as to whether 'The Bourne Identity's' first sequel 'The Bourne Supremacy' is better or weaker. To me, both films are about equal with a couple of improvements at the same time being achieved in 'The Bourne Supremacy'. 'The Bourne Supremacy' may lack the freshness that most of 'The Bourne Identity' had, in terms of basic structure it's a little samey if not exactly routine. The editing, using the shaky camera technique that tends to not sit well with me, does have instances where it does get a bit dizzying and too much. Really didn't like how underused Franka Potente, who brought such a great gutsiness in 'The Bourne Identity' and her and Damon's chemistry doesn't have the chance to register.

As aforementioned, along the way there are improvements. The supporting cast have more rounded and better developed characters, with the actors having more to do. The final act in 'The Bourne Supremacy' is more cohesive, more consistent and less cliché-ridden than 'The Bourne Identity' got towards its end. There is also even more substance and emotion thanks to more emphasis on that and the plotting characterisation than the more action-packed (but still intelligent and exciting) 'The Bourne Identity'.

Visually, like 'The Bourne Identity', 'The Bourne Supremacy' looks slick and stylish with even more breath-taking locations. The editing and camera-work are not perfect, but mostly the technique did intensify the intensity and atmosphere and didn't make anything incomprehensible, some of it is used more artfully than most times shaky cam is used (too often abused to excessive lengths). When it was a problem it wasn't constant and more than not there wasn't a problem. And this, and in no way is this intended to sound superior or conceited, is coming from an epileptic.

Music score is even more dynamic, atmosphere enhancing and more layered this time round, while Paul Greengrass' drama-documentary style and background to his directing is used to full advantage. The script has more prominence here, and is sharp and intelligent without being too talky in a more script and plot heavy instalment. The story is exciting and thrilling with relentless pacing, poignant and dark emotion and with nothing too hard to follow.

Despite less of an emphasis the action is very diverting and choreographed and performed beautifully. The final action sequence and the subway scene have a real adrenaline-rush quality, and in no way does the action strain credibility or get too bombastic while still delivering splendidly on the fun and thrills to edge-of-your-seat effect.

All the characters engage and are interesting, with Bourne well-established in development and the supporting cast have more to do and in general are better utilised. Matt Damon continues to impress in a departure role that proves to be one of his best. In support, Joan Allen steals every scene she's in and Brian Cox is given room for more menace and dimension this time. Karl Urban is chillingly cold-blooded. Only the underusing of Potente disappoints in this particular element.

All in all, a worthy sequel that is just as good (on the same level pretty much) as its very good predecessor. 8/10 Bethany Cox

This is a superior action film with the added bonus of good acting by Joan Allen, Matt Damon, and Karl Urban among others. The camera work is amazing.

I especially liked the on-locale settings of Russia and Germany.

Jason Bourne is a walking CIA specimen whom the agency deems to dangerous to live. Not all the facts are known about some mysterious murders in Berlin but Jason Bourne is suspected. You know his idyllic life on a remote island will be blown from the first.

How this all is resolved takes the viewer on a non-stop chase through various foreign countries.

Good flick!

The Bourne Identity was one of those films that some people will love for being different to the average action film, but others will hate for it daring to be 'too' different. Unlike the majority of action movies before it, the first Bourne film, despite having stunts and explosions never put it's emphasis on them, as the focus was always on the central characters and their use of brains, rather than brawn to accomplish their goals. The sequel is basically more of the same, but it's a welcome return in my opinion, as cinema needs films that are different to the majority. It's also a good thing as I'm a big fan of Matt Damon. It's unfair that he should continue to get lumped in with Ben Afleck due to their friendship as he has a lot of talent and I think that the fact he's gone for more art orientated films as opposed to the dumb blockbusters his friend was drawn to like a moth to the light shows that he has a genuine respect for cinema. He stars as the title character; Jason Bourne, who, like the film itself is hardly your average action fare. He doesn't utter one liners shortly before or after blowing someone away, nor does he spend most of the movie trying to look cool; espionage is the order of the day and it works very well in the context of the film.

Because it's plot heavy, The Bourne Supremacy requires the viewer to watch, and the large amount of talking goes some way to distancing this from most other action movies. However, this could also be seen as a bad point as it can, at times, hinder the movie in the excitement stakes and make it difficult viewing for those that do like their action. The movie spans across Europe to a number of different countries including Germany, Britain, France and Russia and this keeps it exciting as it allows the landscape of the movie to change constantly and the film doesn't dwell in the same area. In fact, the film is very efficient on the whole and it never overindulges in anything, which compensates for the amount of talking and allows it to be exciting. Despite it being more stealthy than most, time is still found for a number of high-octane sequences including fist-fights, explosions and a great car chase that looks as if it could have been lifted straight out of Grand Theft Auto.

Overall, I would say that this is a slightly lesser film than the original, but there is still much to like about it and fans of Bourne will no doubt enjoy themselves. It's also recommended if you're sure that every action movie since 1988 is a Die Hard clone...

Bourne is an intelligent guy… He's not Bond who relies on potential gadget…He has that cleverness to think on his feet, improvise, make up a plan, and execute it with unbelievable talent, using nothing but what's in front of him…

Matt Damon has got all the Bourne elements—great actions, really cool ability, a great sense of immaculate timing and a little bit of understanding thrown in too… Demon's instincts are profound where the given character is actually very gloomy…

Jason Bourne—an ex-CIA agent infused with violence, is a man who's killed people in cold blood…And yet you feel he's at war with himself… Jason, is above all, emotionally truthful…That's what director Paul Greengrass have done here…It's that feeling of realism, of truthfulness…

The car chase is magnificent… It is about desperation… Jason has got to get to his young woman's apartment to say sorry… That was his only aim in that moment…

Joan Allen brings that cool, cerebral intelligence to the part of Pamela Landy… She's a worthy opponent for Bourne…

"The Bourne Supremacy" takes us to real places in Europe like Berlin where the East-West conflict was focused; to Moscow, a place of uncertainty and peril and good fortune and to Goa, India's most charming of state capitals

The Bourne series are, without a doubt, the Bond films of the 21st century. What is even better is that they are the Bond we've been waiting for: one without the cheese, sleaze, camp predictable villains and cheap puns. This second installment in the series is a well-made, engaging adrenaline-booster and surprisingly every bit as good as The Bourne Identity.

Once again, we get to follow Matt Damon as Jason Bourne on the search for his lost identity. He had initially planned on putting his past behind him, but it sneaks up on him in the form of an assassination attempt in Thailand - while he is enjoying his life with Marie (Franka Potente). What I love about Franka Potente is that she is such a natural beauty and not in-your-face gorgeous like Bond girls and the like. It all fits with the low-key style of the film.

This film has mostly moved away from the flashy technology and violent showdowns of its fellow action-thrillers. Bourne Supremacy instead moves back to more traditional kinds of action, just like The Bourne Identity did. Its focus is the chase, not the confrontation or the gadgets. It is extraordinarily refreshing to see an action film like this, even more when it accomplishes everything it sets out to do and has so much brains.

The only minus to The Bourne Supremacy is its shaky, dizzying camera-work. I know a lot of people have complained about this, and usually I would disagree because this kind of cinematography can be a good thing, but it goes slightly overboard in the film at several points.

8/10