The Marvel Cinematic Universe launched with Robert Downey Jr. in Iron Man, but he almost didn't get the part. See what other actors were up for the role.
With the world now aware of his identity as Iron Man, Tony Stark must contend with both his declining health and a vengeful mad man with ties to his father's legacy.
Director:
Jon Favreau
Stars:
Robert Downey Jr.,
Mickey Rourke,
Gwyneth Paltrow
Steve Rogers, a rejected military soldier transforms into Captain America after taking a dose of a "Super-Soldier serum". But being Captain America comes at a price as he attempts to take down a war monger and a terrorist organization.
Director:
Joe Johnston
Stars:
Chris Evans,
Hugo Weaving,
Samuel L. Jackson
The powerful, but arrogant god Thor, is cast out of Asgard to live amongst humans in Midgard (Earth), where he soon becomes one of their finest defenders.
Director:
Kenneth Branagh
Stars:
Chris Hemsworth,
Anthony Hopkins,
Natalie Portman
Earth's mightiest heroes must come together and learn to fight as a team if they are going to stop the mischievous Loki and his alien army from enslaving humanity.
Director:
Joss Whedon
Stars:
Robert Downey Jr.,
Chris Evans,
Scarlett Johansson
As Steve Rogers struggles to embrace his role in the modern world, he teams up with a fellow Avenger and S.H.I.E.L.D agent, Black Widow, to battle a new threat from history: an assassin known as the Winter Soldier.
Directors:
Anthony Russo,
Joe Russo
Stars:
Chris Evans,
Samuel L. Jackson,
Scarlett Johansson
When Tony Stark and Bruce Banner try to jump-start a dormant peacekeeping program called Ultron, things go horribly wrong and it's up to Earth's mightiest heroes to stop the villainous Ultron from enacting his terrible plan.
Director:
Joss Whedon
Stars:
Robert Downey Jr.,
Chris Evans,
Mark Ruffalo
When Dr. Jane Foster gets cursed with a powerful entity known as the Aether, Thor is heralded of the cosmic event known as the Convergence and the genocidal Dark Elves.
Director:
Alan Taylor
Stars:
Chris Hemsworth,
Natalie Portman,
Tom Hiddleston
Armed with a super-suit with the astonishing ability to shrink in scale but increase in strength, cat burglar Scott Lang must embrace his inner hero and help his mentor, Dr. Hank Pym, plan and pull off a heist that will save the world.
Tony Stark. Genius, billionaire, playboy, philanthropist. Son of legendary inventor and weapons contractor Howard Stark. When Tony Stark is assigned to give a weapons presentation to an Iraqi unit led by Lt. Col. James Rhodes, he's given a ride on enemy lines. That ride ends badly when Stark's Humvee that he's riding in is attacked by enemy combatants. He survives - barely - with a chest full of shrapnel and a car battery attached to his heart. In order to survive he comes up with a way to miniaturize the battery and figures out that the battery can power something else. Thus Iron Man is born. He uses the primitive device to escape from the cave in Iraq. Once back home, he then begins work on perfecting the Iron Man suit. But the man who was put in charge of Stark Industries has plans of his own to take over Tony's technology for other matters.Written by
halo1k
Jon Favreau was originally going to direct Captain America: The First Avenger (2011) in the manner of a superhero comedy adventure, but he instead chose to direct this film and give it a more serious tone. Ironically, Nick Cassavetes, who was chosen to direct that film, had been filled in to direct this film in December 2004. See more »
Goofs
(at around 1h 6 mins) Several of the devices in Tony's home display live transcriptions of what Tony says. In some cases, the transcript appears slightly before Tony says the words. See more »
Quotes
[first lines]
Tony Stark:
I feel like you're driving me to court martial. This is crazy. What did I do? I feel like you're gonna pull over and snuff me. What, you're not allowed to talk? Hey, Forrest!
Jimmy:
We can talk, sir.
Tony Stark:
Oh, I see. So it's personal.
Ramirez:
No, you intimidate them.
Tony Stark:
Good God, you're a woman! I honestly, I couldn't have called that. I mean, I would apologize, but isn't that what we're going for here? I thought of you as a soldier first.
Ramirez:
I'm an airman.
Tony Stark:
Well, you have actually excellent bone structure ...
[...] See more »
Crazy Credits
Part of the closing credits are seen against computer-graphic renders of armoured suits. One of the renders is an armour with a Gatling gun attached - the War Machine suit, which would appear in Iron Man 2 (2010). See more »
Alternate Versions
The scene where Stark reads a newspaper with the headline "Who Is the Iron Man?" differs on the theatrical and DVD/Blu-ray releases. On the theatrical release, the newspaper used a spy photo of Iron Man, which was taken by freelance photographer Ronnie Adams during the film's production on May 2007. When Adams learned that his picture was used in the film, he filed a lawsuit against Paramount Pictures and Marvel Studios for using the picture without permission. As a result, the newspaper was altered to show a different picture of Iron Man on the DVD/Blu-ray release. See more »
There was a big question mark looming over the theatrical adaptation of Marvel's Iron Man property. It was in the guise of director Jon Favreau. Now, don't get me wrong, I love the Favs, but when I heard he was helming a big budget comic book flick let's just say I was a little worried. Once his cast was set and the fanboys started humming across the internet I started to ease into the decision with high anticipation. Thankfully, after finally seeing the finished product, I was not disappointed in the least. With a great mix of the professionalism and stakes seen in both Spider-Man and X-Men and the comic wit and sheer fun of Fantastic Four, Iron Man shows how a comic can be brought to the screen successfully without all the added drama and weight. We finally have a film with the essence of what makes these picture books so popular, the action and mythology along with a sense of adventure and humor. Favreau never bogs us down with overwrought emotions nor speaks down to us with gags and poorly written jokes. Instead he delivers on his promises and gives us a solid initiation into what could be a great trilogy or more.
Favreau seems to have had an idea to get an origin story out while not boring us with long drawn out backstory. His ability to give us dual information at once is nicely orchestrated, showing Tony Stark in his basement creating while the TV in the background explains what is happening in the outside world of the Middle East and inside his own company. We as an audience are allowed to put the pieces together amidst the witty banter of Stark and the wonderful special effects. By the end of the film it is quite amazing how much information you will realize you now know, all culminating in a decent final battle, but more importantly a segue into the inevitable sequel. We are allowed entrance into the character evolution of Stark as he goes from war profiteer to man of action and cause, all while seeing the technology improve and advance before our eyes. Much like Batman, we have a hero here that needs help in fighting crime. He has no superhuman abilities besides his brain and being able to see his thoughts go from paper to reality is a feat of magic. Every stage is shown, every failure and success. It's quite the ride in and of itself, but when you add onto it the threat of global war and destruction, it can only get better.
The real success here is in the bold move of casting an actor over-40 to be a superhero. This takes guts, because no matter how appropriate it is, most studios would have said, "no, change the story and make him younger so we can churn out as many of these babies as we can." I don't know how he did it, but Favreau got Marvel to get Robert Downey Jr. to play Stark, a sarcastic lothario with the brain capacity of Einstein. I truly can't think of anyone better suited to the role and he proves it by nailing every single scene. I'm sure there was some ad-libbing, but even if not, his comic delivery and ability to switch on a dime to a sincere seriousness at will shows his masterful craft.
As for the rest of the cast, they all do well. Jeff Bridges plays the bombastic creature of villainy over-the-top, but appropriately so; Terrence Howard is nice as the friend and military liason, not given much to do, but definitely sowing seeds for the future; and Gwyneth Paltrow is good as the sweet assistant Pepper Potts who at times seems a little underwritten and more female prop than anything else, but comes through with some nice moments in a very comic sort of way. I also really liked Shaun Toub as Yinsen, Stark's savior, and Clark Gregg as the head of S.H.I.E.L.D. Good to see Favreau giving another actor turned director props, (Gregg's directorial debut comes out later this year in the form of Chuck Palahniuk's Choke). I just wish he would have shied away from putting himself in the film. It's one thing to be seen split-second, (like Stan Lee), but its another to give yourself a thankless role with multiple scenes, just adding fuel to the fire on people's opinions of egotism stemming from the drinking game created off of the TV show "Dinner for Five" and how many references to Swingers was made each episode. I'll forgive, though, because, once again, I'm a big fan.
One can't forget that this is an action film above all else, so we can't just praise the actors; every effect is also quite brilliant. Those scenes of Iron Man flying amongst fighter jets in the trailer seemed really lame, but when in context they deliver. The suit itself is amazing as well, through every mach stage right to the end. My main highlight, however, was with the computer systems that Stark utilizes. The multiple screens, instant holographic reproductions, and ability to actually interact with those 3D representations is stunning. We can create them in fantasy, but it's just too bad we can't yet in real life.
Now Iron Man is not a perfect film, nor even a perfect comic book adaptation. What it is, though, is a fun, comic actioner that should light up the box office. The final showdown is a bit of a whimper in comparison to the backstory and machine creation; a crucial element is saved from destruction in the one contrived bit of screen writing, (not quite utilized in the way I thought, although still for the same means); and some moments seem a tad campy rather than witty, but otherwise this is some topnotch cinema that should definitely be seen on the big screen. I can't wait to see how the story progresses in a couple years.
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There was a big question mark looming over the theatrical adaptation of Marvel's Iron Man property. It was in the guise of director Jon Favreau. Now, don't get me wrong, I love the Favs, but when I heard he was helming a big budget comic book flick let's just say I was a little worried. Once his cast was set and the fanboys started humming across the internet I started to ease into the decision with high anticipation. Thankfully, after finally seeing the finished product, I was not disappointed in the least. With a great mix of the professionalism and stakes seen in both Spider-Man and X-Men and the comic wit and sheer fun of Fantastic Four, Iron Man shows how a comic can be brought to the screen successfully without all the added drama and weight. We finally have a film with the essence of what makes these picture books so popular, the action and mythology along with a sense of adventure and humor. Favreau never bogs us down with overwrought emotions nor speaks down to us with gags and poorly written jokes. Instead he delivers on his promises and gives us a solid initiation into what could be a great trilogy or more.
Favreau seems to have had an idea to get an origin story out while not boring us with long drawn out backstory. His ability to give us dual information at once is nicely orchestrated, showing Tony Stark in his basement creating while the TV in the background explains what is happening in the outside world of the Middle East and inside his own company. We as an audience are allowed to put the pieces together amidst the witty banter of Stark and the wonderful special effects. By the end of the film it is quite amazing how much information you will realize you now know, all culminating in a decent final battle, but more importantly a segue into the inevitable sequel. We are allowed entrance into the character evolution of Stark as he goes from war profiteer to man of action and cause, all while seeing the technology improve and advance before our eyes. Much like Batman, we have a hero here that needs help in fighting crime. He has no superhuman abilities besides his brain and being able to see his thoughts go from paper to reality is a feat of magic. Every stage is shown, every failure and success. It's quite the ride in and of itself, but when you add onto it the threat of global war and destruction, it can only get better.
The real success here is in the bold move of casting an actor over-40 to be a superhero. This takes guts, because no matter how appropriate it is, most studios would have said, "no, change the story and make him younger so we can churn out as many of these babies as we can." I don't know how he did it, but Favreau got Marvel to get Robert Downey Jr. to play Stark, a sarcastic lothario with the brain capacity of Einstein. I truly can't think of anyone better suited to the role and he proves it by nailing every single scene. I'm sure there was some ad-libbing, but even if not, his comic delivery and ability to switch on a dime to a sincere seriousness at will shows his masterful craft.
As for the rest of the cast, they all do well. Jeff Bridges plays the bombastic creature of villainy over-the-top, but appropriately so; Terrence Howard is nice as the friend and military liason, not given much to do, but definitely sowing seeds for the future; and Gwyneth Paltrow is good as the sweet assistant Pepper Potts who at times seems a little underwritten and more female prop than anything else, but comes through with some nice moments in a very comic sort of way. I also really liked Shaun Toub as Yinsen, Stark's savior, and Clark Gregg as the head of S.H.I.E.L.D. Good to see Favreau giving another actor turned director props, (Gregg's directorial debut comes out later this year in the form of Chuck Palahniuk's Choke). I just wish he would have shied away from putting himself in the film. It's one thing to be seen split-second, (like Stan Lee), but its another to give yourself a thankless role with multiple scenes, just adding fuel to the fire on people's opinions of egotism stemming from the drinking game created off of the TV show "Dinner for Five" and how many references to Swingers was made each episode. I'll forgive, though, because, once again, I'm a big fan.
One can't forget that this is an action film above all else, so we can't just praise the actors; every effect is also quite brilliant. Those scenes of Iron Man flying amongst fighter jets in the trailer seemed really lame, but when in context they deliver. The suit itself is amazing as well, through every mach stage right to the end. My main highlight, however, was with the computer systems that Stark utilizes. The multiple screens, instant holographic reproductions, and ability to actually interact with those 3D representations is stunning. We can create them in fantasy, but it's just too bad we can't yet in real life.
Now Iron Man is not a perfect film, nor even a perfect comic book adaptation. What it is, though, is a fun, comic actioner that should light up the box office. The final showdown is a bit of a whimper in comparison to the backstory and machine creation; a crucial element is saved from destruction in the one contrived bit of screen writing, (not quite utilized in the way I thought, although still for the same means); and some moments seem a tad campy rather than witty, but otherwise this is some topnotch cinema that should definitely be seen on the big screen. I can't wait to see how the story progresses in a couple years.