The life story of Imre Nagy is one of the defining stories of 20th century Hungarian history. He was the first communist leader to become the symbol of a national revolution, who, in ...
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From one of the foremost woman directors comes a personal story of how history and the individual impact each other. A young woman (Juli) returns to her homeland only to find the horrors she escaped have infected it also.
Set in '60s socialist Hungary, an introverted and somewhat inhibited teenage boy has a life-changing experience as he spends a few days with his uncle full of zest, a love for earthly pleasures, and a weakness for horse racing and betting.
1962-ben, amikor Gagarin urrepult es csaknem kitort a harmadik vilaghaboru, nalunk mar jo ideje nem tortent semmi es ugy nezett ki, hogy meg vagy harminc evig nem is fog. De, hogy ... See full summary »
1552, the great Turkish Empire wants to conquer Europe, and the world. The last stand is Hungarian Kingdom, and the castle of Eger. The brave soldiers decides they will fight till the end of their lifes.
The Tót family resides in Northern Hungary. The couple has a daughter and a son, the latter a member of the armed forces. When his weary major is ordered to take a vacation, the son talks ... See full summary »
In Budapest, two rival gangs of young boys lay claim to a vacant lot. The hostilities escalate yet never quite boil over into actual violence. Just when things do get out of hand, however, ... See full summary »
The life story of Imre Nagy is one of the defining stories of 20th century Hungarian history. He was the first communist leader to become the symbol of a national revolution, who, in addition, withdrew from the Warsaw Treaty and stood up for democracy based on a pluralist party system. Many argue that the role he assumed in the revolution of 1956 and his continued loyalty to the notion of the revolution, which prevailed until his death, did not clearly follow from his communist convictions and his past experiences in Moscow.Written by
In the prison (in 1958), the guards are listening to the song "A pancsoló kislány dala" on the radio. This song was recorded in 1960. See more »
could have been a little better
No question this film is visually beautiful, historically authentic and the theme itself is dealt with humanly and with much humility. Jan Nowicki was a truly authentic Nagy Imre and I guess he will be praised much for this role not only in Hungary. However, I find it quite sad that some of the dialogues were extremely constrained and artificial. Mácsai's part is totally unrealistic for instance, not to mention the parts of the grandchildren (brrr...). The whole project is so important to so many in Hungary that Mészáros Márta (an otherwise excellent director) should have had a little more attention in accuracy and authenticity in the dialogues as well. (My feeling is that Jancsó shouldn't have been allowed close to the script.)
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