6.9/10
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Stay (2005)

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This movie focuses on the attempts of a psychiatrist to prevent one of his patients from committing suicide while trying to maintain his own grip on reality.

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4,158 ( 238)
1 nomination. See more awards »

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Cast

Cast overview, first billed only:
...
...
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Mrs. Letham
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Athena
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...
...
Dr. Ren
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Custodian / Piano Mover #1
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Cabbie / Piano Mover #2 (as José Ramon Rosario)
...
Paramedic #1 / Butch Cook
Lisa Kron ...
Paramedic #2
Gregory Mitchell ...
Dance Instructor
John Dominici ...
Boy / Young Henry
...
Boy's Mother
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Storyline

A thought-provoking and haunting exploration of how reality and dream-states may combine to form complex interactions. The line between the imagination and reality blurs when an accomplished Psychiatrist takes on a patient that appears to be suicidal. Written by Anonymous

Plot Summary | Plot Synopsis

Taglines:

Between the worlds of the living and the dead there is a place you're not supposed to stay.


Motion Picture Rating (MPAA)

Rated R for language and some disturbing images | See all certifications »

Parents Guide:

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Details

Country:

Language:

Release Date:

21 October 2005 (USA)  »

Also Known As:

El umbral  »

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Box Office

Budget:

$50,000,000 (estimated)

Opening Weekend USA:

$2,188,199, 23 October 2005, Wide Release

Gross USA:

$3,626,883, 27 November 2005
See more on IMDbPro »

Company Credits

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Technical Specs

Runtime:

Sound Mix:

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Color:

Aspect Ratio:

2.35 : 1
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Did You Know?

Trivia

Letham is an anagram of the word "Hamlet" which is referred to numerous times throughout the film. See more »

Goofs

When Sam is talking to Dr. Ren about Henry's decision to commit suicide, Ren's beard changes length between each camera shot, inside and out of the hospital. See more »

Quotes

Sam Foster: What's this?
Henry Letham: I burned myself.
Sam Foster: You burned yourself? Why?
Henry Letham: Practicing for hell.
Sam Foster: Why do you think you're going to hell?
Henry Letham: Because of what I did. Because of what I'm gonna do.
Sam Foster: What are you going to do?
Henry Letham: [mimes a gun to his head]
Sam Foster: You're going to try to kill yourself? And how serious should I take this threat?
Henry Letham: Saturday at midnight. It's what I'm going to do.
[...]
See more »

Connections

Featured in Writing the Music for 'Stay' (2006) See more »

Soundtracks

Angel
Written by Robert Del Naja, Grant Marshall (as Grantley Marshall), Andrew Vowles (as Andrew Vowles) and Horace Andy (as Horace Andy)
Performed by Massive Attack
Courtesy of Virgin Records
Under license from EMI Film & Television Music
See more »

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User Reviews

 
A top notch Lynch-y psychological thriller
22 October 2005 | by See all my reviews

This is really a spectacular film. I know I'm going to have to see it at least once more, because there's so much stuff going on that it's impossible to give Stay the attention in deserves in one viewing.

First and foremost, although I won't give away the plot here, I'll say that the movie (thankfully) does not rely on a surprise ending for the totality of its impact. In fact, if you're paying attention, you can pretty much figure out (mostly) what the situation is before you get too far into the movie. Unlike some of the worst examples of this genre (i.e. The Sixth Sense), Stay is not a film that "hides the ball," but instead presents you with characters and a storyline, and asks you to draw your own conclusions.

That said, there isn't an obvious solution to the movie. While you may be able to explain the film after viewing it (which is trickier that it will seem at first), you may realize that the real brilliance of this film is in the levels of its narrative. At its core, it is a basic psychological thriller. Simultaneously, and perhaps subconsciously, it also meditates on weighty issues of reality and identity- consider what the imperative "Stay" means to different characters at different points in the film, and it's almost like you're watching an entirely different movie than you originally thought.

Finally, the visuals in this movie provide their own context and narrative regarding the fragile nature of human memory and perception. This is the best looking movie I've seen in a long time, and the fact that it's combined with such a great story and cast makes this a rare treat.

If there is a weak link here, it's probably Gosling, who I think missed some opportunities to really dig in with his character and creep us out. Still his acting is better than that of most of Hollywood's garbage these days.

Final verdict: if you want a smart and unsettling film that will spur a serious discussion, watch this. You won't be disappointed.


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