When a sports agent has a moral epiphany and is fired for expressing it, he decides to put his new philosophy to the test as an independent agent with the only athlete who stays with him and his former colleague.
Cuba Gooding Jr.,
This action thriller follows LA cabbie Max Durocher, the type of person who can wax poetic about other people's lives, which impresses U.S. Justice Department prosecutor Annie Farrell, one of his fares, so much that she gives him her telephone number at the end of her ride. Although a dedicated man as seen through the efficiency in which he does his work, he can't or won't translate that eloquence into a better life for himself. He deludes himself into believing that his now twelve year cabbie job is temporary and that someday he will own his own limousine service. He even lies to his hospitalized mother that he already owns one, with a further lie that he tells her as such primarily to make her happy, rather than the truth which is that he won't do anything to achieve that dream. One night, Max picks up a well dressed man named Vincent, who asks Max to be his only fare for the evening. For a flat fee of $600, plus an extra $100 if he gets to the airport on time - Vincent wants Max to...Written by
Vincent's primary weapon of choice in the movie is a Heckler and Koch USP .45 caliber, as stated by Mann in the commentary. He also uses a Ruger MKII .22 caliber long-rifle handgun with integral sound suppressor, for the hit in the jazz club. For the final part of the film, he uses a 9mm Smith & Wesson 5906, that he takes from a security guard he kills. See more »
When they enter the elevator in the hospital, and Vincent asks what floor, in one shot he is pressing the buttons with his right hand, but when they show the buttons pressed, it is his left hand (as the thumb is pointing down). See more »
The Seed 2.0
Written by Cody ChesnuTT (as Cody ChestnuTT) & Tarik Collins Trotter
Performed by The Roots
Courtesy of MCA Records
Under license from Universal Music Enterprises See more »
OK if you ignore gaping plot holes
Rather contrived thriller. The most obvious difficulty is why a supposedly professional contract killer would go to the trouble of taking the cab driver hostage in the first place. Why not simply hire a car, change cabs between jobs, or try to do a better job of hiding what you were up to in the first place? As it is, Vincent (Tom Cruise) as the killer ends up with a very reluctant companion who he must know would try to foul things up for him. The only reason is to keep the two characters of the cab driver Max (Jamie Fox) and the killer together, which might make sense as a way of creating dramatic situations but stretches believability. However, if you can get past that, the very clichéd ending and numerous other plot holes, it's not too bad. I'll give it a 7/10 for sheer entertainment.
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