12 year-old Mina cooks, sews, washes and works selling knick-knacks on the war-torn streets of Kabul to feed her neglectful father and senile grandfather. Nobody praises her. She spends her life walking without looking back or stopping.
Elderly Dastaguir and his newly deaf 5-year-old grandson Yassin hitchhike and walk, but mostly walk, as they make their way to the coal mine where Dastaguir's son Murad works. Dastaguir ... See full summary »
Jawan Mard Homayoun,
A group of children, fleeing the war, is taken to Luanda accompanied by a nun. When they reach the aeroplane, 12-year-old N'Dala decides to leave the group and to reconnoitre the city. The ... See full summary »
Maria João Ganga
Domingos Fernandes Fonseca,
The film takes place in 1973 during the Yom Kippur War in which Egypt and Syria launched attacks in Sinai and the Golan Heights. The story is told from the perspective of Israeli soldiers. ... See full summary »
The Taliban are ruling Afghanistan, they being a repressive regime especially for women, who, among other things, are not allowed to work. This situation is especially difficult for one family consisting solely of three women representing three successive generations. All the males in their family have died in various Afghani wars. The mother had been working as a nurse in a hospital, but regardless of she not being allowed to work, the Taliban has cut off funding to the hospital. The mother and grandmother make what they feel is the only decision they can to survive: they will have the preteen daughter masquerade as a boy so that she can get a job to support the family. The daughter, feeling powerless, agrees despite being scared as if the Taliban discover her masquerade, she is certain they will kill her. Partly as a symbolic measure, the daughter plants a lock of her now cut hair in a pot so that her lost femininity can flourish. The only people outside the family who know of the ...Written by
This is the first film to be made in Afghanistan since the fall of the Taliban. Previously all filming had been banned. See more »
The first time Osama is encouraged to climb the tree, the amount of light on her face changes between shots. The close shot shows the right side of her face in shadow, while in the long shot from the top of the tree all of her face is in sunlight. See more »
The use of Afghan culture as a medium for the commentary this film delivers shouldn't be misinterpreted. While it does serve to educate the viewer about the violent impact of religious fundamentalism and the raging inequality of conditions women have faced in Afghanistan, it also teaches the lesson of what happens when an individual defies the established rules of sexuality, a lesson that can be as relevant in Ohio as in Afghanistan. Osama is not just a girl, but a girl who masquerades as a boy in order to survive; the torment she endures in return is not just a demonstration of the cruelties of of fundamentalist Islam, but the cruelties of society as we know it.
Barbarism is not confined to any people, any nation, or any religion, and it would be a grave mistake to misinterpret (whether accidentally or otherwise) the aim of such a poignant film. Osama is skillfully produced and acted, and serves as an artful and immersive vessel for its sentiments.
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