The dysfunctional twenty-three-year-old Sarah takes her six-year-old natural son Jeremiah from the home of his beloved foster parents with the support of the social service to live with her. Along the years, the boy shares her insane and low lifestyle and is introduced to booze and drugs and mentally, physically and sexually abused by Sarah, her lovers and her religiously fanatic family.Written by
Claudio Carvalho, Rio de Janeiro, Brazil
Before Sarah's strip scene, she is outside the club with two other women. One of the women is Cole and Dylan Sprouse's mother. See more »
When Chester stumbles out of the meth lab after the explosion, he is obviously severely burnt as evidenced by his face. Yet the white embroidery on his black leather vest is undamaged in any way. See more »
We gotta do something with your nose. Somebody fucked their slave and you've got the nose to prove it.
Fix it please.
[puts foundation on Jeremiah]
Camoflauge it. See? I learned that in beauty school. One day I'll go back. I'll get a shot with the stars in Hollywood.
Hold still. Alright, close your eyes.
[puts eyeshadow on Jeremiah]
Look left... look right... blink... look at me.
Can I come to Hollywood with you?
[starts putting lipstick on Jeremiah]
Can I come to Hollywood...?
[...] See more »
But the strong performances all around and the great settings really made an impression on me. I thought the editing was exceptionally done. One thing that did bother me was the lighting there was almost a pallor over the film, like it was from the 1970s. Was that the projector or did everyone else notice that? I would recommend this film. I enjoyed the cameos by Peter Fonda, Marilyn Manson and Winona Ryder. The real reason I went to see this is because I've always loved Leroy's short stories and this movie was a somewhat faithful blending of his literary vision and his overall message to his readers. Life is complicated and the choices we make aren't guaranteed to get us anything.
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