Apartment building superintendent Cleveland Heep rescues what he thinks is a young woman from the pool he maintains. When he discovers that she is actually a character from a bedtime story who is trying to make the journey back to her home, he works with his tenants to protect his new friend from the creatures that are determined to keep her in our world.
M. Night Shyamalan
Bryce Dallas Howard,
M Night Shyamalan's The Village revolves around a desolate town in Pennsylvania. The residents of this town live by strict rules - They are not to leave the village or the monsters beyond their boundaries will surely attack them. Lucius and Ivy have an attraction - a strong one. But when Noah - a man with an intellectual disability and who also has feelings for Ivy, finds out that the two are In love, Noah attacks Lucius. He will die if brave Ivy (who is blind) does not breach the borders and find help to save Lucius.Written by
Joaquin Phoenix made a wooden walking stick for Bryce Dallas Howard during the 19th-century preparation the actors participated in before the film. He engraved the name of her character, Ivy, on the walking stick. See more »
The film misunderstands how "no fly zones" work in the United States.
While there are areas which have heavily restricted flight patterns, there are almost no areas which have complete bans on overflight. These areas are almost exclusively the ones used or occupied by the President of the United States or which have national security interests.And even those areas will allow military and emergency overflights if they are required by need.
It would be virtually impossible to purchase the right for not only civilian aircraft, but also military ones to not overfly a particular region. Even if it were possible to do so, aircraft would still have to be allowed to fly NEAR such locations as not doing doing could itself create navigational hazards which could endanger them.
And finally, while restricted overflight areas DO exist, they are often subject to accidental and intentional overflights by civilian pilots. Unless there is a squadron or wing of aircraft prepared to challenge the aircraft or the facility has anti-aircraft defenses, there is no way that overflights could be prevented or even seriously discouraged. See more »
Who'll pinch me to wake me up? Who will laugh at me when I fall? Whose breath will I listen for so that I may sleep? Whose hand will I hold so that I may walk?
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During the end credits we see pictures of the village. See more »
M. Night Shyamalan definitely did himself a disservice in releasing "The Sixth Sense". Brilliant as the film was, its "twist" ending was so powerful that audiences the world over expected nothing less from the talented young director. And so, Shyamalan has been trying with every single outing since to recapture that sense of awe.
Although many have made scathing remarks about the ending of "The Village", it is perhaps his most perfect since "The Sixth Sense"; though by no means a huge surprise, it nevertheless settles into the ambiance and leaves the film with a tinge of melancholy that belies the trailers.
It is a film of startling imagery, with a theme of 9/11-inspired innocence versus corruption that creeps into the mind and stays there until it unfolds over and over again. Many have called the acting "wooden", but a second viewing of the film would change that opinion; it is, after all, part of the point. Bryce Dallas Howard (Ron's daughter) lights up the screen in an astounding premiere performance as the blind Ivy, Adrien Brody delivers a searing portrayal of longing as the dim-witted Noah and Joaquin Phoenix heightens the moody tone with his strong, silent-type Lucius. "The Village" is about these people, this community living in fear, not the monsters of which they have been warned; it is about the psychology of fear rather than a horrific portrayal of it.
It must be said that the only thing wrong with "The Village" was the promotion for it. The adverts made it seem like a thrill-ride of Gothic horror, like the scariest film yet to be filmed - and audiences were running in their droves to catch yet another Shyamalan Twist. Instead of investing their emotions in the characters, viewers kept their distance in the knowledge that they would be hoodwinked, that the entire thing was a set-up to catch them out anyway. Wrong as this is, it was ultimately the undoing of the movie; had it been promoted as a thoughtful, stark, moody piece of film-making, then both the critics and the public would have been satisfied.
This is not a film about The Twist Ending, but about wrapping its beauty around your mind, and the quiet, haunting finale is what helps to keep it there.
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