In San Francisco, an amiable banker's seemingly perfect life is turned upside down when his deceitful bride-to-be embarks on a passionate affair with his best friend.In San Francisco, an amiable banker's seemingly perfect life is turned upside down when his deceitful bride-to-be embarks on a passionate affair with his best friend.In San Francisco, an amiable banker's seemingly perfect life is turned upside down when his deceitful bride-to-be embarks on a passionate affair with his best friend.
- Awards
- 1 win
Philip Haldiman
- Denny
- (as Phillip Haldiman)
Carolyn Minnott
- Claudette
- (as Carolyn Minnot)
Mike Holmes
- Mike
- (as Mike Scott)
Kari McDermott
- Party Member #2
- (as Kari McDermont)
Jennifer Vanderbliek
- Party Member #3
- (as Jen Vanderbliek)
Bennett Dunn
- Party Member #4
- (as Bennet Dunn)
- Director
- Writer
- All cast & crew
- Production, box office & more at IMDbPro
Storyline
Did you know
- TriviaAccording to Greg Sestero, Tommy Wiseau submitted the film to Paramount Pictures, hoping to get them on board as distributor. Usually, it takes about two weeks to get a reply from such a studio. This movie, however, was rejected within 24 hours.
- GoofsMark asks Lisa "what's going on" with "the candles [and] the music", but neither music nor candles are present.
- Crazy creditsCraft Service - L.A. & S.F. Fast Food
- Alternate versionsIn the DVD and theatrical versions of the film, when Johnny throws his TV out the window in the climax, it is obvious that it is daytime when the TV smashes to the ground despite taking place at night. However, in the Blu-ray transfer, a partial "day for night" filter was added.
- ConnectionsFeatured in Tim and Eric Awesome Show, Great Job!: Tommy (2009)
- SoundtracksYou're My Rose
Performed by Kitra Williams
Written by Kitra Williams and Wayman Davis
Music written and arranged by Wayman Davis for Nu-Rhythmn
Featured review
I've never in my life been more entertained by a film that has absolutely NO redeeming qualities. Unintentionally inept characters engage in progressively bizarre and unnatural interactions which seem to peak at erratic and unexpected intervals. The awkwardness of the actors is framed by strange pauses, jarring scripts and incredibly bizarre production techniques - there are ample 'deer in the headlights' moments, in which you can feel genuine sympathy for these people who are obviously so caught up in Tommy's strange and dominating creative control that they've failed to see any better.
Other filmmakers play with similarly surreal concepts - David Lynch for example - but this film lacks anything resembling artistic refinement, insight or self awareness placing it far from comparison. It's kind of like watching a train crash in slow motion - random, incoherent, disastrous, accidental and ultimately painful. The sense of alienation emanating from this film places the audience extremely far from being able to relate to what's happening on screen, which leaves a lot of room for uncontrollable laughter given the right circumstances.
The camera work and production techniques would not be out of place in many daytime soap operas, nor would the script and plot, but there is an undefinable quality which separates this movie from the sense mediocrity often found in such shows and instead casts it deep into the abyss of tragically bad film making where it will be forever trapped along with Wiseau's artistic integrity. This really is a new frontier.
It is truly awful, but I cannot recommend it enough.
Other filmmakers play with similarly surreal concepts - David Lynch for example - but this film lacks anything resembling artistic refinement, insight or self awareness placing it far from comparison. It's kind of like watching a train crash in slow motion - random, incoherent, disastrous, accidental and ultimately painful. The sense of alienation emanating from this film places the audience extremely far from being able to relate to what's happening on screen, which leaves a lot of room for uncontrollable laughter given the right circumstances.
The camera work and production techniques would not be out of place in many daytime soap operas, nor would the script and plot, but there is an undefinable quality which separates this movie from the sense mediocrity often found in such shows and instead casts it deep into the abyss of tragically bad film making where it will be forever trapped along with Wiseau's artistic integrity. This really is a new frontier.
It is truly awful, but I cannot recommend it enough.
- samsavenger
- Jul 15, 2010
- Permalink
Details
Box office
- Budget
- $6,000,000 (estimated)
- Gross US & Canada
- $549,602
- Gross worldwide
- $5,192,430
- Runtime1 hour 39 minutes
- Color
- Sound mix
- Aspect ratio
- 1.85 : 1
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