Johnny is a successful banker who lives happily in a San Francisco townhouse with his fiancée, Lisa. One day, inexplicably, she gets bored with him and decides to seduce his best friend, Mark. From there, nothing will be the same again.
When a drifter befriends a quirky mortician, an unlikely business partnership is formed. Paranoia soon develops, however, and both men are forced to come to terms with the fragility of friendship and loyalty.
Joe Marshall and Frank Washington are two police detectives who must stop the ruthless activities of the Katana, a renegade Yakuza gang composed of violent and sadistic killers who want to lead the drug trade in Los Angeles
In San Francisco, we follow Johnny, a man who has a girlfriend, Lisa, and also his best friend, Mark. Lisa has been cheating on Johnny with Mark and Johnny doesn't know! Will Johnny ever find out? Will Mark still be Johnny's best friend?Written by
The original script was significantly longer than the one used during filming and featured a series of lengthy monologues. It was edited on-set by the cast and script supervisor, who found much of the dialogue incomprehensible. Speaking to Entertainment Weekly, one anonymous cast member claimed that the script contained "stuff that was just unsayable. I know it's hard to imagine there was stuff that was worse. But there was." See more »
In the first love scene, Lisa takes her hair out of a clip. In the next shot, it's back in the clip. In the next shot, it's out again. See more »
Hi, babe. I have something for you.
What is it?
Just a little something.
[Playfully hides a package behind his back, then presents it to Lisa. She opens it and pulls out a red dress]
Johnny, it's beautiful. Thank you. Can I try it on now?
Sure, it's yours.
Wait right here.
[grabs Johnny's tie and kisses him]
I'll try it on right now.
See more »
In the DVD and theatrical versions of the film, when Johnny throws his TV out the window in the climax, it is obvious that it is daytime when the TV smashes to the ground despite taking place at night. However, in the Blu-ray transfer, a partial "day for night" filter was added. See more »
Forget all the three-line raves this movie has received (which all seem to be suspiciously similar in tone). THE ROOM is one of those rare laugh-riots that is so fantastically inept as to border on genius. While most bad movies offer a handful of terrible scenes divided by stretches of just plain dull, writer-director-producer-star Tommy Wiseau's film offers one moment of disaster after another.
Whether it's the made-up-by-fifth-graders dialogue, the deer-in-headlights performances, or the positively icky sex scenes (love those smushed rose petals on the chubby girl's back), you'll be howling from start to finish.
This movie has already amassed a cult of people who know what to yell at the screen and when; for a movie that's being self-distributed, this rates as some kind of crap-movie miracle.
Keep an eye out for the pointless insert shots of San Francisco, which give the idea of time passing even when it doesn't: one party scene, for example, features eight of these cut-aways.
You really can't believe how terrible THE ROOM is, but at least it's entertaining, albeit in ways that the lazy-eyed, odd-bodied, English-mangling auteur never imagined. Not to be missed.
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