Indiana Jones and the Kingdom of the Crystal Skull (2008) Poster


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  • When archeology professor Dr Henry "Indiana" Jones (Harrison Ford) receives a cryptic message from former colleague Harold Oxley (John Hurt), Indy and the message-bearer, young Mutt Williams (Shia LaBeouf), travel to Peru to find a legendary crystal skull from an interdimensional life-form. Meanwhile, Soviet agents led by the treacherous Colonel Doctor Irina Spalko (Cate Blanchett) are hot on his trail, knowing that the skull is rumored to bestow great psychic powers on whomever returns it to its rightful place. Edit (Coming Soon)

  • Indiana Jones and the Kingdom of the Crystal Skull is the fourth movie in the Indiana Jones series, preceded by Raiders of the Lost Ark (1981) (1981), Indiana Jones and the Temple of Doom (1984) (1984), and Indiana Jones and the Last Crusade (1989) (1989). Crystal Skull is based on a story conceived by American filmmaker George Lucas and screenwriter Jeff Nathanson. The screenplay for The Crystal Skull was written by American screenwriter David Koepp. Untitled Indiana Jones Project (2021) (2020) has been announced. Edit (Coming Soon)

  • Nineteen years, the same as the real-life gap between the two films' releases. Crystal Skull is set in 1957. Edit (Coming Soon)

  • The crystal skulls in the film are the skulls of inter-dimensional beings that came to Earth to learn about its culture and peoples. There were thirteen such beings, which were worshipped as gods by the ancient Mayans, centered in the mythical city of El Dorado (aka, the City of Gold). Years ago, one of the skulls was taken from the city by an explorer, only to be discovered by Professor Oxley. The skull, it is learned, isn't inactive, and can create psychic connections to certain people who stare into its eyes. Believers in the crystal skulls attribute all sorts of abilities to them, ranging from the skulls being psychic amplifiers to tools of death to repositories of ancient knowledge. Even though this doesn't seem to be an established lore or myth-type artifact, such as the Ark of the Covenant or the Holy Grail, there has been literature written on the subject and actual Mayan/Aztec artifacts of this nature found. This also explains why Aztec/Mayan pyramids have been placed at Indiana Jones fan conventions, Comic-Con, etc. Co-producer George Lucas admitted that he has been obsessed with these antique crystal skulls ever since he began doing research for The Young Indiana Jones Chronicles TV-series that premiered in 1992. Edit (Coming Soon)

  • As the film does involve Roswell/Area 51 and saucer-shaped spaceships, it has largely been disputed that the body that is found at "Area 51" in Roswell, New Mexico, (the actual Area 51 understood to be or have been located in Lincoln County, Nevada) and in the temple at the end are aliens. However, in the film, Oxley corrects Mutt, when asked if they are aliens, by saying, "Interdimensional beings, in point of fact." He also tells Indy they come from "the space between spaces." The original concept that was talked of for many years was that they would be aliens, since the film took place in the 1950s timeframe, planning to utilize the concept of aliens and B-movies. However, according to the DVD documentary, Steven Spielberg was against the concept, explaining he had done his "alien films" already with Close Encounters of the Third Kind and E.T.: The Extra-Terrestrial. The 4th film was still favoring aliens when Independence Day came out, which Spielberg used as an example to say that the "alien" angle would probably not work, since ID4 used it in a very entertaining way. Some years after this, Lucas proposed dropping the alien concept, and asked Spielberg about the idea of making the aliens into "inter-dimensional beings." Instead of creatures travelling through outer space, they'd travel between dimensions. To keep the "Area 51" aesthetic, the inter-dimensional beings were made to resemble aliens. In The Complete Making of Indiana Jones: The Definitive Story Behind All Four Films, George Lucas explains that for the inter-dimensional beings, time functions differently for them and us. What could be hundreds of years to us could be minutes or hours to them. Edit (Coming Soon)

  • Most notably, there are, as Indy puts it, "big damn ants" that chase the heroes and villains as they fight one another through the jungle. Indy identifies the ants as "siafu," which are native to Africa and can't actually move as rapidly as seen in the film. They are commonly known as army ants. Mutt has a run-in with scorpions—a possible nod to what his "feared" critter might be and which recalls the tarantulas that covered Sapito in the opening of Raiders. And of course, there is a snake. Finally, there is a troop of monkeys that help Mutt and attack the Russians. Edit (Coming Soon)

  • There is nothing in the film concerning the Fountain of Youth, although the fabled "City of Gold" plays a major role in the film, as it is the location where the titular crystal skull must be returned. However, the gold is not actual gold. As Indy states at the end of the film, the word for "gold" also translates as "treasure," that treasure being the knowledge the inter-dimensional beings collected. Edit (Coming Soon)

  • They filmed in the US, most filming was shot in Hawaii, New Mexico, Connecticut, Mexico City and the jungles of Peru. See here for more details. Edit (Coming Soon)

  • Marion Ravenwood (Karen Allen) makes her return in this film, revealing that Mutt is Indy's son. Edit (Coming Soon)

  • Mutt was probably conceived in 1936, which is the year Raiders of the Lost Ark takes place, meaning that he was born in 1937, making him around 20 years old in Crystal Skull (though it is not necessarily evidence of details in the film, actor Shia LeBeouf was 21 at the time the film was made). It is unlikely that Mutt was conceived any later than 1938 as Marion was not around at the time of Last Crusade which took place that year. Indy actually introduced Marion to Mutt's future stepfather, who was an RAF pilot killed in World War II shortly after they were married. There is a scene in Crystal Skull in which Marion and Indiana argue over Mutt on issues such as fatherly absence, paternity and step-parenthood. It is likely Marion's pregnancy was unplanned, and she discovered her pregnancy after she and Indiana had broken off their relationship. Edit (Coming Soon)

  • Indy teaches at the fictional Marshall College, named after co-producer Frank Marshall. Marshall stated that "had my last name been Yale, it would have been called Yale College!" Edit (Coming Soon)

  • Professor Henry Jones: Nineteen years have passed since Indy and his father (Sean Connery) embarked on their adventure together in Last Crusade. In the interim, Professor Jones has passed away. The real-world reason is that Sean Connery had retired from acting by the time the film was greenlit, and while expressing some regret, he still chose to remain retired, stating that "retirement is just too damned much fun."

    Marcus Brody: In the film, Indy states that Brody (Denholm Elliott), like Indy's father, died some time prior. Elliott, in fact, is deceased. However, most likely as a reference to Marcus, "Brody's Barbershop" has been identified in a production shot of a set for the fourth film. Additionally, a portrait of Brody hangs in the hall of the archeology department at Marshall College. There is also a large statue in the university grounds of Brody, which is rammed into and unfortunately beheaded by the Soviets.

    Sallah: John Rhys-Davies, who played Sallah, had stated that he would've loved to return but was informed by George Lucas that, as the adventure does not see Jones go to the Middle East, Sallah isn't needed in this film. Edit (Coming Soon)

  • In Last Crusade, both Indiana and his father drink from the grail, an act which is supposed to grant immortality. However, in Crystal Skull, it is revealed that Henry Sr. died, presumably of old age, between films, and Indiana is noticeably older than he was in the previous film. The reason for this was explained in Last Crusade. After they drink from the grail, the grail knight explains to them that the grail grants ever-lasting life, but the grail itself could not pass the holy seal in the cavern, which implies that drinking from the grail once wouldn't grant you immortality, but may keep you from aging. You'd have to keep drinking from the grail to stay immortal. Since both Indy and Henry left the temple soon after drinking, they would have lost the benefit of immortality. In the TV show, The Young Indiana Jones Chronicles, which aired in the mid-1990s after Last Crusade was released, Indy was still alive in the present day, which would have made him 90-something years old. It was hinted at the time that the grail had contributed to his longevity. However, even there, Jones was depicted as aging more or less normally (indeed, Harrison Ford himself appeared in an episode taking place partly in the 1950s and wore makeup to appear older). It's clear in Crystal Skull that neither Indy nor his father is immortal. Edit (Coming Soon)

  • According to director Steven Spielberg here, "...the effects work was approximately 70% practical and 30% CGI, although the computer-generated work will be obvious." CGI was mostly used to enhance the look of the jungle-sequence, simulate backgrounds (done by matte paintings in the previous films) and the ending sequence with the flying saucer. Edit (Coming Soon)

  • Despite many rumors concerning a CG whip (such as here), the DVD features make it clear that Harrison Ford wielded an actual whip, just as he had done on the original three films. On the other hand, Lucasfilm is no stranger to designing physical props and shooting with them, only to use CG substitutes afterward anyway; an approach which has merit in that the animators can better match the CG elements to the recorded props, costumes, sets, miniatures or other elements. Edit (Coming Soon)

  • Indy cracked his whip about as much as in previous films. He used it twice in the warehouse: once to disarm one of Spalko's men and when he used it to swing from a light fixture. Indy also used it to try and save the life of his friend/enemy Mac, but ultimately failed at the task. Edit (Coming Soon)

  • Despite what has sometimes been claimed elsewhere, such as here, the snake Mutt uses to pull Marion and Indy from the sand pit was not a CGI effect. The DVD behind-the-scenes features show the filming of this scene with a real python, and Shia LaBeouf describes the difficulty in hitting a mark with a live snake. Edit (Coming Soon)

  • No; he never really gets the chance. The only time is when he's outside the tomb with the blow-dart assailants, but they are too agile and run away. He is never really in a fight where it is economic to use his gun as a weapon, he's almost always held at gunpoint or in a close-quarters fight, using his fists or a shovel. He does use a RPG to destroy a Russian vehicle, which could have killed dozens of people. Edit (Coming Soon)

  • Presumably to let Mutt have a piece of evidence that Ox was still alive, enough to make sure Mutt would lead them to Indy. At some point during his captivity Ox was most likely to have mentioned Indy as being one of the only other people qualified to perform the service Ox himself was performing. Their motives were almost identical to those of why they "let" Marion call Mutt. Indy explains in the movie they did it because they knew Indy would come looking for Ox, and they needed Indy to figure out the clues and lead them to the origin of the Crystal Skull. Edit (Coming Soon)

  • Indy states that the aliens were archeologists. The likely explanation is that the extraterrestrial beings were time-travelers, traveling through the time-space continuum to acquire the "priceless" artifacts. i.e., widely diverse statues, jewelery, pottery, and structure artworks ranging from Sumerian to Early Egyptian to Roman to Early Chinese, so on and so forth. Extraterrestrial beings are presumed to be always curious, hence visiting Earth to investigate organic life and gain knowledge by contact with the human race in ancient times as well as to acquire artifacts as gifts or by theft. Edit (Coming Soon)

  • Mac (Ray Winstone) claims he defected to Soviet side for the handsomely lucrative sum as an asset in the search for invaluable treasure that the Soviets pursue in hope of consolidating great power to dominate the world in Stalinist Communism onslaught. As the fight continues in a particular sequence, Mac tries to mend the fence by claiming he is a CIA "double agent" to gain Indiana's trust, perhaps to exploit Indiana's gullibility. Mac once again betrays Indiana by dropping the tracking devices while following Indy's team in service of the pursuing Soviets, greed being the motivating factor that defines Mac's personality as a self-serving traitor. It is a fitting end to Mac's life as the result of an avaricious appetite when he became trapped in the vacuum due to an inordinate time spent searching for gold necklaces to grab, instead of escaping with haste. Mac and Indiana may have been friends as traveling archaeologists, but the fact remains Mac was not interested in discovery of artifacts for preservation and "right of return," but contrived to become rich by selling the "priceless" artifacts to wealthy collectors willing to pay a large sum of money. He had sided with the Soviets to find instant wealth the easy way and still retain the Soviets' trust as a cleverly deceitful agent. Edit (Coming Soon)

  • "Nuke the fridge" is a phrase coined from a scene in Crystal Skull where Indy survives a nuclear explosion by hiding inside a refrigerator. It refers to the point in a movie where the plausible has crossed over into the absurd, forcing the audience to suspend their belief in any supposedly reality based on the movie. It is similar in meaning to the television colloquialism "jump the shark." See: Jumping the shark § Nuke the fridge. Edit (Coming Soon)

  • As depicted in the film, surviving a nuclear blast inside a refrigerator is theoretically possible, according to two physicists on the web series Reel Physics, as explained here. Of the main questions concerning the general scenario, the only event in the specific depiction that broke the laws of physics was when the fridge was flung past the car before the blast-wave hit; in reality, the blast would have traveled much faster than the fridge. An important thing to note is that given the design of the specific fridge, no matter how strong the materials, the door on it most likely would have popped open right upon being blown away, flinging the occupant out of it. (Some fridges/freezers, of much older designs, do have locking mechanisms, but the lock can only be accessed from the outside.) George Lucas himself claimed that he pitched the idea to several physicists while writing the screenplay, and some of them rated the chances of survival as "50/50". Indiana Jones is known to have beaten odds much worse than that. Edit (Coming Soon)

  • The Indiana Jones films are modeled after old matinee serials of the 1930s and '40s. The adventurers in the old serials sometimes survived impossible situations because the medium was created for entertainment, and as a result, reality took a backseat. The Indiana Jones films have all taken liberties with what's possible and impossible in return for entertaining action and adventure. Some of the more outlandish examples include Indy and friends jumping from a plane and landing safely with a rubber boat, making a jump in a mine cart and landing precisely on the tracks again (without the cart overturning or spinning in mid-air), and outrunning a flood in the caves (which has magically "skipped" a giant chasm in the ground several hundred yards back) in Indiana Jones and the Temple of Doom. Steven Spielberg himself has said in an interview that he wanted to include a nuclear explosion in the movie, since it takes place in the nineteen fifties, when the threat of nuclear war was an ever-present fear. The type of serial-like adventure that the films portray is not everyone's cup of tea, but they do hark back to a more innocent time in filmmaking. Edit (Coming Soon)

  • Indy, Marion, Mutt, Mac, and Oxley, carrying the skull, find their way into El Dorado, only to discover the crystal skeletons of the 13 beings, one of which is headless. Just as Oxley is about to set the skull on its respective body, Mac points a gun at Indy and Irina shows up. She takes the skull from Oxley and sets it on the body herself. The entity then begins talking through Oxley in Mayan saying that it will them a "big gift". Irina demands to "know everything". As the beings begin to channel their collective knowledge into Irina's mind, the walls of the chamber start to disintegrate and a portal to another dimension opens in the ceiling. Determined not to go out that way, Indy, Marion, Mutt, and Oxley escape through a tunnel and Max begins to pick up everything gold that he can carry, leaving Irina to face the beings by herself. The 13 skeletons then merge into one being, and Irina screams for them to stop feeding her knowledge...her mind has had enough. Suddenly, her eyes catch fire and she disintegrates into the portal. Water begins to fill the temple, and Indy and crew find themselves trapped at the bottom of a deep well. Treading water until they reach the top of the well, they are flushed out to safety. The valley below opens up, and a large spaceship emerges then disappears into the "space between spaces", as Oxley puts it. Indy returns to Marshall College where he is reinstated and promoted to associate dean, and he and Marion are married. In the final scene, a gust of wind blows Indy's hat down the aisle, and Mutt picks it up. Just as he's about to put Indy's hat on his head, Indy walks past, takes the hat out of Mutt's hands, and puts it on his own head. Edit (Coming Soon)

  • At the climax of the film Irina asks the aliens to give her knowledge of all things, and is subsequently destroyed. There are 3 possible reasons this occurred: (1) The aliens, being psychic, sensed Irina's evil intentions and destroyed her for them. This theory is supported by the malevolent look on the alien's face as she disintegrates, (2) The aliens do exactly as she asks, but her primitive human brain is ill-equipped to handle the sudden surge of cosmic knowledge, causing her brain and (as a result) her body to spontaneously combust. This theory is supported by her yelling out "It's too much!" during the info-absorbing process, and (3) It was actually both. The alien was willing to grant whoever returned the 13th skull "a gift." Sensing that Irina's intentions were both for greed and evil, he gave her exactly what she wanted, knowledge of all things, even though it killed her, which is why of course all our heroes make it out alive. They were respectful of the aliens' powers and chose to leave with their lives instead of being granted any form of powers. Edit (Coming Soon)

  • This refers to the fourth dimension. Definition in the American Heritage dictionary: Time regarded as a coordinate dimension and required by relativity theory, along with three spatial dimensions, to specify completely the location of any event. There is a plausible theory in astrophysics that the fourth dimension may exist, which is utilized by the UFO in the film as the propellant engine to travel through the space/time continuum, as Nobel Prize winner in Physics Albert Einstein, who developed the theory of relativity, summarily explains: "An attempt at visualizing the fourth dimension: Take a point, stretch it into a line, curl it into a circle, twist it into a sphere, and punch through the sphere." For more information on how physicists are attempting to discover the fourth dimension by complex mathematical investigation, read the Science Daily article "Scientists Predict How To Detect A Fourth Dimension Of Space" here. Edit (Coming Soon)

  • In the order of release they are Raiders of the Lost Ark (1981) (1981), Indiana Jones and the Temple of Doom (1984) (1984), Indiana Jones and the Last Crusade (1989) (1989), and this movie, Indiana Jones and the Kingdom of the Crystal Skull (2008). In the order in which they occur, however, the chronology is as follows: 1935 - Temple of Doom, 1936 - Raiders of the Lost Ark, 1938 - Last Crusade, and 1957 - Kingdom of the Crystal Skull. Edit (Coming Soon)

  • Lucas came up with the plot device (the crystal skull), and is credited with writing the story. He also served as Executive Producer. According to Spielberg, Lucas was on set for a total of nine days. Although Lucas suggested that Spielberg shoot the movie with digital, Spielberg used film, as he has on all of his previous movies. Read here. There are also a few nods to the Lucas-created television series Young Indiana Jones, as well as the many period references within the scenes and dialogue which call to mind Lucas's early film American Graffiti. Edit (Coming Soon)

  • It is from the soundtrack to "Children of Dune" by Brian Tyler, and it is track number 4, called "The Revolution." Edit (Coming Soon)

  • The film has mostly received positive reviews. Rotten Tomatoes reported that 77% of critics gave the film positive reviews, based on 245 reviews (the average rating being 6.9/10), with a 61% (US) rating from selected notable critics. Edit (Coming Soon)

  • Apparently there were some minor adjustments that the studio company made to the US general trailer (approved for all audiences by the Motion Picture Association of America [MPAA]), whereby some weapons were removed and just about every threatening use of a weapon was altered to be at ease. See here and here for stacked screen-captures in comparison. The French language video here describes all the differences between the US and international versions as well. Edit (Coming Soon)


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