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Baadasssss! (2003)

How to Get the Man's Foot Outta Your Ass (original title)
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Mario Van Peebles' half-documentary/half-homage to his father Melvin Van Peebles' movie Sweet Sweetback's Baadasssss Song (1971).

Director:

Mario Van Peebles

Writers:

Melvin Van Peebles (book), Mario Van Peebles (screenplay) | 1 more credit »
4 wins & 10 nominations. See more awards »

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A semi-autobiographical story about an adventurer whose journeys take him from Harlem to the high seas and back again.

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Cast

Cast overview, first billed only:
Mario Van Peebles ... Melvin Van Peebles
Joy Bryant ... Priscilla
T.K. Carter ... Bill Cosby
Terry Crews ... Big T
Ossie Davis ... Granddad
David Alan Grier ... Clyde Houston
Nia Long ... Sandra
Paul Rodriguez ... Jose Garcia
Saul Rubinek ... Howard 'Howie' Kaufman
Vincent Schiavelli ... Jerry
Khleo Thomas ... Mario
Rainn Wilson ... Bill Harris
Karimah Westbrook ... Ginnie
Len Lesser ... Manny & Mort Goldberg
Sally Struthers ... Roz
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Storyline

Melvin Van Peebles stunned the world for the first time, with his debut feature, The Story of a Three Day Pass. Filmed in France and selected as the French entry in the San Francisco Film Festival, Melvin's film was awarded the top prize. Saying it was controversial would be an understatement. In 1968 for a black man to walk up to the podium and accept the top festival award for a film he had to go abroad to make--now that's how you make your mark. After his comedy, Watermelon Man, Melvin was determined to push the Hollywood boundaries with the groundbreaking, and even more controversial, Sweet Sweetback's Baadasssss Song. Turned down by every major studio including Columbia, where he had a three-picture deal, Melvin was forced to basically self-finance. Risking everything he had Melvin delivered to the world the first Black Ghetto hero on the big screen--whether they were ready or not! More than 30 years later, history is being fashioned again in the telling of this very tale. Mario ... Written by Sujit R. Varma

Plot Summary | Add Synopsis

Taglines:

A father. A son. A revolution.

Genres:

Biography | Drama

Motion Picture Rating (MPAA)

Rated R for pervasive language and some strong sexuality/nudity | See all certifications »
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Details

Official Sites:

Sony Pictures Classics

Country:

USA

Language:

English

Release Date:

17 March 2005 (Australia) See more »

Also Known As:

Baadasssss! See more »

Filming Locations:

Los Angeles, California, USA

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Box Office

Opening Weekend USA:

$60,432, 30 May 2004, Limited Release

Gross USA:

$365,727
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

Dolby Digital

Color:

Color

Aspect Ratio:

1.85 : 1
See full technical specs »
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Did You Know?

Trivia

Troy Garity appears uncredited as the singer Donovan. See more »

Goofs

When the world premiere sells out at the end, Van Peebles walks down the aisle and the audience on his right are cheering the movie and their arms disappear in the aisle. See more »

Quotes

Melvin Van Peebles: Is this something negative, Priscilla? Because if it's negative, I can't even deal with it right now. I'm a broke, pissed off nigger from Chicago, and I'm down to my last cigar.
See more »

Crazy Credits

Dedicated to all the brothers & sisters who opened the door... See more »

Connections

Features The Jack Benny Program (1950) See more »

Soundtracks

I Wanna Touch Your Body
Performed by Niki J. Crawford
New Dog Old Trix Publishing, Country Girl Entertainment
Written by (c) Adam Hirsh, Niki J. Crawford
Courtesy of Treehouse Music Inc., Country Girl Entertainment
See more »

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User Reviews

 
A must-see for anyone interested in film-making or screen writing
16 September 2004 | by anhedoniaSee all my reviews

It's a real shame that mediocre indie films, such as "Open Water" and "Napoleon Dynamite," get tons of publicity while a gem like "Baadasssss!" goes unnoticed.

Director and co-writer Mario Van Peebles affectionately, but truthfully, chronicles a fictional telling of his father, Melvin Van Peebles' attempt to make "Sweet Sweetback's Baadasssss Song," modern black cinema's groundbreaking film, which was compulsory viewing for the Black Panthers and paved the way for countless black actors, filmmakers and film technicians. The Spike Lees, Ernest Dickersons, John Singletons and Wayanses owe a huge debt of gratitude to not only what Melvin accomplished 33 years ago, but also how he did it.

Mario Van Peebles' previous directorial efforts, "New Jack City" (1991), "Posse" (1993) and "Panther" (1995), showed potential, but were mired in clichés and turned out to be rather forgettable. That's not the case with "Baadasssss!"

This is an exciting, funny and moving film about one man's zeal to make the movie he wants to make. Melvin did not want to kowtow to studios and was fed up with how blacks were portrayed in Hollywood movies. So he set out to make a movie where the black man fought back, then went on the run and got away. And he did it with an ethnically diverse crew (which was unheard of then), many of whom knew little or nothing about movie-making.

"Baadasssss!" brilliantly illustrates Melvin's struggles, including pretending he was shooting a black porno film to hide his real intent from the crafts unions, running out of money, losing his vision in one eye and finding a distributor for "Sweet Sweetback."

Mario shows a deep sense of love and respect for his father's achievement. But Mario definitely doesn't sugarcoat his depiction of Melvin. The Melvin we see in this film is a driven, obsessive man who loves his friends and family deeply, but won't let anything or anyone stop his film, including the weekend jailing of his crew. Mario's reluctance about being forced to be in a "sex scene" in his dad's movie is one of the film's highlights. The moment works thanks to a nicely subdued and thoughtful performance by Khleo Thomas as the young Mario.

Mario Van Peebles and Dennis Haggerty penned a smart, energetic script. They add a nice undercurrent to the story by creating a father-son dynamic, which adds a layer of surprising depth to the story. Mario Van Peebles so completely immerses himself into the role of his father that we forget we're watching Mario play Melvin.

Where the script falters is in its over-reliance on voice-over narration used to to convey Melvin's thoughts. It works sometimes. But it also seems obtrusive. For instance, Melvin's thoughts about the contents of the props drawer aren't needed because we're smart enough to know how dangerous or funny it could have all turned out.

"Baadasssss!" is as much about Melvin's passion to make his influential film as it is about the importance of maintaining one's integrity. Just as Melvin didn't compromise his story, Mario, too, apparently held out and refused to compromise. Producers wanted him to make the film more acceptable to "a white audience" or toss in some hip-hop. But Mario didn't relent and made the film he wanted to make.

The paradox about this film about the making of a film is that while Mario's movie is technically and cinematic ally superior to Melvin's seminal film, "Baadasssss!" ultimately isn't as politically, socially or historically influential as the film it chronicles. Nevertheless, for anyone interested in movie-making, "Baadasssss!" is a must, along with the documentaries, "Hearts of Darkness: A Filmmaker's Apocalypse" (1991) and "Visions of Light: The Art of Cinematography" (1992). "Baadasssss!" is one of the best and most enjoyable films ever made about film-making.


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