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American Masters
S19.E7
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IMDbPro

No Direction Home: Bob Dylan

  • Episode aired Sep 27, 2005
  • Not RatedNot Rated
  • 3h 28m
IMDb RATING
8.4/10
12K
YOUR RATING
American Masters (1985)
Home Video Trailer from Paramount Home Entertainment
Play trailer1:45
1 Video
10 Photos
DocumentaryBiographyMusic
A chronicle of Bob Dylan's strange evolution between 1961 and 1966 from folk singer to protest singer to "voice of a generation" to rock star.A chronicle of Bob Dylan's strange evolution between 1961 and 1966 from folk singer to protest singer to "voice of a generation" to rock star.A chronicle of Bob Dylan's strange evolution between 1961 and 1966 from folk singer to protest singer to "voice of a generation" to rock star.
IMDb RATING
8.4/10
12K
YOUR RATING
  • See more at IMDbPro
    • Director
      • Martin Scorsese
    • Stars
      • Bob Dylan
      • B.J. Rolfzen(voice)
      • Dick Kangas
    Top credits
    • Director
      • Martin Scorsese
    • Stars
      • Bob Dylan
      • B.J. Rolfzen(voice)
      • Dick Kangas
  • See production, box office & company info
    • 69User reviews
    • 52Critic reviews
    • Won 1 Primetime Emmy
      • 9 wins & 8 nominations total

    Videos1

    No Direction Home: Bob Dylan
    Trailer 1:45
    No Direction Home: Bob Dylan

    Photos10

    American Masters (1985)
    No Direction Home: Bob Dylan (2005)
    No Direction Home: Bob Dylan (2005)
    Bob Dylan in American Masters (1985)
    American Masters (1985)
    American Masters (1985)
    American Masters (1985)
    American Masters (1985)
    American Masters (1985)

    Top cast

    Edit
    Bob Dylan
    Bob Dylan
    • Self
    B.J. Rolfzen
    • Self
    • (voice)
    Dick Kangas
    • Self
    Liam Clancy
    • Self
    Anthony Glover
    • Self
    • (as Tony Glover)
    Paul Nelson
    • Self
    Allen Ginsberg
    Allen Ginsberg
    • Self
    • (archive footage)
    Dave Van Ronk
    • Self
    • (archive footage)
    Maria Muldaur
    • Self
    John Cohen
    • Self
    Bruce Langhorne
    • Self
    Mark Spoelstra
    • Self
    Suze Rotolo
    • Self
    Izzy Young
    • Self
    Mitch Miller
    Mitch Miller
    • Self
    John Hammond
    John Hammond
    • Self
    Pete Seeger
    Pete Seeger
    • Self
    Mavis Staples
    Mavis Staples
    • Self
    • Director
      • Martin Scorsese
    • All cast & crew
    • Production, box office & more at IMDbPro

    Storyline

    Edit

    Did you know

    Edit
    • Trivia
      Columbia/SME Records, Sony Music, and Bob Dylan's management gave Martin Scorsese access to its vaults, something Dylan has never given to any documentary filmmaker.
    • Goofs
      When A&R man John Hammond is introduced, Billie Holiday, whom Hammond signed to Columbia Records, is heard singing the anti-lynching protest song "Strange Fruit." In truth, Hammond did not allow Holiday to record "Strange Fruit" for Columbia; she recorded the song for Milt Gabler's Commodore Records instead.
    • Quotes

      Bob Dylan: I was born very far from where I'm supposed to be, and so I'm on my way home.

    • Connections
      Features The Ed Sullivan Show (1948)
    • Soundtracks
      Like a Rolling Stone
      Written and Performed by Bob Dylan

    User reviews69

    Review
    Top review
    10/10
    Best rock movie in years...
    I really don't know what to say after viewing Martin Scorsese's mesmerizing three-hour+ made for PBS film except that I am truly impressed. And although it is more of a chronicle of an era (the early 1960's and what lead to Dylan's fame) then a biography of Bob Dylan I was surprised that I enjoyed it as much as I did. At first I was skeptical, I thought it had pretensions of grandeur: Dylan/and Scorsese? I mean come on guys!? But the piece delivered. It was cut in such a way that seemed to create drama out of raw material. Although ponderous at times the film not only held my interest but made me want to find out more about Bob Dylan, the NYC folk scene, Pete, Seger, Woody Guthrie, Allen Ginsberg, Liam Clancy, Joan Baez and many others. The interviews were fascinating, humorous and sometimes truly educational. There is a purpose and a true sense of that time to the film that is unlike most other "rock" documentaries. In one of my favorite interviews in the film Bob Neuwirth explains how in the early 60's money (financial success) was not an issue when it came to the arts. Back then it was about if an artist had something to say. Weather it was Bob Dylan or Ornette Coleman what people would ask was "does he (the artist) have something to say." Money and the "bottom line" didn't enter into the equation. It was a whole different world back then. Neuwirth states this so glibly that you'll wish you had a time-machine to go back and check it out for yourself. I have at least one friend who was disappointed in the film. He felt that it didn't illuminate the life of Dylan enough in that it ends in 1966 with him being "booed" offstage for "going electric." But apparently this is all Dylan wanted to reveal for this film. He (and his people) gave Martin Scorsese specific instructions to only chronicle this period. Scorsese was asked to sort through hours of material (including 10-hours of recent Dylan interviews). The result is amazing considering these limitations. Instead of illuminating the Dylan myth the film uses "myth" to stir a powerful narrative, one that rivals many of Scosese's latest cinematic endeavors. Perhaps another director would have tried to create something more definitive regarding the details of Dylans life and songwriting process but Scorsese has always favored myth over reality in him films. And in the case of No Direction Home I believe he mixes together the perfect combination of myth, mystery and reality. Sure there are great Dylan performances throughout the feature but they are tied together by a larger narrative which is the journey of an artist (at a particular stage in his life). Some of the highlights for me musically and otherwise were Dylan at the Newport Folk Festival where he has trouble tuning his guitar but still comes off as some sort of "folk messiah" to the folkies present ( was that scene even real?! ), Al Kooper talking about how he came up for the organ part for Like a Rolling Stone (hilarious). Dylan performing (if only snippets of, sigh…) "Masters of War," and his "Hard Rain" and the final performance of the film (Like a Rolling Stone) when Dylan summons his band (the Band) to "play it f*ck#ng loud!" in order offset the hecklers booing his electric set in England in 1966. Ironically I recently read a quote from Jim Jarmusch talking about NYC in the late 1970's, he said, "I feel so lucky. During the late 70's in New York, anything seemed possible. You could make a movie or a record and work part time, and you could find an apartment for 160 bucks a month. And the conversations were about ideas. No one was talking about money. It was pretty amazing. But looking back is dangerous. I don't like nostalgia. But, still, damn, it was fun. I'm glad I was there." Be it the early 1960's or the late 1970's perhaps the charm and "myth" of such an era inspired Dylan and company to chronicle only his "golden era" as opposed to trying to trace his entire career ( which could have proved to be less then fruitful ). Instead we get a wonderful slice of life about a great time in American History, about a great artist and put together on film by a great filmmaker. I'm not going to complain.
    helpful•28
    5
    • ericsinla
    • Oct 23, 2005

    Details

    Edit
    • Release date
      • September 27, 2005 (United States)
    • Countries of origin
      • United Kingdom
      • United States
      • Japan
    • Official site
      • PBS (United States)
    • Language
      • English
    • Also known as
      • Bob Dylan Anthology Project
    • Filming locations
      • Hibbing, Minnesota, USA
    • Production companies
      • Spitfire Pictures
      • Grey Water Park Productions
      • Thirteen / WNET
    • See more company credits at IMDbPro

    Technical specs

    Edit
    • Runtime
      3 hours 28 minutes
    • Color
      • Color
    • Sound mix
      • Dolby Digital
    • Aspect ratio
      • 1.33 : 1

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