Happy Feet

If you just thought this film was about dancing penguins, you're wrong. This film is a great family film that has complex messages. It is in musical form.

When it begins we learn what happened to Mumble, that makes him tap dance and not sing. His father is ashamed of him, but his mother is not. As he grows, he looks different from the other penguins. Later, he mets Spanish - like penguins that are a hight light to the film because they add to the humor. As the story goes on, we learn there are less fish and the water is filled with garbage. Because of us humans, penguins are in danger.

The characters are all great and the animation is wonderful and very detailed. It is funny and it even has messages. It teaches us to accept who we are. It also tells us that the environment is in danger, but in a fun and entertaining way. This film beats Monster House and Cars as the best animated film of the year.

Animated comedies have become what Mike Tyson was to the boxing scene in the 1980's: a safe bet. This begs an upsurge in quality for the market and the otherwise forgettable family fluff films have begun to interweave deeper, more salient issues in their stories. Political messages about environmental problems was perhaps the last thing I expected to find rotating around in a happy, tappy romp like 'Happy Feet' but the fact is they are there, and they are superbly handled, as is much of the film.

Advertising the film as a propaganda vehicle would have been grossly unwise, which is why the simple template story rings true to most people. All that has been put forward in trailers and synopses is the lonely journey of the Emperor Penguin Mumble (Elijah Wood), who is an outcast owing to his poor singing voice and tapalicious feet. The rest of the tight-knit, conformist community all rely on special heartsongs to appeal to mates, and not being able to carry a tune is a fatal misstep for Mumble. When he finally finds friends in Ramon's (Robin Williams) foreign group of Adelie penguins, it becomes clear that there are more things threatening the penguin society on Antarctica – the most prominent of which being human overfishing.

One third into 'Happy Feet', I found myself drifting ever so slightly into indifference as the sprawling surge of R'n'B on the ice wore off. The emperor penguins all sing tunes you have heard before and it is not until Mumble encounters the eccentric party group of Adelies that Happy Feet receives a well-deserved kickstart and starts tapping into good fun. Thankfully, and admirably, it manages to avoid pratfalls, slapstick, pee- and fart jokes and instead the finely-tuned humour rests on the wealth of meticulous animation, juxtaposition, absurdist situations and snaptastic one-liners from Ramon's crew as they take Mumble in and introduce him to their kooky, fun-loving society and social guru, "Lovelace". This is seen in stark contrast from the emperor penguins' community on the humour side of the tapestry, and the funniest gag in the latter is Kidman returning from the long fishing journey and telling her baby Mumble lovingly that she "has got something for him", and proceeds to vomit into his mouth. Priceless.

Happy Feet is an ambitious animated comedy. It's ambitious in its scope; there are epic aerial shots of the vast icy glacier, even from outer spaces, it treats salient issues like the effects of overfishing, it takes well-deserved jabs at organized religion, in which the elder emperor penguins represent the archaic values and traditions that they mindlessly adhere to. It features a star-studded cast, it sees seamless intercutting of live action footage and stars (I spotted an uncredited Ewan McGregor cameo, look out), and it is dedicated to Steve Irwin. Certainly 'Happy Feet' carries all of its ambitions quite well, some becoming accolades like the effective punch at conformity in which all the penguins literally look identical except for the fuzzy, fluffy Mumble, while others fall flat thanks to its shortcoming cast.

It should only be so hard to provide voicework for an animated character, and Elijah Wood does it effortlessly as the fumbling, bumbling toddler-like misfit Mumble, who even looks like him with bright baby blue eyes. Nicole Kidman stars as Mumble's mother, with a ridiculously over-the-top voice, and she tips over into overacting at a few points. In the beginning we are given the well-condensed introductory story of how she met Mumble's father Memphis (Hugh Jackman) with a heartfelt heartsong, and she gets to reprise her romantic duet singing of Moulin Rouge opposite fellow Aussie. All of the aforementioned actors, as well as Robin Williams and Hugo Weaving, perform well in their respective supporting roles – all except the unforgivably redundant Brittany Murhpy as Mumble's perpetual love-interest (who is a bad singer to boot), a plain annoying and unlikeable character backed by an equally unlikable actress.

Owing to its mindblowing animation (which has been absolutely honed in the past few years) and treatment of salient issues, 'Happy Feet' could not have been made five or even four years ago. The former is translated into unspeakably beautiful sequences of underwater chases and ice slides while the latter manifests itself in apt environmental warnings. Although I was mostly entertained, there were a few too many purposely "aww" moments crammed in and certainly it does not quite dethrone the majestic 'Ice Age' (2002) as the best sub-zero comedy ever made. There, I've now said so little in so many words.

7 out of 10

Other than the flippity-flappity of the lead lovable character it is the subtle references to the ignorant human intervention in nature's food cycle that elevates George Miller's Happy Feet into a superior film, way above the other similar films in its genre, ultimately making you tear up regardless of your eating/entertainment choices. TN.

The previews did not prepare me for this movie what so ever. I expected a cute animated cartoon about some dancing penguins instead I got some deep philosophical story line. Don't get me wrong, the movie was well made, there were some terrific scenes that you can tell that the designers put their heart and soul into, but the plot was a little out of whack. A kid watching this movie, would probably fall asleep; it started off really cute and funny-ish but then the writers went off on a completely irrelevant curb that made the movie super long and super pointless for any kid under 10. An adult may have found this movie insightful and thought provoking, but also a little confusing and overwhelming. It's a good movie but there were too many messages and meanings that were left undone and left me wanting more for a person that just wanted to see a cute animated cartoon about some dancing penguins.

Overall, I enjoyed this movie and don't regret having gone to see it. I feel like the animators, actors doing voices and Savion Glover (hope I spelled that right!) wasted some of their efforts on an inferior-quality script.

I admire the environmental theme, but felt like it was being shoved down our throats .. with no real solutions suggested, either. Some portions of the script were not explained well .. like how on earth Mumbles got back from the zoo to his family. Okay .. and why can't Mumble molt correctly, and why does his face look different from all of the other adult penguins? That's never explained, either.

I laughed and smiled my way through the first half of the movie, and it felt like the second half dragged on endlessly and made little sense. :-< I was expecting to love this movie a lot more than I did.