IMDb RATING
6.4/10
5.5K
YOUR RATING
Mothra and her fairies return to Japan to warn mankind that they must return Kiryu to the sea, for the dead must not be disturbed. However Godzilla has survived to menace Japan leaving Kiryu... Read allMothra and her fairies return to Japan to warn mankind that they must return Kiryu to the sea, for the dead must not be disturbed. However Godzilla has survived to menace Japan leaving Kiryu as the nation's only defense.Mothra and her fairies return to Japan to warn mankind that they must return Kiryu to the sea, for the dead must not be disturbed. However Godzilla has survived to menace Japan leaving Kiryu as the nation's only defense.
- Awards
- 1 nomination total
Mickey Koga
- Mechagodzilla Operator Kyôsuke Akiba
- (as Mitsuki Koga)
Featured reviews
I agree with reviewers who write that the film is competently made and reasonably entertaining, but I also agree that with this movie, the series seemed to have gotten stuck in a rut.
In fact, towards the end of what is known as the "Hesei" period of Godzilla films, the film-makers of the series developed a formula which became standardized for the "Millenium" phase: as the movie opens, we find the humans worried about a possible attack from Godzilla. Then they either build another monster, or have one flown in. The two (or three) monsters have a big fight in down-town Tokyo, Godzilla is tossed back into the sea, the end.
Of course, all genre films use formulas and conventions. But the stronger entries in any genre are precisely those in which the film-makers try out new approaches and variations to these formulas. In the so-called "Showa" phase of the Godzilla films (1954- 1985), there were plenty of multi-monster wrestling matches and attacks on Tokyo, etc.; but there were also some weird experiments, some that worked (Son of Godzilla is highly entertaining, if one doesn't ask for much) and some that didn't (Godzilla's Revenge). But the real point is that they were different, and challenged their viewers to decide whether the differences ought to be kept or scratched for the next episode in the series.
But with Tokyo S.O.S, it became clear that the 'Millenium" series writers and directors could only rarely innovate or improvise. The fight scenes in Tokyo became pretty much same-old same-old, film-to-film, and this is a dangerous thing to do when your protagonist is a guy in a rubber monster suit. When we see the same thing, film after film, we start getting bored, and when we start getting bored, we get distracted, and notice things like, hey, isn't that really just a guy in a rubber monster suit? Tokyo S.O.S. isn't quite down to this level; it is very professionally made. But there's no doubt that by the time it was made, it was time for something new.
In fact, towards the end of what is known as the "Hesei" period of Godzilla films, the film-makers of the series developed a formula which became standardized for the "Millenium" phase: as the movie opens, we find the humans worried about a possible attack from Godzilla. Then they either build another monster, or have one flown in. The two (or three) monsters have a big fight in down-town Tokyo, Godzilla is tossed back into the sea, the end.
Of course, all genre films use formulas and conventions. But the stronger entries in any genre are precisely those in which the film-makers try out new approaches and variations to these formulas. In the so-called "Showa" phase of the Godzilla films (1954- 1985), there were plenty of multi-monster wrestling matches and attacks on Tokyo, etc.; but there were also some weird experiments, some that worked (Son of Godzilla is highly entertaining, if one doesn't ask for much) and some that didn't (Godzilla's Revenge). But the real point is that they were different, and challenged their viewers to decide whether the differences ought to be kept or scratched for the next episode in the series.
But with Tokyo S.O.S, it became clear that the 'Millenium" series writers and directors could only rarely innovate or improvise. The fight scenes in Tokyo became pretty much same-old same-old, film-to-film, and this is a dangerous thing to do when your protagonist is a guy in a rubber monster suit. When we see the same thing, film after film, we start getting bored, and when we start getting bored, we get distracted, and notice things like, hey, isn't that really just a guy in a rubber monster suit? Tokyo S.O.S. isn't quite down to this level; it is very professionally made. But there's no doubt that by the time it was made, it was time for something new.
Direct sequel to Godzilla Against Mechagodzilla. Surprise, surprise, Godzilla returns for revenge against his robotic counterpart. This time the end of the world may also follow suit, as humans have managed to annoy Mothra as well. I loved the way in which Godzilla's bones helped create Mechagodzilla, and save humanity, are now the cause of all the controversy may destroy humanity. There is less human conflict in this film, but the action more than makes up for it. Another wonderful Godzilla movie then. I'm sad I only have one left to watch. But I must stress, don't just tune into this and expect the effects to win you over. You have to make an effort.
The one thing that gets me is how some reviewers rate movies, but only tells the parts that they hated. What about the rest of the movie. This one is much better than the first (Godzilla vs Mechagodzilla 2002) by far. The story is very interesting this go around. The people of Japan are warned that if they do not dismantle Kiryu then Mothra will not fight for them rather against them.
This movie also has key elements from previous movies such as Mothra, and Godzilla vs Mothra, while still staying true to the 2002 flick. The special effects get better with each movie especially Godzilla's thermanuclear blast. The monster battles in this one were good as well, some reviewers think Godzilla has to be super evil to have good monster battles, shame on them. Mothra did her parts to hold off Godzilla until Hio and Mana (the larva) shows up.
I won't spoil the movie or the ending for you, but the doorway for Godzilla Final Wars has been busted open. Again don't trust reviews from critics whom couldn't tell you the difference between Godzilla and Zilla. This is a definite buy and an enjoyable movie. Who says you have to be a kid to appreciate the action of a Godzilla movie? Check this one out, you won't be disappointed.
This movie also has key elements from previous movies such as Mothra, and Godzilla vs Mothra, while still staying true to the 2002 flick. The special effects get better with each movie especially Godzilla's thermanuclear blast. The monster battles in this one were good as well, some reviewers think Godzilla has to be super evil to have good monster battles, shame on them. Mothra did her parts to hold off Godzilla until Hio and Mana (the larva) shows up.
I won't spoil the movie or the ending for you, but the doorway for Godzilla Final Wars has been busted open. Again don't trust reviews from critics whom couldn't tell you the difference between Godzilla and Zilla. This is a definite buy and an enjoyable movie. Who says you have to be a kid to appreciate the action of a Godzilla movie? Check this one out, you won't be disappointed.
The acting is bad, the plot is simplistic and most of the music is very generic (I saw the movie 5 min ago and I already forgot how the music was). The monster-fight (while not bad), is nothing special, either.
Overall, this movie is pretty boring.
Overall, this movie is pretty boring.
First, a disappointment: Megumi Odaka, the young woman with the very large ears who communicates with Godzilla telepathically, is NOT in this one...My children and I have dubbed her "Mickey Mouse" and enjoy seeing her in the series...
This movie has the BEST SPECIAL EFFECTS of ANY Godzilla movie that I have seen. The planes look like planes; the tanks look like tanks; and, Godzilla looks so COOL! He has gone through another make-over and has been given a cobra-like neck to go with the newer, smaller head and the glowing spinal plates.
Who else has a new look? The women that Dennis Miller refers to as the Mothra Chicks. New outfits, bare midriffs, ugly shoes...more contemporary ideals of beauty. And, they sing just as well as the originals...
The effects are most spectacular with Mothra, although I hear that Mothra is not really a moth, but a stunt butterfly in a moth-suit. The look of the giant insect is most realistic and the effects of his near miss flybys can almost be felt by the viewer.
Mechagodzilla looks pretty neat as well.
I won't give much of the plot away. There is less screen time for the child actors, but the movie is perfectly fine for children. No discernible death, just a lot of good clean monster fun...
This movie has the BEST SPECIAL EFFECTS of ANY Godzilla movie that I have seen. The planes look like planes; the tanks look like tanks; and, Godzilla looks so COOL! He has gone through another make-over and has been given a cobra-like neck to go with the newer, smaller head and the glowing spinal plates.
Who else has a new look? The women that Dennis Miller refers to as the Mothra Chicks. New outfits, bare midriffs, ugly shoes...more contemporary ideals of beauty. And, they sing just as well as the originals...
The effects are most spectacular with Mothra, although I hear that Mothra is not really a moth, but a stunt butterfly in a moth-suit. The look of the giant insect is most realistic and the effects of his near miss flybys can almost be felt by the viewer.
Mechagodzilla looks pretty neat as well.
I won't give much of the plot away. There is less screen time for the child actors, but the movie is perfectly fine for children. No discernible death, just a lot of good clean monster fun...
Did you know
- TriviaIn this film, Hiroshi Koizumi reprises his role of Professor Shin'ichi Chûjô from the original Mothra (1961), which he starred in 40 years earlier. According to director Masaaki Tezuka, he had to confirm with producer Shogo Tomiyama that Koizumi would be involved in order to start writing the script.
- Crazy creditsAfter the final credits, its is revealed that an unnamed lab is ready to create ANOTHER Godzilla clone.
- ConnectionsEdited into Godzilla Tales: Primetime TV Battle (2020)
- How long is Godzilla: Tokyo S.O.S.?Powered by Alexa
Details
- Release date
- Country of origin
- Official site
- Languages
- Also known as
- Godzilla, Mothra, Mechagodzilla: Battle for Tokyo
- Filming locations
- Production company
- See more company credits at IMDbPro
Box office
- Gross worldwide
- $10,724,345
- Runtime1 hour 31 minutes
- Color
- Sound mix
- Aspect ratio
- 2.35 : 1
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