In Buenos Aires, the twenty and something year old Jewish-Argentinean Ariel Makaroff has left the University of Architecture and spends his time wandering through the downtown gallery where...
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After years away, Ariel (Alan Sabbagh) returns to Buenos Aires seeking to reconnect with his father Usher, who founded a charity foundation in Once, the city's bustling Jewish district ... See full summary »
They are both alone. They need each other but, at the same time, they despise each other. Siblings Marcos and Susana are unable to heal the old wounds festering within them after the death ... See full summary »
In 1999, Argentina's peso craters. Ariel, a young man from Buenos Aires' Jewish community, deals with his mother's fatal illness, finds a job as a night shift surveillance camera monitor, ... See full summary »
A small incident over two neighbors common wall sparks a conflict which affects the intimacy of the view over the chimney; the protagonist sparks a conflict and with paranoiac obsession destroys everyday life.
Toledo, 25 years old, future architect, suffers from an acute jealousy. He cannot concentrate on his job nor on his studies, being continuously mindful of his girlfriend and concubine Ana's... See full summary »
A couple of friends work for a taxi driver to rob his passengers, but they feel like they're getting ripped off. They decide to plan their own robberies, but they are amateurs and things ... See full summary »
In Buenos Aires, the twenty and something year old Jewish-Argentinean Ariel Makaroff has left the University of Architecture and spends his time wandering through the downtown gallery where his mother has a lingerie shop and his brother runs an importation business, trying to get his Polish passport and move to Europe. Ariel has never understood why his father left him when he was a baby to fight in the Yom Kippur War in 1973. When his father returns to Buenos Aires, Ariel discovers the reason why his father left his family.Written by
Claudio Carvalho, Rio de Janeiro, Brazil
Official submission of Argentina for the 'Best Foreign Language Film' category of the 77th Academy Awards in 2005. See more »
There is no Lithuanian language in the film. The girl from Lithuania named Vilna (Lithuania's capital name is Vilnius) is speaking Russian, not Lithuanian. The words Vilna says when she first meets Ariel are "Tvoi drug Ariel. Chto s nim sluchilos?", what means "Your friend Ariel. What's wrong with him?" See more »
I have seen the movie several times now, and keep loving the very porteño lines, the perfect way in which the filmmaker captures the unique setting of Once (and a little of Abasto), as well as the tone of 2002/2003 there in Buenos Aires. The delicate portrayals of emotion and spirit are heart-rending and hilarious together. For anyone who knows Buenos Aires beyond the bullshit vended to you by some tourism operator, this film will delight you. It also has enough appeal and quirkiness to charm broader audiences that have some curiosity about slice-of-life films from elsewhere. If you have seen Berman's film "Esperando al Mesías," many people will look familiar in this movie, but it's only the actors, not the characters who are the same, and even though only a few. Like that other movie, there is also much emphasis on Argentine Jewish everyday life, but not in a way that is insular at all -- bringing in, instead, the rest of life that can combine effortlessly or create the conflicts and commotions that keep life and culture vibrant. Berman also seems to show a strength across his movies in grappling with the importance of longer-standing histories in their very simple, quotidian upcroppings. In all, an excellent film by an excellent filmmaker.
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