In Buenos Aires, the twenty and something year old Jewish-Argentinean Ariel Makaroff has left the University of Architecture and spends his time wandering through the downtown gallery where...
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After years away, Ariel (Alan Sabbagh) returns to Buenos Aires seeking to reconnect with his father Usher, who founded a charity foundation in Once, the city's bustling Jewish district ... See full summary »
When his long-lost brother resurfaces, Jacobo, desperate to prove his life has added up to something, looks to scrounge up a wife. He turns to Marta, an employee at his sock factory, with ... See full summary »
Juan Pablo Rebella,
In 1999, Argentina's peso craters. Ariel, a young man from Buenos Aires' Jewish community, deals with his mother's fatal illness, finds a job as a night shift surveillance camera monitor, ... See full summary »
They are both alone. They need each other but, at the same time, they despise each other. Siblings Marcos and Susana are unable to heal the old wounds festering within them after the death ... See full summary »
Santiago and Eugenio are more than friends, they are life long business partners. They understand each other without words, they care for each other, they need each other. One day Eugenio ... See full summary »
Bear has never gotten over the separation from his wife and daughter after having been convicted for armed robbery and homicide and sent to prison. Now he is out, to finally get his cut of ... See full summary »
Israel Adrián Caetano
A couple of friends work for a taxi driver to rob his passengers, but they feel like they're getting ripped off. They decide to plan their own robberies, but they are amateurs and things ... See full summary »
Mario and Ana, in voluntary exile from Buenos Aires, live in a remote Argentine valley with their 12-year-old son Ernesto. Mario runs a school and a wool cooperative; Ana, a doctor, heads a... See full summary »
This is the story of Julián, an ophthalmologist who is upset due his wife recent death (a flight-attendant) and Teresa (an unhappy stewardess). Julián travels to Ushuaia, where he met his ... See full summary »
In Buenos Aires, the twenty and something year old Jewish-Argentinean Ariel Makaroff has left the University of Architecture and spends his time wandering through the downtown gallery where his mother has a lingerie shop and his brother runs an importation business, trying to get his Polish passport and move to Europe. Ariel has never understood why his father left him when he was a baby to fight in the Yom Kippur War in 1973. When his father returns to Buenos Aires, Ariel discovers the reason why his father left his family.Written by
Claudio Carvalho, Rio de Janeiro, Brazil
Official submission of Argentina for the 'Best Foreign Language Film' category of the 77th Academy Awards in 2005. See more »
There is no Lithuanian language in the film. The girl from Lithuania named Vilna (Lithuania's capital name is Vilnius) is speaking Russian, not Lithuanian. The words Vilna says when she first meets Ariel are "Tvoi drug Ariel. Chto s nim sluchilos?", what means "Your friend Ariel. What's wrong with him?" See more »
I have seen the movie several times now, and keep loving the very porteño lines, the perfect way in which the filmmaker captures the unique setting of Once (and a little of Abasto), as well as the tone of 2002/2003 there in Buenos Aires. The delicate portrayals of emotion and spirit are heart-rending and hilarious together. For anyone who knows Buenos Aires beyond the bullshit vended to you by some tourism operator, this film will delight you. It also has enough appeal and quirkiness to charm broader audiences that have some curiosity about slice-of-life films from elsewhere. If you have seen Berman's film "Esperando al Mesías," many people will look familiar in this movie, but it's only the actors, not the characters who are the same, and even though only a few. Like that other movie, there is also much emphasis on Argentine Jewish everyday life, but not in a way that is insular at all -- bringing in, instead, the rest of life that can combine effortlessly or create the conflicts and commotions that keep life and culture vibrant. Berman also seems to show a strength across his movies in grappling with the importance of longer-standing histories in their very simple, quotidian upcroppings. In all, an excellent film by an excellent filmmaker.
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