Mobster and hit man Jimmy Conlon has one night to figure out where his loyalties lie: with his estranged son, Mike, whose life is in danger, or his longtime best friend, mob boss Shawn Maguire, who wants Mike to pay for the death of his own son.
Ex-government operative Bryan Mills is accused of a ruthless murder he never committed or witnessed. As he is tracked and pursued, Mills brings out his particular set of skills to find the true killer and clear his name.
Matt Scudder is a former cop now a private eye. He is asked by a drug dealer to find the men who kidnapped his wife. It seems like they killed her even after he paid them. Scudder refuses. But the man later goes to see him and tells him how his wife was killed. Scudder takes the job. He does some research and thinks the men he is looking for have done this more than once. And that everyone they grabbed is connected to a drug dealer. He was about to give up when they grab another girl and Scudder tries make sure she's returned alive.Written by
At the end, in the final scene, you can see the World Trade Center Twin Towers in the background. See more »
In fight near the end of the film Scudder fires a pistol 5 times with the barrel only an inch from his right ear, but appears unaffected by the noise or firing action. Both the noise (which would likely be greater than 140db) and the firing action are close enough to cause permanent damage. See more »
You need some help, man.
I don't care. You want to mess up your own shit - but you're going to mess up mine, too. I need to know you got my back. Not that you're going to come falling through the door behind me...
Don't worry your pretty little spic head off.
Anyway. That was all I wanted to say.
Is that it? Fuck you!
[gets out of the car]
See more »
... is that, long before Neeson became Hollywood's most late-blooming action hero, he was an actor.
And a pretty good one at that.
And that is what makes this film a lot better than the other reviews would have you believe.
Yes, I confess, a guilty pleasure, I loved TAKEN. But movies like TAKEN are a crapshoot, a gamble, a party trick where you are constantly trying to find something new and different to resonate with the audience, to make up for the fact that there is little substance to the project. (As was proved by TAKEN 2, one of the worst movies I have ever seen, with some of the most glaring editing mistakes).
Here we go old school. Written by one of the best writers of the last century and directed by Scott Frank, a man who certainly knows how to frame a scene for mood and impact. (At the half way point, a girl in a red hood crosses the street in front of the villains. The scene should not have memorable, but Frank makes it so).
An "old school" classic. Three quarters of a century ago, even Bogey would have taken this part. And been the better for it.
Young "Astro" who plays the ghetto-smart TJ steals all his scenes and, for those with a good ear, even channels the speech patterns of Will Smith, from any movie Smith ever appeared in. This kid has a future.
62 of 84 people found this review helpful.
Was this review helpful to you?
| Report this