IMDb RATING
6.5/10
130K
YOUR RATING
Private investigator Matthew Scudder is hired by a drug kingpin to find out who kidnapped and murdered his wife.Private investigator Matthew Scudder is hired by a drug kingpin to find out who kidnapped and murdered his wife.Private investigator Matthew Scudder is hired by a drug kingpin to find out who kidnapped and murdered his wife.
- Awards
- 1 nomination total
Patrick McDade
- Bar Owner
- (as Patrick F. McDade)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
A well produced film about an ex-drunk Investigator callled Scudder : Liam Neeson , who becomes involved into a twisted criminal case while he is going to discover the killers . Liam Neeson plays an ex-cop with alcohol problems and dark past who has to confront dangerous enemies to save himself and his young friend , a fourteen year-old street kid . As he's hired by a drug lord : Dan Stevens , that's why he's initially reluctant to investigate the assigned case , but then he changes the mind and carries out the hard investigation. He discovers several pieces of a puzzle and Scudder has to solve who is the killer and whom goes to murder . Soon after, he finds that the murderers have killed other women connected to drug dealers and they get their files from the DEA. Lives are on the line ! . People are afraid of all the wrong things . His life on the line ! .
Thrilling and nail-biting movie with noisy action , shootouts , spectacular scenes , fights , violence and amazing finale . From start to finish the fractic action , twists and turns are continuous . As always , Liam Neeson is very good as the ex-cop and private eye who is caught-up in a risked investigation with fateful consequences . Liam playing in his usual style as Private investigator Matthew Scudder who is hired by a drug kingpin well played by Dan Stevens to find out who abducted and killed his wife. Neeson at his best , returning to high-profile roles in 2010 with big-budget films with plenty of action and violence such as : Team A (2010), Unknown (2011), The Grey (2011), Battleship (2012) and Taken I and Taken 2 (2012) , Cold Pursuit (2019) and fiinally The Marksman (2021) . Liam is well accompanied by attractive secondaries , such as as Dan Stevens , Sebastian Roche , Boyd Holbrook , Brian Bradley, David Harbour , among others.
It packs atmospheric and some dark cinematography by Mihai Malaimare shot in New York , using steadicam, at times . The musician Rafael Rivera composes a moving and rousing musical score fitting perfectly to the frenetic action . The motion picture was well directed by Scott Frank. He's a notorious writer and director who has made some nice films . As his first feature directed Josph Gordon Levitt in The Lookout (2007). Scott Frank was nominated for the 2018 Emmy Award in the Outstanding Writing for a Limited Series, Movie or Special category for Godless (2017), but lost to William Bridges & Charlie Brooker for Black Mirror: USS Callister (2017). He wrote prestigious scripts as noir anthology, Fallen Angels (1993) and Frank also wrote the screenplay for Joanou's 1996 feature , Heaven's Prisoners(1996) . Rating : 7/10. Notable thriller , well worth watching . The flick will appeal to thriller enthusiasts . Essential and indispensable watching for Liam Neeson fans.
Thrilling and nail-biting movie with noisy action , shootouts , spectacular scenes , fights , violence and amazing finale . From start to finish the fractic action , twists and turns are continuous . As always , Liam Neeson is very good as the ex-cop and private eye who is caught-up in a risked investigation with fateful consequences . Liam playing in his usual style as Private investigator Matthew Scudder who is hired by a drug kingpin well played by Dan Stevens to find out who abducted and killed his wife. Neeson at his best , returning to high-profile roles in 2010 with big-budget films with plenty of action and violence such as : Team A (2010), Unknown (2011), The Grey (2011), Battleship (2012) and Taken I and Taken 2 (2012) , Cold Pursuit (2019) and fiinally The Marksman (2021) . Liam is well accompanied by attractive secondaries , such as as Dan Stevens , Sebastian Roche , Boyd Holbrook , Brian Bradley, David Harbour , among others.
It packs atmospheric and some dark cinematography by Mihai Malaimare shot in New York , using steadicam, at times . The musician Rafael Rivera composes a moving and rousing musical score fitting perfectly to the frenetic action . The motion picture was well directed by Scott Frank. He's a notorious writer and director who has made some nice films . As his first feature directed Josph Gordon Levitt in The Lookout (2007). Scott Frank was nominated for the 2018 Emmy Award in the Outstanding Writing for a Limited Series, Movie or Special category for Godless (2017), but lost to William Bridges & Charlie Brooker for Black Mirror: USS Callister (2017). He wrote prestigious scripts as noir anthology, Fallen Angels (1993) and Frank also wrote the screenplay for Joanou's 1996 feature , Heaven's Prisoners(1996) . Rating : 7/10. Notable thriller , well worth watching . The flick will appeal to thriller enthusiasts . Essential and indispensable watching for Liam Neeson fans.
A Walk Among the Tombstones tells a pretty basic detective story. It doesn't necessarily offer us anything new, and that truly is the case here: it's just another episode of a private detective. Even with all of the twisted scenarios, there isn't anything else big or even daring to the picture. While some might be bothered with its lack of innovation, fans of these types of mystery films would still have the pleasure. It has been kind of rare to have such crime thrillers like this in cinemas today, and by its simplicity in storytelling, it sure does deliver things right. What matters to the experience in the end is it's a finely crafted piece of noir that nearly glosses over to the fact that it's just a relic, but a pretty decent one.
The film follows the classic roots of the genre, you won't find any sort of uniqueness around the storyline, but how it constructed each of its sequences still manage to be charming at the beginning and gripping along the way. It just lets the detective walk from one place to another to find clues and unfold questions. But it never lacks the tension, the film places its coldness to buildup an atmosphere that brings uncertainty to the fate of the investigation. The best thing about it is it's simple. It doesn't bother adding some mind-blowing or ridiculous twists, it just digs within a world where some evil can be found in any street. Settling with the characters is as well one of its finest moments, they may not have the most original arcs, but it is undeniably entertaining when it lingers to them.
The direction is predictably slick, and it totally benefits by it for making every scene of bleakness and violence emotionally effective. People shouldn't take for granted its decent camera-work that sharply displays its vital points. It gets even better when explores around its main man: Liam Neeson is now commonly used as an action hero, but here the film rather uses the better side of that reputation which is keeping the audience feel that he is a dangerous man to deal with, even without revealing much of the fists and gunpoint, it's still a totally compelling depiction of his character's cold, brooding personality.
My personal enjoyment to the film is how refreshing to see a mystery film this straightforward and unpretentiously dark in modern cinema. I mean I might as well seen one in any crime television series running today, but it's a lot fascinating to witness it in this form, plus a tone this gritty, a style so clever, and a performance from its main star that makes it more interesting. Again, you won't find anything groundbreaking to the film, but leaving that thought behind would make you realize that it is still a terrifically put together, unpredictably told crime thriller. And I bet that's already enough for this sort of entertainment.
The film follows the classic roots of the genre, you won't find any sort of uniqueness around the storyline, but how it constructed each of its sequences still manage to be charming at the beginning and gripping along the way. It just lets the detective walk from one place to another to find clues and unfold questions. But it never lacks the tension, the film places its coldness to buildup an atmosphere that brings uncertainty to the fate of the investigation. The best thing about it is it's simple. It doesn't bother adding some mind-blowing or ridiculous twists, it just digs within a world where some evil can be found in any street. Settling with the characters is as well one of its finest moments, they may not have the most original arcs, but it is undeniably entertaining when it lingers to them.
The direction is predictably slick, and it totally benefits by it for making every scene of bleakness and violence emotionally effective. People shouldn't take for granted its decent camera-work that sharply displays its vital points. It gets even better when explores around its main man: Liam Neeson is now commonly used as an action hero, but here the film rather uses the better side of that reputation which is keeping the audience feel that he is a dangerous man to deal with, even without revealing much of the fists and gunpoint, it's still a totally compelling depiction of his character's cold, brooding personality.
My personal enjoyment to the film is how refreshing to see a mystery film this straightforward and unpretentiously dark in modern cinema. I mean I might as well seen one in any crime television series running today, but it's a lot fascinating to witness it in this form, plus a tone this gritty, a style so clever, and a performance from its main star that makes it more interesting. Again, you won't find anything groundbreaking to the film, but leaving that thought behind would make you realize that it is still a terrifically put together, unpredictably told crime thriller. And I bet that's already enough for this sort of entertainment.
Doubting whether audiences do really know the existence of this crime film due to poor marketing, Liam Neeson's name alone however has no problem at all to draw a solid walk-ins, and surprisingly it turns out to be a compelling story compared to his previous roles. Unlike the other same genre, this does not filled with action-packed scenes, but progresses steadily and methodically in details just like a real investigation in daily life, making it appears to be a chilling drama thriller. Not much of plot twists, but certain creepy moments with solid scores, riveting performance from the hero himself and the supporting casts, nasty and eerie crime heavily based on drugs and alcohol, the surprisingly "muted" ending style are more than enough to guarantee an intense, enjoyable, old-fashioned and watchable psycho- thriller.
Liam Neeson towers in this film, very believable and a brooding presence of regretfulness and one making a living without a path anymore in life but one whose street savvy and street instincts are still honed.
While still living with a moral code, his past and need to look out for the small guy, gets him dragged into a case where there are elements playing from various side, and one which raises a question on to what you should or should not do in the case of kidnappings, with Scudder(Neeson) showing how to take control and push forward.
This is a great detective thriller, keeps you engrossed, great script, strong acting and thoroughly enjoyable and
While still living with a moral code, his past and need to look out for the small guy, gets him dragged into a case where there are elements playing from various side, and one which raises a question on to what you should or should not do in the case of kidnappings, with Scudder(Neeson) showing how to take control and push forward.
This is a great detective thriller, keeps you engrossed, great script, strong acting and thoroughly enjoyable and
i just need to say that the guy who handled the cinematography for this picture is a genius and deserves some recognition even though i know for a fact he is not gonna win an Oscar for his work in this movie because simply it's not the kind of movies that gets the academy awards.
as my review for the rest of the movie i thought it was good from the point of view of a guy who misses the old days of the 70's to the 90's because honestly it's became an event to watch a realistic movie these years it's either a superhero movie or some kind of an adaptation to a teen favorite bestseller. i know i personally had great expectations for it especially when i saw the trailer but it fell short of my very high expectations (i expected something like those Korean brilliant thrillers like The Chaser 2009 or I Saw the Devil 2010) however it still doesn't disappoint and it delivers some very good and realistic action scenes with practical effects for a change. god i miss the 90's.
as my review for the rest of the movie i thought it was good from the point of view of a guy who misses the old days of the 70's to the 90's because honestly it's became an event to watch a realistic movie these years it's either a superhero movie or some kind of an adaptation to a teen favorite bestseller. i know i personally had great expectations for it especially when i saw the trailer but it fell short of my very high expectations (i expected something like those Korean brilliant thrillers like The Chaser 2009 or I Saw the Devil 2010) however it still doesn't disappoint and it delivers some very good and realistic action scenes with practical effects for a change. god i miss the 90's.
Did you know
- TriviaRuth Wilson was cast as Jo Durkin (who is a male character in the books), and filmed all of her scenes as Liam Neeson's partner. But director Scott Frank felt that Neeson's character should be a loner, so all of Wilson's scenes were cut.
- GoofsDuring the fight in the basement, the table starts to break before they fully hit it, making it obvious that the table wasn't "real", also Scudder picks up the table leg and it is obviously cut straight across rather then jagged like a break would be.
- Quotes
Matt Scudder: I do favors for people, and in return, they give me gifts. So, what can I do for you?
- Alternate versionsUK theatrical version was cut by the distributor to secure a "15" rating (a scene of sexual threat (including an aggressive use of the word 'cunt')). This version was also released on DVD/Blu-ray.
Details
- Release date
- Country of origin
- Official sites
- Languages
- Also known as
- Un paseo por las tumbas
- Filming locations
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $28,000,000 (estimated)
- Gross US & Canada
- $26,307,600
- Opening weekend US & Canada
- $12,758,780
- Sep 21, 2014
- Gross worldwide
- $58,834,384
- Runtime1 hour 54 minutes
- Color
- Sound mix
- Aspect ratio
- 2.39 : 1
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