Archeologist Jack keeps having reoccurring dreams of a past life, where he is the great General Meng Yi, whom is sworn to protect a Korean Princess named OK-soo. Jack decides to go investigate everything with his friend William.
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Teddy Robin Kwan
Martial arts legend Jackie Chan stars as Jack, a world-renowned archaeologist who has begun having mysterious dreams of a past life as a warrior in ancient China. When a fellow scientist enlists his help locating the mausoleum of China's first emperor, the past collides violently with the present as Jack discovers his amazing visions are based in fact. Assisted by the spirit of a noble princess...Written by
Due to Mallika Sherawat's racy image in Bollywood, rumors circulated that she landed the role over many other Indian actresses (Aishwarya Rai Bachchan, Lara Dutta, Priyanka Chopra) because she was willing to do full frontal nudity in this film. When these rumors were spread, director Stanley Tong and Jackie Chan held a special press conference in India to say that they picked Sherawat over many others because of her great charm and genuine acting talent, and that the film did not even have a kissing scene, let alone full frontal nudity. See more »
(at around 31 mins) The elephant is named "Lakshmi", which suggest a female. But "she" has small tusks. In Asian elephants, only males have the tusks. See more »
Sung by Sun Nan and Han Hong
Lyrics by Wang Zhongyan See more »
This film was pretty hyped up for many reasons. Jackie Chan, after the relatively successful return to HK movie industry with the release of New Police Story, teams up once again with Stanley Tong (Rumble in the Bronx) for starters. Tong wrote the story of The Myth, casting Jackie Chan in a never seen before role (yes, audiences are tired with his cop roles already) as a Qin dynasty general. What's refreshing too is that the role requires the use of a real weapon (a sword in this case), rather than having JC's character improvising with tools from his environment.
As most would already know from the trailer and poster, JC plays Jack Chan (about time they come up with better names too), an archaeologist who dreams about a Korean princess whom he's escorting to the Qin emperor as his new concubine. It's a recurring dream, and before you can say "Indiana Jones", he's off to locales he sees in his dream world to try and unravel its mystery, while research companion Tony Leung (The Lover) irks him along the way with tomb raiding in the name of scientific studies.
The story, while it might be original for a Jackie Chan movie, seemed a little cliché. It plays like a young boy's fantasy of snagging that exotic oriental princess, enjoying the support of the troop masses, having utmost loyalty to the king, and blessed with good fighting skills topped with a signature sword. And with the Qin dynasty, you're usually reduced to plots which may include the Great Wall, beautiful consorts, or the pill of Immortality.
The Myth looks and feels like a classic JC movie in terms of production values, like the familiar fight-with-the-baddies-acrobatic-stunts scenes, and physical humour injected at certain points. However, I guess with JC's age, the number of fight scenes have been reduced, and somewhat slowed down deliberately. The fight at the Rat Glue Factory stood out for being a combination of both brawn and injected situational humour. On the other hand, The Myth signifies new developments in a typical JC storyline, with the introduction of drama-mama romance (nothing much romantic though, with being comatose in all the good bits and lots of lingering stares), and a surprise(?) epilogue for his Qin character. And the "No blood no sex" unofficial clause goes out the window too.
Despite its huge budget, the special effects were not refined, which was a pity. The "blue screen" effect is obvious, even to the untrained eye, and there were a tad too many "lazy extras" who, in wide angled, supposedly big epic fight scenes, just stood, danced, moved around, anything but fight realistically. The original Highlander perfected the art of transitioning between flashbacks and present time, while The Myth falters, looking seemingly forced and contrived at times, or opted for the cheap way out - the blackouts.
As with most JC films, the women here play "flower vases". But I'm not complaining. Kim Hee-seon was beautiful in her role as the princess, and in the blooper reel, she was actually speaking Mandarin, and having a hard time remembering her lines. Mallika Sherawat was sizzling as she dandied around in flimsical dresses, while executing those high kicks, and I guess the entire run up to the Rat Glue Factory might turn out to be a fan favourite.
Many in the audience were surprised when the characters started speaking in Cantonese (for settings in modern day Hong Kong), and the local censors had no issue with that, instead of dubbing over the lines with Mandarin. Now that's a thumbs up.
So enjoy The Myth for what it is, just don't expect too much from a simple predictable storyline, and for some illogical and improbable scenes (I can't stand the horse back-kicking bits) that plays out like Michelle Yeoh's The Touch or even JC's own The Medallion.
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