The uneventful, aimless lives of a London electronics salesman and his layabout roommate are disrupted by the zombie apocalypse.The uneventful, aimless lives of a London electronics salesman and his layabout roommate are disrupted by the zombie apocalypse.The uneventful, aimless lives of a London electronics salesman and his layabout roommate are disrupted by the zombie apocalypse.
- Nominated for 3 BAFTA Awards
- 14 wins & 20 nominations total
Keir Mills
- Clubber 1
- (as Kier Mills)
Sonnell Dadral
- Danny
- (as Sonell Dadral)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
Shaun's nearing 30, stuck in a crappy sales job, and his girlfriend Liz is unhappy with the amount of time he spends with his ultra-slacker B-class drug dealer friend, Ed, at their local pub, the Winchester. When Liz dumps him, Shaun's so glum he doesn't even realise that London's been overrun with flesh-eating zombies. But somewhere within his console-happy lazy self, a hero is born.
I can't even begin to emphasise how cool this quintessentially British film is. The amount of time it takes for Shaun (Simon Pegg) and Ed (Nick Frost) to realise anything's wrong is priceless. Director Edgar Wright, who co-wrote the film with Pegg, also demonstrates that there's little difference between glassy eyed commuters and their undead brethren.
The plot rips along beautifully and parodies both the romantic comedy and zombie genres, while at the same time remaining true to them. Hopefully a new genre, the romzom com, has been born incidentally, that's where you can go to find out more about the movie romzom.com. The fabulous supporting cast includes Bill Nighy (Love Actually) as Shaun's supercilious stepfather, Penelope Wilton (Calendar Girls) as Shaun's absent-minded mum, Dylan Moran (Black Books) as Liz's snooty housemate David and Lucy Davis (The Office) as wannabe actress Diane.
Shaun of the Dead was partially inspired by the classic zombie flick, Dawn of the Dead. Its creator George Romero was reportedly so impressed with Shaun of the Dead that Simon Pegg and Edgar Wright are taking on cameo roles in Romero's latest instalment, Land of the Dead.
Shaun of the Dead is one of the best comedy of 2004 and a must-see for all rom zom com (romantic comedy with zombies) afficionados. ****½/***** stars.
I can't even begin to emphasise how cool this quintessentially British film is. The amount of time it takes for Shaun (Simon Pegg) and Ed (Nick Frost) to realise anything's wrong is priceless. Director Edgar Wright, who co-wrote the film with Pegg, also demonstrates that there's little difference between glassy eyed commuters and their undead brethren.
The plot rips along beautifully and parodies both the romantic comedy and zombie genres, while at the same time remaining true to them. Hopefully a new genre, the romzom com, has been born incidentally, that's where you can go to find out more about the movie romzom.com. The fabulous supporting cast includes Bill Nighy (Love Actually) as Shaun's supercilious stepfather, Penelope Wilton (Calendar Girls) as Shaun's absent-minded mum, Dylan Moran (Black Books) as Liz's snooty housemate David and Lucy Davis (The Office) as wannabe actress Diane.
Shaun of the Dead was partially inspired by the classic zombie flick, Dawn of the Dead. Its creator George Romero was reportedly so impressed with Shaun of the Dead that Simon Pegg and Edgar Wright are taking on cameo roles in Romero's latest instalment, Land of the Dead.
Shaun of the Dead is one of the best comedy of 2004 and a must-see for all rom zom com (romantic comedy with zombies) afficionados. ****½/***** stars.
Some 5 years before the making of this film the same team behind it wrote and directed series (season) 1 and 2 of an offbeat UK sitcom named "Spaced". Massively overlooked at the time of broadcast yet with a hardcore fan base of loyal devotees a third series was long overdue but never did materialise.
Shaun of the Dead is the continuation of what went before; of a similar format yet in a completely new setting, with new characters, plus new cast members and for the first time a feature-length run time for the big screen. So how does it play out? Even with such a departure from the original setting, the history of TV to cinema adaptations is a dodgy one to say the least. Fortunately for those of us who already fans or (more likely) if you've never seen the series before prepare to be impressed.
The style is all it's own. With inventive direction and editing making the visual impact which fans will instantly recognise, to the writing which importantly is firstly genuinely funny, interspersed with references to popular culture of the past two decades, always with a self-knowing grin, a wink to the viewer rather than a pretentious nod. And of course several self-references and in-jokes of the TV series all fill in the gaps between the tastefully presented killings. There is blood, after all this is a "rom-zom-com" or "romantic zombie comedy" - a self-proclaimed new genre and rightly so. This is as about as original as it gets. They actually manage to pull off humour, violence, decapitations, action, romance, suspense, sadness and joy all within the space of 90 minutes!
This is the best film I've seen in ages, and a real credit to British film, we already knew about "Fried Gold", now the rest of the World can see it too. An instant classic.
Shaun of the Dead is the continuation of what went before; of a similar format yet in a completely new setting, with new characters, plus new cast members and for the first time a feature-length run time for the big screen. So how does it play out? Even with such a departure from the original setting, the history of TV to cinema adaptations is a dodgy one to say the least. Fortunately for those of us who already fans or (more likely) if you've never seen the series before prepare to be impressed.
The style is all it's own. With inventive direction and editing making the visual impact which fans will instantly recognise, to the writing which importantly is firstly genuinely funny, interspersed with references to popular culture of the past two decades, always with a self-knowing grin, a wink to the viewer rather than a pretentious nod. And of course several self-references and in-jokes of the TV series all fill in the gaps between the tastefully presented killings. There is blood, after all this is a "rom-zom-com" or "romantic zombie comedy" - a self-proclaimed new genre and rightly so. This is as about as original as it gets. They actually manage to pull off humour, violence, decapitations, action, romance, suspense, sadness and joy all within the space of 90 minutes!
This is the best film I've seen in ages, and a real credit to British film, we already knew about "Fried Gold", now the rest of the World can see it too. An instant classic.
The first of the Cornetto trilogy, sees Shaun, his mum and a small bunch of friends battling a hoard of flesh eating zombies.
I'm staggered to see an IMDb rating of 7.9, what on Earth have some people seen, that I haven't, it's an out and out classic. Shaun of The Dead is an absolute riot, a mix of horror and comedy, with a very British flavour.
It's one of those films that simply doesn't get tired, it doesn't matter how many times you watch it, it is just so appealing.
Can't decide what the best bit is, there are so many contenders, but final encounter in the pub, and zombie girl in the garden, there are a hoard of moments that can be chosen.
Zombie comedies had been tried before, and have been tried since, but none even come close to this, Pegg and Frost nailed it.
10/10.
I'm staggered to see an IMDb rating of 7.9, what on Earth have some people seen, that I haven't, it's an out and out classic. Shaun of The Dead is an absolute riot, a mix of horror and comedy, with a very British flavour.
It's one of those films that simply doesn't get tired, it doesn't matter how many times you watch it, it is just so appealing.
Can't decide what the best bit is, there are so many contenders, but final encounter in the pub, and zombie girl in the garden, there are a hoard of moments that can be chosen.
Zombie comedies had been tried before, and have been tried since, but none even come close to this, Pegg and Frost nailed it.
10/10.
The great British sit-com has undergone something of a revival in recent years. Galvanised by the new wave of smart, sassy imports from the US, the Brits have girded their loins and produced a spate of quality comedies that have banished memories of the bland, identikit dross of the late eighties and early nineties.
One such series is Spaced, a wholly original and delightfully quirky comic bagatelle which has built up a small but dedicated following in the UK. Now writer/actor Simon Pegg and director Edgar Wright have teamed up once again to give us Shaun of the Dead which is, in a nutshell, a feature-length episode of Spaced (with added zombies). Happily timed to coincide with the Hollywood remake of the 1978 classic shocker Dawn of the Dead, Shaun is the perfect antidote: Irreverent, warm and very funny.
Shaun (Pegg) is your stereotypical sit-com loser: An ineffectual slob in a dead-end job, he is terminally afraid of commitment and spends all his time with his flat-mate Ed (Nick Frost, also from Spaced) who is an even bigger loser. After his girlfriend dumps him, Shaun and Ed seek solace in their local pub the Winchester - a good old-fashioned English hostelry with warm beer and pork scratchings which is infamous for its lock-ins. They stagger home in a state of advanced refreshment, unaware that the dead are now walking the earth. Indeed, it takes Shaun a little while to work it out the following morning despite interacting with a few of them (one of the recurring themes is that most of us go through the drudgery of our daily routines in a trance close to inertia).
When the penny drops, Shaun resolves to rescue his mother and his (ex) girlfriend and generally stand up for himself for the first time in his life. There is not much more of a plot than that. The film, like Spaced relies on a flawless script, observational humour and the theatre of the absurd. Pegg has perfected this in his writing but he is also a surprisingly good actor. It helps that he has surrounded himself with the pick of the British comedy fraternity who seem to have been lining up (literally in one scene) for a cameo. The stars of similarly acclaimed series' such as Black Books, The Office and Little Britain are all on show here as well as Jessica Stevenson, Pegg's Spaced co-writer, who plays a jolly-hockey-sticks human vigilante with a stiff-upper lip and can-do attitude ready to give those nasty zombie's what-for.
Veteran support comes from Penelope Wilton (a sit-com stalwart from a bygone age) as Shaun's curtain-twitching mother and Bill Nighy as her fearsome second husband who performs one of the most dignified and poignant descents into zombieness ever caught on camera.
Despite all the high praise, it must be acknowledged that Shaun of the Dead is still a spoof - a comic tool that you could argue is as low a form of wit as sarcasm. But where it scores highly is in its respect for the original material. Most spoofs (the Scary Movie franchise, for example) are vicious lampoons that unmercifully mock the films they are taking off. Shaun of the Dead gently pokes fun but doesn't lose sight of the fact that if something is worth parodying, it must have some merit. Pegg is also careful to ensure that his film can stand up on its own - there is barely a minute goes by without a very good joke and despite the light-heartedness, there are some satisfyingly scary moments and ample gore.
What is most encouraging is that us Brits have started playing to our strengths. It took a long time for comedy writers to realise that making an English version of Friends is doomed to failure (in the same way that The Office will not work with an American make-over). We should celebrate the Britishness of this film, laugh knowingly at the in gags, and be proud that it doesn't take a huge budget or movie stars to entertain people at the cinema.
8/10
One such series is Spaced, a wholly original and delightfully quirky comic bagatelle which has built up a small but dedicated following in the UK. Now writer/actor Simon Pegg and director Edgar Wright have teamed up once again to give us Shaun of the Dead which is, in a nutshell, a feature-length episode of Spaced (with added zombies). Happily timed to coincide with the Hollywood remake of the 1978 classic shocker Dawn of the Dead, Shaun is the perfect antidote: Irreverent, warm and very funny.
Shaun (Pegg) is your stereotypical sit-com loser: An ineffectual slob in a dead-end job, he is terminally afraid of commitment and spends all his time with his flat-mate Ed (Nick Frost, also from Spaced) who is an even bigger loser. After his girlfriend dumps him, Shaun and Ed seek solace in their local pub the Winchester - a good old-fashioned English hostelry with warm beer and pork scratchings which is infamous for its lock-ins. They stagger home in a state of advanced refreshment, unaware that the dead are now walking the earth. Indeed, it takes Shaun a little while to work it out the following morning despite interacting with a few of them (one of the recurring themes is that most of us go through the drudgery of our daily routines in a trance close to inertia).
When the penny drops, Shaun resolves to rescue his mother and his (ex) girlfriend and generally stand up for himself for the first time in his life. There is not much more of a plot than that. The film, like Spaced relies on a flawless script, observational humour and the theatre of the absurd. Pegg has perfected this in his writing but he is also a surprisingly good actor. It helps that he has surrounded himself with the pick of the British comedy fraternity who seem to have been lining up (literally in one scene) for a cameo. The stars of similarly acclaimed series' such as Black Books, The Office and Little Britain are all on show here as well as Jessica Stevenson, Pegg's Spaced co-writer, who plays a jolly-hockey-sticks human vigilante with a stiff-upper lip and can-do attitude ready to give those nasty zombie's what-for.
Veteran support comes from Penelope Wilton (a sit-com stalwart from a bygone age) as Shaun's curtain-twitching mother and Bill Nighy as her fearsome second husband who performs one of the most dignified and poignant descents into zombieness ever caught on camera.
Despite all the high praise, it must be acknowledged that Shaun of the Dead is still a spoof - a comic tool that you could argue is as low a form of wit as sarcasm. But where it scores highly is in its respect for the original material. Most spoofs (the Scary Movie franchise, for example) are vicious lampoons that unmercifully mock the films they are taking off. Shaun of the Dead gently pokes fun but doesn't lose sight of the fact that if something is worth parodying, it must have some merit. Pegg is also careful to ensure that his film can stand up on its own - there is barely a minute goes by without a very good joke and despite the light-heartedness, there are some satisfyingly scary moments and ample gore.
What is most encouraging is that us Brits have started playing to our strengths. It took a long time for comedy writers to realise that making an English version of Friends is doomed to failure (in the same way that The Office will not work with an American make-over). We should celebrate the Britishness of this film, laugh knowingly at the in gags, and be proud that it doesn't take a huge budget or movie stars to entertain people at the cinema.
8/10
This is the best mix of beer and blood I have ever tasted. "Shaun of the Dead" has some great comical moments and yet it has been made with lots of professionalism like this was a serious gory horror movie they were making. Because of this, through its seriousness, the movie becomes perhaps even more hilarious and really delivers. Both the fans of the (British) comedy-genre and the fans of mainly 'Zombie' movies and other gory horror-movies, will be entertained by this movie.
Visually the movie is really good looking. Its not like many other British movies and has a good looking use of cinematography and lighting. The gore, make-up and visual effects are extremely good and are even something that I haven't even seen in 'serious' Zombie/horror flicks.
You might think that this movie is just mainly a spoof of "Dawn of the Dead" (1978) but its really more than that. The movie is good and creates a good story on its own so that it becomes more than just a simple spoof. All of the characters are well written and are funny in their own way.
The acting is good for comedy standards and the actors perfectly know how to play in both hilarious/funny scene's as well as in serious/emotional one's. Plus of course it has the wonderful Bill Nighy playing a role in it. This guy really is a terrific actor that always is at his best in comical roles like he plays in this movie.
Basically this is a very good looking and professionally made movie that also is funny and hilarious at moments. I can't see how anyone could not like this movie.
8/10
http://bobafett1138.blogspot.com/
Visually the movie is really good looking. Its not like many other British movies and has a good looking use of cinematography and lighting. The gore, make-up and visual effects are extremely good and are even something that I haven't even seen in 'serious' Zombie/horror flicks.
You might think that this movie is just mainly a spoof of "Dawn of the Dead" (1978) but its really more than that. The movie is good and creates a good story on its own so that it becomes more than just a simple spoof. All of the characters are well written and are funny in their own way.
The acting is good for comedy standards and the actors perfectly know how to play in both hilarious/funny scene's as well as in serious/emotional one's. Plus of course it has the wonderful Bill Nighy playing a role in it. This guy really is a terrific actor that always is at his best in comical roles like he plays in this movie.
Basically this is a very good looking and professionally made movie that also is funny and hilarious at moments. I can't see how anyone could not like this movie.
8/10
http://bobafett1138.blogspot.com/
Did you know
- TriviaGeorge A. Romero, creator of the movies to which this movie pays homage and lampoons, was so impressed with Simon Pegg and Edgar Wright's work that he asked them to cameo in Land of the Dead (2005) as zombies.
- GoofsSimon Pegg appears to shout 'Nick look out' as the car runs over the zombie, referring to actor Nick Frost and not his character, who is called Ed.
- Crazy creditsThe credits end with the incidental Mall Muzak from Dawn of the Dead (1978).
- ConnectionsEdited into Funky Pete (2004)
- SoundtracksGhost Town
Written by Jerry Dammers (as Dammers)
Performed by The Specials
Courtesy of EMI Records Limited
Details
- Release date
- Countries of origin
- Official site
- Language
- Also known as
- El desesperar de los muertos
- Filming locations
- The Duke of Albany - 39 Monson Road, New Cross, London, England, UK(exteriors: The Winchester)
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- £4,000,000 (estimated)
- Gross US & Canada
- $14,461,359
- Opening weekend US & Canada
- $3,300,000
- Sep 26, 2004
- Gross worldwide
- $31,636,877
- Runtime1 hour 39 minutes
- Color
- Sound mix
- Aspect ratio
- 2.35 : 1
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