A young journalist, a seasoned cameraman and a discredited war correspondent embark on an unauthorized mission to find the No.1 war criminal in Bosnia. However, their extremely dangerous target decides to come after them.
A masochistic cop, who hides her predilection from her cop husband, gets involved in pursuing a kidnapper nicknamed Harry for Harry Houdini, who has kidnapped a rich woman and has buried ... See full summary »
An ex-C.I.A. operative is brought back in on a very personal mission and finds himself pitted against his former pupil in a deadly game involving high level C.I.A. officials and the Russian President-elect.
A chance encounter between a travelling salesman and a lonely hitman triggers a strangely profound relationship which provokes each to act in ways neither would have imagined possible. Fate steps in to form a friendship between two men from irreconcilable worlds that will alter the lives of both forever.Written by
Philip Baker Hall, who worked previously with Pierce Brosnan on the film Live Wire (1992), said he not only likes the name of his Mr. Randy character, it was a chance to play a great "bad guy". Hall said: "I've played a lot of secretaries of defense, judges, bank Presidents, lawyers, and roles like that. So, an opportunity to do what is probably a really, really bad guy, I don't get that chance very often." Unlike other characters he's played, Hall said: "I felt Mr. Randy was an actual, living breathing person. Something about him jumped off the page for me. I was anxious to do it." Pierce Brosnan said: "Mr. Randy is the father figure for Julian. He's got this voice that comes from his feet up and his face shows so much character. Philip is brilliant to work with in a scene." Hall believes his character followed a similar path as Julian. Hall said: "They can't have normal relationships really, so it seems natural that the men who are in this together, see each other as family. I think over the years a father-son relationship has developed between them. He once was the hitman, like Julian, and moved up to his present level." See more »
When Julian is telling Danny that he has to go to Arizona, the first time we see him (Julian) drinking orange juice, the clock on the wall behind him shows 5:45am. In all subsequent shots, the clock is relative to a base time of 5:28am. See more »
"The filmmakers do not condone bullfighting, but respect its long tradition in the Mexican culture. It was extremely important to the producers that no bulls were harmed because of the production of 'The Matador'. In no way did the producers of this film create, arrange or organize any of the bullfights seen within this movie. Sequences staged by the producers employed fake and computer-generated bulls exclusively. Absolutely no animals were harmed by the production of this movie." See more »
THE MATADOR is hit-man movie lite....if you can say that about a hit-man movie. The violence is never really shown but often introduced. At first I was scared I was in for another retread of mid-90s gangster-hit-man-hipster-dark comedy BUT was happily surprised when I realized this is just a sweet and humorous story about friendship. Nothing terribly exciting happens in this film but every bit of it is kept me grinning. The three leads have the best chemistry the big screen has offered in recent years and it looks like they had a great time making this film together. The writing is sharp though at times it felt as if the script had been adapted from a stage play because of the one set dialog scenes. This is a good film that I probably won't remember for too long but at the time it was a complete joy. Good film.
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