Middle-aged, sexually repressed Sylvia Stickles is the subject of this John Water's film, set in North Baltimore. She refuses to have sex with her husband, Vaughn Stickles, and keeps her overly-endowed daughter, Caprice, locked in her room, while she serves home detention for moral depravity charges. Sylvia, together with her mother Big Ethel, lead a group calling themselves "neuters" that promotes decency on Harford Road. When Sylvia is accidentally hit on the head by a lawnmower hanging out of a passing pick-up truck, however, her sexual behavior is changed completely from prude to prostitute. She meets the sex addicted sexual healer Ray Ray Perkins, becoming his twelfth apostle of sex in a journey of pleasure and orgasm.Written by
Claudio Carvalho, Rio de Janeiro, Brazil
In order to play a part of a stripper with enlarged breasts, Selma Blair had to be fitted with a pair of prosthetic devices. See more »
Before running out of gas, the car is turned off and in park but is still driving. See more »
Don't you find it funny that every man in this neighborhood has a penis?
See more »
The Theratrical Release Of The film was the original NC-17 version.For the VHS/DVD releases John Waters said that it will be released in the original NC-17 rated version and a cut R Rated Version. See more »
Tony's Got Hot Nuts
Performed by Faye Richmonde
Written by Joe Davis
Courtesy of Joe Davis Music See more »
"Discover the oyster!"
Tracey Ullman does some priceless double-takes in this John Waters comedy, playing uptight wife and mother in a Baltimore suburb who gets a rap on the noggin and becomes a sex addict. A shabby-looking enterprise with scrappy editing, this would seem amateurish even for a first-time director, but Waters certainly doesn't seem to mind. As a filmmaker, he is gleefully puckish, with a heightened sense of the ridiculous, and as usual he gets his cast to ride right along on his coattails. Selma Blair is Ullman's daughter, who has "mutilated her mammaries"; Chris Isaak is Tracey's husband who also gets a knock on the head and dreams of musclemen posing; Johnny Knoxville is a sex guru/auto mechanic; Suzanne Shepherd is Ullman's mother, Big Ethel, who runs the Park and Pay. Relatively short film isn't compact (the final reel is just a lot of hamming and running around) but the first-half has some laugh-out-loud moments and the whole picture benefits from Ullman's work--she's a stitch. **1/2 from ****
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