When Elizabeth Tudor comes to the throne, her (male) advisers know she has to marry. Doesn't she? Thus starts a decades-long political/ matrimonial game, during an age of high passions and high achievement.
18th-century England and Ireland viewed through the eyes of four beautiful high-born sisters - Caroline, Emily, Louisa, and Sarah Lennox, great-granddaughters of a king, daughters of a cabinet minister, and wives of politicians and peers.
In the mid 19th Century, an enigmatic young woman moves to Yorkshire with a young son. Distancing herself from everyone in the village and their prying questions, she remains totally aloof ... See full summary »
This Masterpiece Theatre production, set at the cusp of the Industrial Revolution, chronicles the life, loves, foibles and politics of the fictional English town of Middlemarch. Adapted ... See full summary »
Set in Victorian London, Gwendolen Harleth is drawn to Daniel Deronda, a selfless and intelligent gentleman of unknown parentage, but her own desperate need for financial security may destroy her chance at happiness.
Some very greedy and selfish relatives are all after the failing old Martin Chuzzlewit's money. He is surrounded by all these sycophantic relatives that he truly despises whilst ill, each ... See full summary »
Samuel Pepys was a high ranking and brilliant Admiralty official, but in private he was a cheat, a philanderer and an adulterer. In 1679 Pepys was put on trial for embezzling Navy funds. ... See full summary »
The focus of King Charles II is his court, his squabbling family and his glamorous mistresses - from the high-born and promiscuous Barbara Villiers through folk heroine and sex symbol of the day Nell Gwynne to the French spy Louise de Keroualle. It is an original take on a historical period written by award-winning screenwriter Adrian Hodges, whose credits include David Copperfield and The Lost World, which penetrates to the heart of the charismatic monarch who was deeply traumatised by the execution of his father.Written by
I've watched this twice now, since A&E has been broadcasting the show this weekend under the title "The Last King" -- presumably because American audiences can't be expected to know or care who Charles II is.
Anyway, I don't understand the earler negative review at all. Hard to believe we watched the same show. The one I watched is a fantastic, very human, extraordinarily well-acted, and surprisingly faithful period piece.
While the acting in general is at a very high level (special props to the actress who played Lady Castlemaine), Rufus Sewell is simply remarkable. He communicates intelligence, self-indulgence, simple human decency and moments of power and passion wonderfully well. A terrific performance. I suppose because of his dark, somewhat moody good looks he only gets cast as bad guys by Hollywood (Helen of Troy, A Knight's Tale), but he deserves better.
Two thumbs up!
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