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The Last King 

Charles II: The Power & the Passion (original title)
The chronicle of Charles II's time on the throne, his 10 year exile from Oliver Cromwell's England, and his triumphant return.
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1  
2003  
Nominated for 1 Primetime Emmy. Another 4 wins & 9 nominations. See more awards »

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Cast

Series cast summary:
Rufus Sewell ...  Charles II 4 episodes, 2003
Rupert Graves ...  George Villiers, Duke of Buckingham 4 episodes, 2003
Charlie Creed-Miles ...  James, Duke of York 4 episodes, 2003
Christian Coulson ...  James, Duke of Monmouth 4 episodes, 2003
Shirley Henderson ...  Catharine of Braganza 4 episodes, 2003
Martin Freeman ...  Lord Shaftesbury 4 episodes, 2003
Helen McCrory ...  Barbara Villiers, Countess of Castlemaine 4 episodes, 2003
Peter Wight ...  Ormonde 3 episodes, 2003
Tabitha Wady Tabitha Wady ...  Anne Hyde 3 episodes, 2003
Robert East ...  Arlington 3 episodes, 2003
Dorian Lough Dorian Lough ...  Clifford 3 episodes, 2003
Ian McDiarmid ...  Sir Edward Hyde 2 episodes, 2003
Graham McTavish ...  Captain 2 episodes, 2003
Diana Rigg ...  Queen Henrietta Maria 2 episodes, 2003
Robert Cavanah ...  Rochester 2 episodes, 2003
Shaun Dingwall ...  Earl of Danby 2 episodes, 2003
Nick Bagnall Nick Bagnall ...  Hopkins 2 episodes, 2003
Mélanie Thierry ...  Louise de Kéroualle 2 episodes, 2003
Albert Welling ...  MP #1 2 episodes, 2003
Jochum ten Haaf ...  William of Orange 2 episodes, 2003
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Storyline

The focus of King Charles II is his court, his squabbling family and his glamorous mistresses - from the high-born and promiscuous Barbara Villiers through folk heroine and sex symbol of the day Nell Gwynne to the French spy Louise de Keroualle. It is an original take on a historical period written by award-winning screenwriter Adrian Hodges, whose credits include David Copperfield and The Lost World, which penetrates to the heart of the charismatic monarch who was deeply traumatised by the execution of his father. Written by Anonymous

Plot Summary | Add Synopsis

Plot Keywords:

charles ii | spy | sex | exile | execution | See All (155) »


Certificate:

TV-14 | See all certifications »
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Details

Official Sites:

BBC [UK]

Country:

UK | USA

Language:

Portuguese | English

Release Date:

21 March 2004 (USA) See more »

Also Known As:

The Last King See more »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

| (4 parts)

Sound Mix:

Stereo

Color:

Color

Aspect Ratio:

1.78 : 1
See full technical specs »
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Did You Know?

Trivia

Rupert Graves and Martin Freeman would later work together in the Sherlock series. See more »

Goofs

Just before the sequence concerning the smallpox epidemic, we get a brief look at The King's upper right arm and can clearly see a smallpox vaccination scar. See more »

Quotes

King Charles II: My god, they've brought me a bat to marry.
See more »

Connections

Referenced in The Making of 'Charles II' (2003) See more »

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User Reviews

Worth a watch
30 April 2004 | by kevinsspam2002See all my reviews

First, those of you who watched this as a three-hour movie with 30 commercial breaks must have seen a royally butchered cut as the R2 DVD is four hour-long episodes.

Second, those who claim that the BBC are not as good as they used to be are, perhaps, not quite fair, but not totally wrong either. I imagine they are comparing Charles II to Elizabeth R; I, Claudius; or The Six Wives of Henry VIII, and yes, it's not as good as they were. But then, neither were the other series the BBC were making at that time.

But if such comparisons are not entirely fair, they are also inevitable. Elizabeth, Six Wives and Claudius were televised plays. They worked due to the interaction of great scripts and great acting. The costumes were icing on the cake; the direction and camera work were capable but never drew attention to themselves. These teleplays continued a dramatic tradition traceable back to Shakespeare. They were *plays*.

Charles II, on the other hand, as well as other historical dramas done by the BBC these days, has abandoned its dramatic lineage for cinematic aspirations, especially as technology becomes more affordable. I don't consider this a bad thing, though I do think it failed, just as many teleplays of the golden era failed in their attempts. There's nothing wrong with bringing direction, camerawork, production design, etc. to the fore. Unfortunately, the scripts suffer, at least in this case. The viewer is innundated with flashy techniques like handheld cameras which achieve nothing other than making the show look modern, or a seven-minute long single take near the end of the final episode which contained about three minutes of dialogue that actually advanced the plot or developed the character in meaningful ways.

Is it worth watching? Yes. But don't compare it the greatest costume dramas ever made. Take it for what is, and it's a fine drama.


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