A mentally unstable veteran works as a nighttime taxi driver in New York City, where the perceived decadence and sleaze fuels his urge for violent action by attempting to liberate a presidential campaign worker and an underage prostitute.
Robert De Niro,
Abducted on a rainy night in 1988, the obnoxious drunk, Oh Dae-Su, much to his surprise, wakes up locked in a windowless and dilapidated hotel room, for an unknown reason. There, his invisible and pitiless captors will feed him, clothe him and sedate him to avoid committing suicide, and as his only companion and a window to the world is the TV in his stark cell, the only thing that helps Oh Dae-Su keep going is his daily journal. But then, unexpectedly, after fifteen long years in captivity, the perplexed prisoner is deliberately released, encouraged to track down his tormentor to finally get his retribution. Nevertheless, who would hate Oh Dae-Su so much he would deny him of a quick and clean death?Written by
The restaurant that Mido works in is called "Mediterranean", which is the name of the restaurant in real life, but the director originally intended for it to be called "Akira" - not as a reference to the popular Manga, but to the Japanese director Akira Kurosawa. See more »
When Oh Daesu passes out after eating the octopus, you can see camera equipment reflecting in the silver platter dish as the scene zooms out. See more »
Even though I'm no more than a monster - don't I, too, have the right to live?
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Prior to the DVD release, some changes to audio were made. The most prominent is the beginning, where the initial music was being extended to the production logos. Those alternations are likely to be undone in the 10th anniversary remaster, as the director Park Chan-Wook claimed to "have changed nothing from the original film." See more »
I feel compelled to defend this film from some quite frankly unwarranted criticism. Although it isn't without its flaws, and all films have a few,it certainly isn't a one star film.What this film has is the ability to be sublime, shocking, ridiculous, mildly amusing and visually stunning which is some feat for any film.The sheer scale of the comments here suggests that here is a film that gets to you in one way or another. This film is as far away from Maborosi as you can get yet both films are up there as great pieces of cinema. I wont divulge the plot or end this comment with a Latin quote to reinforce my self importance i'll just say go and watch it, preferably if you're not too squeamish and don't mind subtitles.This film left me thinking about it the following day which is normally a good thing (atleast it shows my memory is working!)
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