Three interwoven stories about a terrible curse. A young woman encounters a malevolent supernatural force while searching for her missing sister in Tokyo; a mean high school prank goes horribly wrong; a woman with a deadly secret moves into a Chicago apartment building.
In Japan, when the volunteer social assistant Rika Nishina is assigned to visit a family, she is cursed and chased by two revengeful fiends: Kayako, a woman brutally murdered by her husband and her son Toshio. Each person that lives in or visits the haunted house is murdered or disappears.Written by
Claudio Carvalho, Rio de Janeiro, Brazil
Chikako Isomura's last film before her death of natural causes in 2006. Her likeness was used as a tribute to her in the film Ju-on: White Ghost (2009). See more »
The curse spreads like a virus as established by the film series. Anybody who enters the house is now cursed, and so is anybody who meets that person, and someone who met that person, and so on and so forth. Although Miyuki never entered the house, she is friends with Izumi who did enter the house and even unintentionally got her friends killed as a result by making them go inside with her. Miyuki should not have survived the events of the film if going by the rules that are established. See more »
Kagi ga akanai
Music by Hiroyuki Hamamoto
Lyrics by Kei Noguchi
Performed by Suitei Shôjo
Courtesy of Epic Records Japan See more »
Before the film started, I read some quotes from famous American directors praising the Grudge and calling it one of the most frightening films of all time. I was a little nervous about seeing it, but excited that it had gotten such positive attention from filmmakers. That moment before the film started was much more frightening than anything in the actual film. To be generous, I have to say that some of the attempts to scare the audience are innovative. Sadly, nothing here is scary. I had a really hard time caring and was confused by the disjointed and tangential structure of the film. Sometimes the lack of logic in a horror film can work it's benefit. Not the case here. Seeing this film reminded me of why I hate formulaic slasher films. sure, there are some interesting things here, but nothing really gells. I love Asian horror films in general, but this seemed slight compared to the films of Miike, Nakata, K. Kurosawa and the Pang brothers which are getting easier to find in neighborhood video stores.
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