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Elephant (2003)

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Several ordinary high school students go through their daily routine as two others prepare for something more malevolent.

Director:

Gus Van Sant

Writer:

Gus Van Sant
Reviews
Popularity
4,587 ( 86)
8 wins & 11 nominations. See more awards »

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Cast

Cast overview, first billed only:
Alex Frost ... Alex
Eric Deulen ... Eric
John Robinson ... John McFarland
Elias McConnell ... Elias
Jordan Taylor Jordan Taylor ... Jordan
Carrie Finklea ... Carrie
Nicole George Nicole George ... Nicole
Brittany Mountain Brittany Mountain ... Brittany
Alicia Miles Alicia Miles ... Acadia
Kristen Hicks ... Michelle
Bennie Dixon Bennie Dixon ... Benny
Nathan Tyson ... Nathan
Timothy Bottoms ... Mr. McFarland
Matt Malloy ... Mr. Luce
Ellis Williams Ellis Williams ... GSA Teacher (as Ellis E. Williams)
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Storyline

A day in the lives of a group of average teenage high school students. The film follows every character and shows their daily routines. However two of the students plan to do something that the student body won't forget. Written by Anonymous

Plot Summary | Plot Synopsis

Taglines:

An ordinary high school day. Except that it's not.

Genres:

Crime | Drama | Thriller

Motion Picture Rating (MPAA)

Rated R for disturbing violent content, language, brief sexuality and drug use - all involving teens | See all certifications »

Parents Guide:

View content advisory »
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Details

Country:

USA

Language:

English | German

Release Date:

14 November 2003 (USA) See more »

Also Known As:

Elefante See more »

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Box Office

Budget:

$3,000,000 (estimated)

Opening Weekend USA:

$93,356, 26 October 2003, Limited Release

Gross USA:

$1,227,000, 28 December 2003

Cumulative Worldwide Gross:

$10,020,543, 8 January 2004
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

Dolby Digital

Color:

Color

Aspect Ratio:

1.33 : 1
See full technical specs »
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Did You Know?

Trivia

The gun that Alex uses is a Bushmaster Carbon 15 Type 21 semi-automatic varmint rifle, and the gun that Eric uses is an Interdynamic KG-9 assault pistol. See more »

Goofs

When John is going out from the school (first scene, the dog one) Alex and Eric are coming to the school with the bags of weapons, they all are walking in the concrete path. In the second scene (which is supposed to be the same) they all are on the grass section, but when the camera returns to John, magically he's on the concrete path again. See more »

Quotes

[first lines]
Mr. McFarland: What? Hey! Where are you going? Come here.
John McFarland: Oh, my God, Dad.
Mr. McFarland: Get in the car. You're gonna be late for school. Come on.
John McFarland: Mom's gonna kill you.
See more »

Connections

Followed by Last Days (2005) See more »

Soundtracks

Piano Sonata No. 14 in C Sharp Minor, No. 2 Moonlight - Adagio Sostenuto
(1800-01)
Traditional
Composed by Ludwig van Beethoven
Courtesy of FirstCom Music, Inc.
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User Reviews

 
Beautiful, sensitive and chilling
17 February 2004 | by transatlantic-drawlSee all my reviews

There are very few films which manage to keep the entire audience seated through the credits, but this is one of those few, at least at the screening I attended. Ok, so the abrupt nature of the ending may also have had something to do with that, but I felt that rare feeling of total dislocation and nausea once the film was over, so realistic and horrific was the violence.

This disjointed examination of the causes of a Columbine style shooting works so much better, I think, than a 'straight' drama would have done. In destroying our expectations of a traditional narrative and avoiding what could have easily become cliched characterization, Gus Van Sant also demonstrates what the probable reality of a situation like this would have been, which is senseless, anti-heroic and totally random. A lesser version of this story would have had Michelle, the geeky outcast, or Benny, the brave and silent student who helps a distressed student out of a window become heroes. Their inherent goodness or strength would have them saved. Here, they are simply snatched away from us without glory, fanfare or mourning.

Van Sant's method of using long shots without dialogue or cuts works brilliantly, not only lending the film a doomy atmosphere, but also a highly lyrical quality that captures perfectly the isolation and loneliness of these characters, so often unable to communicate. These kids talk about nothing, and everything, their brief, clipped conversations pregnant with subtext. It is as close as a fictional film has come to creating truly believable, real people in recent memory (Harmony Korine 'Kids' also comes to mind).

Being less than two years out of school, one of the elements I appreciated most was the way in which the film captured the social structures of school, and that all enveloping feeling that everything is so important. After all this delicate build up, the shooting feels like a truly cataclysmic, apocalyptic event. That Van Sant shoots one seemingly unimportant scene from three points of view further enhances the sense of the randomness, and at the same time the inevitability of this event. The violence itself is extremely well handled, never glorifying or even being too explicit, and is yet completely devastating.

The only area of the film that I felt was unconvincing was the build up that we saw from the killers point of view. Having them watch a documentary about Hitler seems too heavy handed, and the nature of the relationship between the two is far too undersketched, and unnecessarily complicated by having then kiss in the shower.

Ultimately however, this is a powerful film, beautifully and sensitively made. It is one of those films, alongside Schindler's List that should be compulsory viewing for school children. It's shocking nature would be best utilized for people of this age, as I feel it would no doubt help kids to think more carefully about their actions to others.


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