Six months after the rage virus was inflicted on the population of Great Britain, the US Army helps to secure a small area of London for the survivors to repopulate and start again. But not everything goes to plan.
Following an ever-growing epidemic of zombies that have risen from the dead, two Philadelphia S.W.A.T. team members, a traffic reporter, and his television executive girlfriend seek refuge in a secluded shopping mall.
A man decides to turn his moribund life around by winning back his ex-girlfriend, reconciling his relationship with his mother, and dealing with an entire community that has returned from the dead to eat the living.
A shy student trying to reach his family in Ohio, a gun-toting tough guy trying to find the last Twinkie, and a pair of sisters trying to get to an amusement park join forces to travel across a zombie-filled America.
Ana goes home to her peaceful suburban residence, but she is unpleasantly surprised the morning that follows when her husband is brutally attacked by her zombified neighbor. In the chaos of her once picturesque neighborhood, Ana flees and stumbles upon a police officer named Kenneth, along with more survivors who decide that their best chances of survival would be found in the deserted Crossroads Shopping Mall. When supplies begin running low and other trapped survivors need help, the group comes to the realization that they cannot stay put forever at the Shopping Mall, and devise a plan to escape.Written by
In a scene where the cast is in an elevator you can hear Air Supply's All Out of Love. James Gunn, who wrote the screenplay for Dawn of the Dead also directed Slither in 2006, and used Air Supply's Every Woman in the World as a major theme throughout the film. See more »
The United States has the broken lines on the inner part of the center turn lanes, since Canada has the broken line on the outside part of the center turn lanes, as an aerial shot of a 5-lane thoroughfare is depicted in a scene where a car is seeking refuge from the zombies. The Greater Milwaukee area in real life however, has no 5-lane (center turn lane) thoroughfares. See more »
[Locked in a store, calling to Terry, who is across the hall]
[Gets Terry's attention, he walks over]
The bathroom in here is fake; it doesn't work.
I'll tell CJ.
I'm telling you!
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I'm not sure I can recall witnessing an opening sequence quite like the one I saw in Zack Snyder's remake of the classic horror film 'Dawn of the Dead.' Besides being rather lengthy (it's over ten minutes before we see the opening credits), it has a bizarre creepiness about it. There's something about the cinematography employed to show us 'the beginning of the end' that I really liked: that extra long image of the little girl skating away, the skyview of Sarah Polly's car as she rides home from her shift as a nurse, the picture of perfect serenity, and those intimate scenes we see of her and her husband 'the day before.' It all makes it more tragic, when, quite unexpectedly, morning comes, and with it, the end of all that is sane. The pure chaos of the scenario, an outbreak of a dangerous break of a virus that turns those infected into ghouls, comes so suddenly that it grips us by the throat.
This is one hell of a horror movie. Even for someone as jaded as myself, who has become totally jaded to any real horror thrills, I was taken aback by how uncomfortable the movie made me feel. Our heroes, holed up at the now abandoned local mall, join small groups of survivors and find themselves fighting each other as well as the zombies when the plague starts creeping ever close to bringing them all to the brink of annihilation. The zombies have an easy-to-spot weakness: one shot to the head takes them out, but they're extremely fast, and a single bite from them leads to hopeless infection and mindlessness. Although some of the story makes little sense (for instance, if the zombies can only transmit the virus by bite and the heroes are in a mall, couldn't they don the heaviest attire imaginable rather than skimpy t-shirts?), there are lots of great twists and snappy dialogue along with the required creep-outs, gore, and slaughter.
And there's some surprisingly great humor. Easily the most memorable of the light-hearted, break-the-nerves moments is when our heroes are situated atop a roof and challenge a local gun shop owner to take out look-alike zombie celebrities, which he does with ease. It's a much needed laugh to relieve the audience of a lot of built-up jitters.
Overall, this is a remake that actually works. The characters, for all their strength and weaknesses, are decently fleshed out for a horror movie. There a few unexpected surprises that even the most attentive viewer will take pleasure in. And the action moves along at a clean, fast pace. The few holes that exist in the plot and the somewhat unsatisfying conclusion are the only real problem areas, but these are to be expected in the genre. Overall, I definitely recommend it, even to the squeamish. It's messy fun for everyone. And make sure you stay until AFTER the credits roll. You'll be glad you did.
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