Six months after the rage virus was inflicted on the population of Great Britain, the US Army helps to secure a small area of London for the survivors to repopulate and start again. But not everything goes according to plan.
Following an ever-growing epidemic of zombies that have risen from the dead, two Philadelphia S.W.A.T. team members, a traffic reporter, and his television executive girlfriend seek refuge in a secluded shopping mall.
Ana goes home to her peaceful suburban residence, but she is unpleasantly surprised the morning that follows when her husband is brutally attacked by her zombified neighbor. In the chaos of her once picturesque neighborhood, Ana flees and stumbles upon a police officer named Kenneth, along with more survivors who decide that their best chances of survival would be found in the deserted Crossroads Shopping Mall. When supplies begin running low and other trapped survivors need help, the group comes to the realization that they cannot stay put forever at the Shopping Mall, and devise a plan to escape.Written by
The scene between Sarah Polley (Ana), Mekhi Phifer (Andre), Jayne Eastwood (Norma), and Kim Poirier (Monica) at the Hallowed Grounds Café was re-written in order to include actress Kim Poirier to give her more screen time since director Zack Snyder and producer Eric Newman enjoyed her performance so much. However, her character's name is never once mentioned throughout the entire film. Also most unfortunate, a lot of her dialog scenes were trimmed or eliminated from the film, such as the dinner scene. See more »
In the beginning, when Ana falls into the bathtub, the rod that holds the shower curtain falls across her lap. In the next shot, it is to her left, not across her lap at all. See more »
[Deleted scene/Unrated Version scene]
Hey, my man. You know, I hear you talking a lot. You know, you're always saying something. Who the fuck are you that we should listen, huh? What are you, like, in Special Ops? You in the Marines? What the fuck do you do?
I sell televisions at Best Buy.
Hey, Officer, how you like following a guy that sells TVs?
About as much as I like following a guy who steals them. I'm not following anyone.
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I reviewed this film back in March 2004, and said, "Wow! I just got home from seeing dotd-2004 and can't wait to add it to my collection." Well, I just added it - the Unrated Director's Cut in widescreen edition. After watching it this weekend, I just had to add a footnote about this version of the film.
IT MAKES A GREAT FILM EVEN BETTER.
Comments from other reviewers have sometimes made reference to a lack of character development in the film. The UDC version restores this kind of content, and is one way that the UDC version improves on the theatrical release. I see better character development in this version of dotd-2004 then in the (1978) original version of Dawn.
The other improvement the UDC version makes is to restore some really excellent gore shots. If you're into that thing, of course. And if you're not - well of course you're into it - that's why you're checking out this film!
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