4.9/10
20,151
114 user 69 critic

New York Minute (2004)

PG | | Comedy, Crime, Family | 7 May 2004 (USA)
Trailer
2:15 | Trailer

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One day in New York City, as Jane Ryan tries out for an overseas college program and her sister Roxy schemes to meet her favorite punk rockers, a series of mishaps throws their day into ... See full summary »

Director:

Dennie Gordon

Writers:

Emily Fox (story), Emily Fox (screenplay) | 2 more credits »
6 nominations. See more awards »

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Cast

Cast overview, first billed only:
Ashley Olsen ... Jane Ryan
Mary-Kate Olsen ... Roxy Ryan
Eugene Levy ... Max Lomax
Andy Richter ... Bennie Bang
Riley Smith ... Jim, The Bike Messenger
Jared Padalecki ... Trey Lipton
Drew Pinsky ... Dr. Ryan (as Dr. Drew Pinsky)
Darrell Hammond ... Hudson McGill
Andrea Martin ... Senator Anne Lipton
Alannah Ong ... Ma Bang
Mary Bond Davis Mary Bond Davis ... Big Shirl
Bob Saget ... Himself
Jack Osbourne ... Justin
Joey Klein ... Truant at Pool
Neil Crone ... Officer Strauss
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Storyline

One day in New York City, as Jane Ryan tries out for an overseas college program and her sister Roxy schemes to meet her favorite punk rockers, a series of mishaps throws their day into chaos. In order for them both to accomplish their goals, the normally adversarial sisters decide to unite against the forces around them. Written by Anonymous

Plot Summary | Plot Synopsis

Taglines:

Anything can change in a New York minute.


Motion Picture Rating (MPAA)

Rated PG for mild sensuality and thematic elements | See all certifications »

Parents Guide:

View content advisory »
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Details

Country:

USA

Language:

English

Release Date:

7 May 2004 (USA) See more »

Also Known As:

New York Minute See more »

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Box Office

Budget:

$30,000,000 (estimated)

Opening Weekend USA:

$5,962,106, 9 May 2004, Wide Release

Gross USA:

$14,018,364, 27 June 2004
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Sound Mix:

DTS | Dolby Digital | SDDS

Color:

Color

Aspect Ratio:

1.85 : 1
See full technical specs »
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Did You Know?

Trivia

Bob Saget: As the Olsen twins (wearing bathrobes), go running past him in the streets of New York, he turns around and stares at them, as if he knows who they are but cannot remember their names. Bob Saget played Danny Tanner on the sitcom Full House (1987), in which he was the father of Michelle Tanner (played by the Olsen twins). See more »

Goofs

When the twins leap, mosh-pit style, into the crowd, they run towards the crowd, leap and do a half-rotation in midair so that they land on their backs. In the first angle, where they run towards the camera, they rotate in the opposite direction. (At one point their backs are towards each other.) While they are in the air, there is a cut to the reverse angle where we see them leap again. This time they rotate in the same direction so that, at one point, one twin is facing the back of the other. See more »

Quotes

Roxy Ryan: Nice blazer!... Muffie...
See more »

Connections

Featured in Hollywood's Top Ten: Twins (2011) See more »

Soundtracks

Shake It
Written by Tom Boyce
Performed by The Casanovas
Courtesy of Rubber Records
By Arrangement with Natural Energy Labs
See more »

Frequently Asked Questions

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User Reviews

The Olsen Twins' Doll Revolution: funny and hip
21 May 2004 | by pantheon7See all my reviews

New York Minute was funny from beginning to end. It's a much better movie than critics say. Mary-Kate Olsen has a special comic energy, and Ashley Olsen can be hilarious, both as a physical comedian and in the ways she delivers her lines.

The supporting cast were almost all terrific: Eugene Levy, Andy Richter, Darrell Hammond, Andrea Martin. And the obligatory hot guys, Jared Padalecki and Riley Smith, were good too. The movie is continuously amusing, and there are hundreds of funny moments and good lines.

So why did so many critics hate it? Because they just didn't get what it was trying to do. The first cut in the sound track is the Bangles' "Doll Revolution" (written by Elvis Costello): "Who dries your eyes when you cry real tears?/Who knows or cares what an imitation is?/Only you do.../Tear off your own head/It's a doll revolution.../They're taking over/And they're tearing it down/It's a doll revolution." This movie is the revolution of the Olsen dolls, but the critics' ideas were too fixed to see the irony that pervades it. I'm tempted to think that the critics were too ageist and/or sexist to give young girls credit for being this aware.

Mary-Kate and Ashley have said they like to make fun of themselves and what they've done. They've said they wanted the movie to have a Christopher Guest feel and were fighting the studio to get it. If this movie has a problem, it's that it tries to be both ironic and straight, and in the end may be too multi-leveled for either the hip or the little-girl audience to like. When the two audiences finally do get it, I expect the DVD to become a minor cult classic.

Some critics say how limp and unrealistic the plot is. That's true, but the movie wasn't intended to be realistic. It's a live-action cartoon: South Park with beautiful twins. The perfunctory way it deals with important events like Roxy (Mary-Kate) getting her demo tape to some A&R guys is not a mistake, it's a clue: the movie intentionally subverts its own surface meaning. Criticizing it for its plot is like criticizing Rocky Horror for not being Gone With the Wind.

There is also the question of whether the sexual innuendo in the movie is inappropriate. I say no, but I can understand why some people disagree. I was taken aback myself for the first few minutes of the film. Then I thought: they are almost 18, and have far wider experience than most people twice their age. Who am I to tell them they can't use their sexuality in these innocent ways? One example: a big snake slithers onto the floor of the shower when Jane (Ashley) is there. But all you see is her lower legs and her shoulders, and her wonderful cartoon scream is justification enough for the scene.

It's basically sick that reviewers think of older men when Mary-Kate and Ashley have said they were trying to appeal to guys around their own age. When other actresses have similar things in their films, people don't bat an eye. But people still see the Olsens as the little twins from Full House, and recoil in horror. In fact, New York Minute never shows as much flesh as a bathing suit would. The Catholic News Service and the Christian Critic website both gave the film good reviews.

Some critics condemn the film for racism. I myself am of Chinese ancestry, and I didn't see anything wrong there at all. I actually loved the idea of a white guy who was adopted into a Chinese family and who wants to be Chinese. There were stereotyped aspects to the portrayals, but that goes for everything in the film, not just different races. It's comedy.

Why do people think MK&A can't act? Well, it's true that their enunciation fails them from time to time. Some words just get lost. But that was true of Marlon Brando, so give them a break. And their style is not intended to be realistic: they portray characters, they don't inhabit them. Their strength is comic shtick. I thought they were realistic enough, and as comics they were great. The couple of serious moments in the movie came off extremely well, much better than I expected.

Will its target audiences like it? Maybe, maybe not. Only if they can ignore the elements that are not meant for them. It is difficult to make a movie that will be loved by everyone from six-year-old girls to guys of 25. And perhaps the deep prejudice against the Olsens in audiences older than 15 just can't be overcome, at least not in this first engagement of the doll revolution.


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