A father and his son live together in a roof-top apartment. They have lived alone for years in their own private world, full of memories and daily rites. Sometimes they seem like brothers. ...
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Third part in Aleksandr Sokurov's quadrilogy of Power, following Moloch (1999) and Taurus (2001), focuses on Japanese Emperor Hirohito and Japan's defeat in World War II when he is finally confronted by General Douglas MacArthur who offers him to accept a diplomatic defeat for survival.
From a misty night into the dark exposition rooms of a museum to ponder philosophically at paintings by 'Pieter Jansz Saenredam', 'Hercules Pieterszoon Seghers', Hendrikus van de Sande ... See full summary »
The existential protagonist is a hungry, homeless, socially isolated, and socially alienated young man living on the streets of an anonymous Russian big city in the 19th Century. He's ... See full summary »
A father and his son live together in a roof-top apartment. They have lived alone for years in their own private world, full of memories and daily rites. Sometimes they seem like brothers. Sometimes even like lovers. Following in his father's path, Aleksei attends military school. He likes sports, tends to be irresponsible and has problems with his girlfriend. She is jealous of Aleksei's close relationship with his father. Despite knowing that all sons must one day live their own lives, Aleksei is conflicted; his father knows he should accept a better job in another city, perhaps search for a new wife, but who will ease the pain of Aleksei's nightmares?Written by
Alexander Sokurov's Mother and Son had a sense of joy and love tempered by a setting in an ominous dark forest. The second part of the trilogy, Father and Son has no such ambivalence. It is drenched in sunlight and bathed in a glow of greens and browns. The film opens with the image of two male bodies in bed, their naked bodies intertwined in a rapturous embrace. One is breathing rapidly; the other is trying to comfort him. We think these must be gay lovers, but soon discover that it is a father comforting his son after a nightmare. Though the film feels homoerotic, Sokurov chafed at the suggestion calling it the product of sick European minds. According to the director, "Their (father and son) love is almost of mythological virtue and scale. It cannot happen in real life", and the film is "the incarnation of a fairy tale. Shot in Lisbon, Portugal, Father and Son is not attached to time or place. A soldier's uniform is depicted in the latest style, while women's dresses and hairstyles are of the 40s, 50s and 60s.
Father (Andrei Shetinin) and son (Alexei Nejmyshev) live together on the top floor of an apartment house and have done so for many years since the death of their mother. Their world looks like a sanctuary but may be a prison. It was while attending a school for air cadets that the father met his wife and bore his son, now 20. His son's physical appearance reminds the father of his late wife and their bond is intense and emotional. Alexei attends military school like his father who left military service against his will and wants his son to pick up where he left off. He has a girl friend but there is a distance between them. She is jealous of his relationship with his father that to her appears overprotective and he does not want to give up his father's closeness.
Alexei's father is conflicted about looking for a job in a different city and seeking a new wife. They must decide whether to continue their lives together or independently. The struggle for freedom and independence is mutual but they are held together by a transcendent love. Father and Son is an enigmatic but deeply poetic film about the complex bond that a son has with his father. While the film is open to interpretation from different cultural, psychological, or religious points of view (the film says, `A father who loves his son crucifies him. A son who loves his father sacrifices himself for him'), for me, the best approach is to avoid the temptation to analyze and just bathe in the warmth of its loving glow.
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