Very nice. A gathering of young people at a 1980ies Tyrolean skiing hut. Various stories unfold amongst them, as they spend their holidays skiing, having (more or less) fun and rearranging their love relationships. Some of the stories result in conclusions, others don't, like in real life. The most "suspenseful` plot thread is the alleged arrest of the person who has invited all those people: Knut. How will it affect the holiday mood of each guest? Will he ever appear?
Many of the friends coming together are leftist revolutionists, which made the film especially amusing for me because some of my friends are, too (still!), and I have spent a couple of holidays at huts, with endless discussions about who should cook, who will have to do the washing-up, and what is best for the group. These slightly ridiculous phenomenon of making every-day life a political/democratic matter is portrayed very well here, thanks to extremely realistic acting and visual aesthetics reminding of 1980ies TV series.
The question here is not what the plot is about. The film deals with many different issues. Every viewer can choose the issue they like best. And they can choose the guest they found funniest. Jan, the big-mouthed singer? Ingo, the scholar, who is repelled by the leftist group but soon begins to use their methods himself without noticing? Rolf, who is only interested in skiing? Niklas, the 14-year-old outsider who is seen eating in almost every scene (why?)? Jens, who desperately tries to make friends with the kids? Birgit, the well-tempered sarcastic mother with her terribly ugly pair of glasses? Or any of the others? My favourite character was screeenwriter Daniel Nocke who wrote a hilarious role for himself: Wolfgang, the "leader`, who keeps destroying the good mood by organizing the group's collective behavior.
The movie doesn't really lead you anywhere but it is highly intelligent, funny and an absolute pleasure to watch.
3 of 5 people found this review helpful.
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